Louise Erdrich - LaRose

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LaRose: краткое содержание, описание и аннотация

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In this literary masterwork, Louise Erdrich, the bestselling author of the National Book Award-winning
and the Pulitzer Prize nominee
wields her breathtaking narrative magic in an emotionally haunting contemporary tale of a tragic accident, a demand for justice, and a profound act of atonement with ancient roots in Native American culture.
North Dakota, late summer, 1999. Landreaux Iron stalks a deer along the edge of the property bordering his own. He shoots with easy confidence — but when the buck springs away, Landreaux realizes he’s hit something else, a blur he saw as he squeezed the trigger. When he staggers closer, he realizes he has killed his neighbor’s five-year-old son, Dusty Ravich.
The youngest child of his friend and neighbor, Peter Ravich, Dusty was best friends with Landreaux’s five-year-old son, LaRose. The two families have always been close, sharing food, clothing, and rides into town; their children played together despite going to different schools; and Landreaux’s wife, Emmaline, is half sister to Dusty’s mother, Nola. Horrified at what he’s done, the recovered alcoholic turns to an Ojibwe tribe tradition — the sweat lodge — for guidance, and finds a way forward. Following an ancient means of retribution, he and Emmaline will give LaRose to the grieving Peter and Nola. “Our son will be your son now,” they tell them.
LaRose is quickly absorbed into his new family. Plagued by thoughts of suicide, Nola dotes on him, keeping her darkness at bay. His fierce, rebellious new “sister,” Maggie, welcomes him as a co conspirator who can ease her volatile mother’s terrifying moods. Gradually he’s allowed shared visits with his birth family, whose sorrow mirrors the Raviches’ own. As the years pass, LaRose becomes the linchpin linking the Irons and the Raviches, and eventually their mutual pain begins to heal.
But when a vengeful man with a long-standing grudge against Landreaux begins raising trouble, hurling accusations of a cover-up the day Dusty died, he threatens the tenuous peace that has kept these two fragile families whole.
Inspiring and affecting,
is a powerful exploration of loss, justice, and the reparation of the human heart, and an unforgettable, dazzling tour de force from one of America’s most distinguished literary masters.

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The old woman relaxed, leaning back to marvel as she watched them eat and eat and eat.

You boys always could eat, always could, she murmured.

When they were done, sitting back, stupefied, she said, We don’t have much to warsh except our plates and forks. Ceel says to leave them soak. Says he’ll have to do them over anyways. Then I suppose you boys have to be getting back to your people. You could take summa this along, what’s left. Your brothers and sisters might go for it. I don’t need it. Can’t stop cooking for a crew of people. So, you pushing off?

We. . we can’t go home, said Romeo. Could we stay here? With you?

The woman looked from one boy to the other.

You never done that before, she said.

It’s kinda dark, Landreaux ventured.

The old woman laughed. Your dad says Indians can see in the dark, but maybe you ain’t learned yet. Sure. Do me a favor. Go sleep in that big room upstairs with the green bedcover. Mess it up good and don’t make it in the morning. I like having my radio music at night, down here. I like listening on the couch until I nod off. It’s a good couch, but Ceel always checks if I slept there. On account of my back. Like hell. Go on! Go on! She shooed them upstairs, laughing.

That’ll fix Ceel’s leg, she said, turning the dial on the radio until she found some slow waltzlike music. She turned off the light and settled back in the pillows.

The boys, exhausted and well fed, slept long into the morning and woke to voices downstairs. The young man’s was loud, petulant, and he wore clomping shoes. They could hear footsteps rattling around, the young man’s voice fading but always audible. The woman’s voice was small and placating, like she’d been on the phone. They couldn’t tell what she was saying.

They heard him in and out of the kitchen, saying the same thing over and over. You couldnta eaten that much! And I came over here to clean your fridge out and you couldnta eaten that much!

The young man must have rummaged in the garbage.

You didn’t toss that food. Unless maybe you threw it in the woods.

The old woman said something.

Okay, okay! You wouldn’t do that. Did you sleep down here on the couch again, Mommy? Well, did you? Did you? I told you not to, didn’t I? You want throw your back out, make me haul you to the chiropractor when I got so much to do? Huh? Don’t pretend you can’t hear me. Don’t turn your head away that way.

She must have admitted she’d slept on the couch, because the young man, her son, scolded her harder. The boys were stunned, listening. Though they’d heard grown-ups fighting, this way the son sarcastically talked down to his mother disturbed the very order of love.

Okay then, the son said meanly, okay thank you for being honest with me. Okay then I don’t need to go and straighten upstairs.

By which they knew the old woman had remembered they were there.

She spoke some more, and must have finally convinced her son.

Maybe I did think there was a whole lot more food than there was. Huh. Well, I’ll just leave this sack off for you. Don’t cook it all at once, huh? You eat on this for a week. There’s still what you got left in the freezer. But hey, this pie. Mommy, now don’t lie to me! Never, ever lie to me. You make these whole damn pies but you never eat that much pie.

They heard her when she loudly said, I picked those apples off my tree! Stewed ’em, froze ’em. I can make a pie, can’t I?

And the son’s suspicious questions. There’s only two pieces left! What’s going on? You have a visitor?

The old woman must have made some story up about the dog because the son next said, He throw up? Was it in the house?

Ceel stomped around some more, looking for the puke, but apparently the dog was too old to climb stairs because Ceel didn’t come upstairs to look. He left quickly. Roared off in a big shiny white pickup. The boys peeked over a window ledge and watched the son drive a whole section of land before he was only a puff of dust.

They came downstairs. The woman was standing by the window watching the place her son had disappeared. She turned around, her face alight with emotions the boys exactly knew: the fury and shame of kowtowing to a righteous person who controlled your destiny. Threw their goodness in your face. It wasn’t something they would ever name, but it would matter for all the rest of their days. The boys knew the old woman the way she seemed to think she knew them. They stood looking back and forth at one another in the living room. At last the woman seemed to collapse a bit. She passed her hand tremblingly across her chest.

I’m glad to see you boys, she said, sudden tears in her eyes. She laughed, relieved, and they saw how afraid she was that her son would realize how deeply lost she was in this world.

You hungry again? Her skeletal grin.

Later on, that morning, she spoke.

Oh, it was good land up there. We started in Devil’s Lake. A sweet lay of land. Sloping pasture, flat acres. You just had to turn the sod. Water only fifteen feet down. We had a dug well. Pure. Mister bought the land straight off your mom and dad in ’12 when their taxes come due. All the farmers were buying up Indian land cheap that year. You all moved to your grandpa’s but got a poor farm there. You might remember your mom was pretty then, Indian braids, how she come for a bit of food just like you boys and I always had something for her. Old coats, dresses, blankets, worn-out stuff for quilts. Even gave her the needle and threads. I loved your folks. Anything they hunted down, they’d bring some over, too. They died so quick. Just faded out. One thing, another. They all got sick.

And you boys, where did you go? She sat up straight and peered at them with frail intensity. Where did you go?

The boys paused, drew breath. She was staring at them, anxious.

We went to boarding school, they said.

Oh yes, she said. Of course you did. Fort Totten. Did they feed you enough?

Fort Totten had closed years ago.

Though they could always eat more, there had been food enough at their school. One of the reasons Romeo had loved it there. No, food wasn’t why Landreaux had run away. It was more to do with living smothered by alien rules, and with his grandparents who had loved him but maybe no longer existed, and with that thing he had seen in the old woman’s face — fighting to keep herself. Landreaux was reminded of Bowl Head’s know-better smile when he did something Indian. And Landreaux felt the other part of it powerfully, too, the way the woman’s son treated her, her desperation over which reality to choose.

You fed us good, said Landreaux.

The woman looked at them with her hard, folded face and her eyes from the spirit world.

You want something? Take it. She gestured all around. Take anything, before he takes it. He wants to sell it, the acreage, the house. What we lived for. And you were always such good boys. Quiet boys. Ducked your heads away. Like that, like you’re doing now, she said to Romeo, to Landreaux. Take it. Take it all.

картинка 44

JARS OF WATER, money, bags of food. Romeo and Landreaux walked back to the railroad tracks and continued west. In forty years the tracks would carry mile-long black steel sausage cars full of fracked oil — the trains wouldn’t stop until they blew up or reached a port. But when the boys ran away there were only occasional freight trains loading grain cars at town elevators. It only occurred to them once they walked the tracks and passed hundreds of acres of sprouting wheat and corn that there was no reason for a train to load up at a grain elevator early in the summer.

They stopped at a friendly cottonwood tree, sat and stuffed themselves with boiled eggs, sandwiches, cheese, pickles. The old farm lady had given them money from a secret sock stuffed with rolled bills. She had also tried to give them her husband’s watch, a ring with white stones, a bracelet made of yellow stones, and a clock that she said was antique. Landreaux would have taken these things but Romeo politely refused.

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