Thomas Bernhard - Walking - A Novella

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Thomas Bernhard is “one of the masters of contemporary European fiction” (George Steiner); “one of the century’s most gifted writers” (
); “a virtuoso of rancor and rage” (
). And although he is favorably compared with Franz Kafka, Samuel Beckett, and Robert Musil, it is only in recent years that he has gained a devoted cult following in America.
A powerful, compact novella,
provides a perfect introduction to the absurd, dark, and uncommonly comic world of Bernhard, showing a preoccupation with themes — illness and madness, isolation, tragic friendships — that would obsess Bernhard throughout his career.
records the conversations of the unnamed narrator and his friend Oehler while they walk, discussing anything that comes to mind but always circling back to their mutual friend Karrer, who has gone irrevocably mad. Perhaps the most overtly philosophical work in Bernhard’s highly philosophical oeuvre,
provides a penetrating meditation on the impossibility of truly thinking.

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Besides which, I doubtless, and in the nature of things, walk differently with you than I did with Karrer, says Oehler, because with Karrer it was a question of a quite different person from you and therefore with Karrer it was a question of quite different walking (and thinking), says Oehler. The fact that I — after Karrer had gone mad and had gone into Steinhof, Oehler says, finally gone into Steinhof— had saved Oehler from the horror of having to go walking on his own on Monday, these were his own words, I would not have gone walking at all on Monday, says Oehler, for there is nothing more dreadful than having to go walking on one’s own on Monday and having to walk on one’s own is the most dreadful thing. I simply cannot imagine, says Oehler, that you would not go walking with me on Monday. And that I should have to go walking on my own on Monday is something that I cannot imagine. Whereas Oehler habitually wears his topcoat completely buttoned up, I leave my topcoat completely open. I think the reason for this is to be found in his persistent fear of getting chilled and catching a cold when leaving his topcoat open, whereas my reason is the persistent fear of suffocating if my topcoat is buttoned up. Thus Oehler is constantly afraid of getting cold whereas I am constantly afraid of suffocating. Whereas Oehler has on boots that reach up above his ankles, I wear ordinary shoes, for there is nothing I hate more than boots, just as Oehler hates nothing more than regular shoes. It is ill-bred (and stupid!) always to wear regular shoes, Oehler says again and again, while I say it’s senseless to walk in such heavy boots. While Oehler has a wide-brimmed black hat, I have a narrow-brimmed gray one. If you could only get used to wearing a broad-brimmed hat like the one I wear, Oehler often says, whereas I often tell Oehler, if you could get used to wearing a narrow-brimmed hat like me. A narrow-brimmed hat doesn’t suit your head, only a wide-brimmed one does, Oehler says to me, whereas I tell Oehler, only a narrow-brimmed hat suits your head, but not a wide-brimmed one like the one you have on. Whereas Oehler wears mittens — always the same mittens — thick, sturdy, woolen mittens that his sister knitted for him, I wear gloves, thin, though lined, pigskin gloves that my wife bought for me. One is only really warm in mittens, Oehler says over and over again, only in gloves, only in soft leather gloves like these, I say, can I move my hands as I do. Oehler wears black trousers with no cuffs, whereas I wear gray trousers with cuffs. But we never agree about our clothing and so there is no point in saying that Oehler should wear a narrow-brimmed hat, a pair of trousers with cuffs, topcoats that are not so tight as the one he has on, and so forth, or that I should wear mittens, heavy boots, and so forth, because we will not give up the clothing that we are wearing when we go walking and which we have been wearing for decades, no matter where we are going to, because this clothing, in the decades during which we have been wearing it, has become a fixed habit and so our fixed mode of dress. If we hear something, says Oehler, on Wednesday we check what we have heard and we check what we have heard until we have to say that what we have heard is not true, what we have heard is a lie. If we see something, we check what we see until we are forced to say that what we are looking at is horrible. Thus throughout our lives we never escape from what is horrible and what is untrue, the lie, says Oehler. If we do something, we think about what we are doing until we are forced to say that it is something nasty, something low, something outrageous, what we are doing is something terribly hopeless and that what we are doing is in the nature of things obviously false. Thus every day becomes hell for us whether we like it or not, and what we think will, if we think about it, if we have the requisite coolness of intellect and acuity of intellect, always become something nasty, something low and superfluous, which will depress us in the most shattering manner for the whole of our lives. For, everything that is thought is superfluous. Nature does not need thought, says Oehler, only human pride incessantly thinks into nature its thinking. What must thoroughly depress us is the fact that through this outrageous thinking into a nature that is, in the nature of things, fully immunized against this thinking, we enter into an even greater depression than that in which we already are. In the nature of things conditions become ever more unbearable through our thinking, says Oehler. If we think we are turning unbearable conditions into bearable ones, we have to realize quickly that we have not made (have not been able to make) unbearable circumstances bearable or even less bearable but only still more unbearable. And circumstances are the same as conditions, says Oehler, and it’s the same with facts. The whole process of life is a process of deterioration in which everything — and this is the most cruel law — continually gets worse. If we look at a person, we are bound in a short space of time to say what a horrible, what an unbearable person. If we look at nature, we are bound to say, what a horrible, what an unbearable nature. If we look at something artificial — it doesn’t matter what the artificiality is — we are bound to say in a short space of time what an unbearable artificiality. If we are out walking, we even say after the shortest space of time, what an unbearable walk, just as when we are running we say what an unbearable run, just as when we are standing still, what an unbearable standing still, just as when we are thinking what an unbearable process of thinking. If we meet someone, we think within the shortest space of time, what an unbearable meeting. If we go on a journey, we say to ourselves, after the shortest space of time, what an unbearable journey, what unbearable weather, we say, says Oehler, no matter what the weather is like, if we think about any sort of weather at all. If our intellect is keen, if our thinking is the most ruthless and the most lucid, says Oehler, we are bound after the shortest space of time to say of everything that it is unbearable and horrible. There is no doubt that the art lies in bearing what is unbearable and in not feeling that what is horrible is something horrible. Of course we have to label this art the most difficult of all. The art of existing against the facts, says Oehler, is the most difficult, the art that is the most difficult. To exist against the facts means existing against what is unbearable and horrible, says Oehler. If we do not constantly exist against , but only constantly with the facts, says Oehler, we shall go under in the shortest possible space of time. The fact is that our existence is an unbearable and horrible existence, if we exist with this fact, says Oehler, and not against this fact, then we shall go under in the most wretched and in the most usual manner, there should therefore be nothing more important to us than existing constantly, even if in , but also at the same time against the fact of an unbearable and horrible existence. The number of possibilities of existing in ( and with ) the fact of an unbearable and horrible existence, is the same as the number of existing against the unbearable and horrible existence and thus in ( and with ) and at the same time against the fact of an unbearable and horrible existence. It is always possible for people to exist in ( and with ) and, as a result, in all and against all facts, without existing against this fact and against all facts, just as it is always possible for them to exist in (and with) a fact and with all facts and against one and all facts and thus, above all, against the fact that existence is unbearable and horrible. It is always a question of intellectual indifference and intellectual acuity and of the ruthlessness of intellectual indifference and intellectual acuity, says Oehler. Most people, over ninety-eight percent, says Oehler, possess neither indifference of intellect nor acuity of intellect and do not even have the faculty of reason. The whole of history to date proves this without a doubt. Wherever we look, neither indifference of intellect, nor acuity of intellect, says Oehler, everything is a giant, a shatteringly long history without intellectual indifference and without acuity of intellect and so without the faculty of reason. If we look at history, it is above all its total lack of the faculty of reason that depresses us, to say nothing of intellectual indifference and acuity. To that extent it is no exaggeration to say that the whole of history is a history totally without reason, which makes it aЧитать дальше
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