Justin Tussing - Vexation Lullaby

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"Justin Tussing rocks the rock novel.
is pure raw pleasure from start to finish."
Euphoria Peter Silver is a young doctor treading water in the wake of a breakup — his ex-girlfriend called him a "mama's boy" and his best friend considers him a "homebody," a squanderer of adventure. But when he receives an unexpected request for a house call, he obliges, only to discover that his new patient is aging, chameleonic rock star Jimmy Cross. Soon Peter is compelled to join the mysteriously ailing celebrity, his band, and his entourage, on the road. The so-called "first physician embedded in a rock tour," Peter is thrust into a way of life that embraces disorder and risk rather than order and discipline.
Trailing the band at every tour stop is Arthur Pennyman, Cross's number-one fan. Pennyman has not missed a performance in twenty years, sacrificing his family and job to chronicle every show on his website. Cross insists that "being a fan is how we teach ourselves to love," and, in the end, Pennyman does learn. And when he hears a mythic, as-yet-unperformed song he starts to piece together the puzzle of Peter's role in Cross's past.

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“The muse of hangovers,” I say.

“The muse of living the life you want to live.”

“The muse of getting fat and happy.”

“Speaking of. .” Gene pulls an ice cream sandwich out of the freezer. “Care to join me?”

I say, “I get my sustenance from music and conversation.”

“Spreading it on thick.”

“And love.”

Gene wipes his mouth with his sleeve. “Since you brought it up, is that what keeps you out there? Are you boffing groupies?”

“Most of Jimmy’s groupies are past their boffing days.”

“Cory has a whole theory worked out.”

“Don’t tell me your wife wonders about my love life?”

Gene walks over to the counter and tosses out the wrapper from his ice cream sandwich. “Forget I said anything.”

Here’s the thing: even with the wine and the food, there’s a voice telling me to get back in my car and drive. There’s nowhere for me to go, but I feel the urge all the same. “Where is Cory?”

“I’m the one that brought her up, but let’s not talk about her.” He turns to fiddle with the oven.

I say, “If you wanted to talk about something, I’m just saying. .”

He raises a hand to let me know I’ve said enough.

“You okay?”

He presses the palms of his hands against his eyes and holds them there. “I’m good. I’m okay.” After a moment, he says, “You found the place all right.”

We stand at the kitchen counter, drinking the miserable wine. A timer goes off and Gene smacks his hand to turn it off. “Shit,” he says, “I think I broke it.” He pulls out a trash bin and drops the alarm in. “Chinese piece of crap,” he says. “Tell me about last night’s show. You said he looked lost.”

“It happens. He retreats into himself sometimes.”

“I heard he stopped playing — he was sort of catatonic.”

I close my eyes and try to remember. Cross had worn the narrow black suit with silver cord embroidered on the lapels. 13He’d opened playing keyboards on “Big River” and “Crow Alley,” then he’d covered “Jolene” and “When I’m Sixty-four.” He strapped on his battered Gibson to lead the band on a quick shuffle through “Rumpelstiltskin Delicatessen Blues.” Then the boys sat on their hands while he plumbed the depths of “Delilah on 7th Avenue.” 14He’d wavered at the edge of the stage. His harmonica hung around his neck like a millstone. How long had he stood there?

“Did I say he stopped playing?”

“That’s what they said on CrossTracks.”

Maybe Gene read the look on my face. “I go there for a different perspective,” he said.

I don’t ask how some kid pasting Jimmy’s face onto a llama is a “perspective.”

“Don’t take it personal.”

Some people, if a red car drives by they say, “Red car.” They can’t help themselves. It’s always taken me a long time to cut one idea from the herd. Maybe that’s why Gene looks surprised when I blurt out that a doctor visited Jimmy’s hotel last night.

“You serious?”

I aim a finger at my face.

He pours the last of the wine into my glass. “You think it could be related to that business on stage?”

Is this the question I’ve been avoiding? All day I’d assumed my uneasiness was rooted in the break in the tour, but maybe it was the specter of the tour reaching an absolute end. “You want to see his picture?”

Gene points a finger at his own face and winks.

I get my camera, then we sit on the living room sofa, studying the images on the camera’s three-inch screen.

“You’re certain he’s a doctor?”

“That’s what I was told.”

Gene has me zoom in on the knapsack sitting on the passenger seat. He pulls up a browser on his phone and does a quick search. “That’s a European backpack,” he confirms. “You think he’s European doctor?”

I finish my wine. “Like a specialist?”

“He looks a bit like Jimmy.”

“At one time or another Jimmy has looked like everyone.”

“You got more pictures on that camera?”

“A man needs to have secrets.”

The oven beeps.

“I hope you’re hungry.”

I tell Gene I’m always hungry.

“Yet you never eat.”

“Maybe I like to stay hungry.” I never talk this much. It must be the wine.

18

Peg had specified that the meeting was to remain confidential, but if it was a secret, then it was an open secret. When Peter came around a corner the staff dispersed; he felt as popular as a shark. Even Martin kept his distance. The only person to address him was Eduardo, from housekeeping, who saw everything and nothing. Eduardo said, “You looking a little worn out today, Dr. Peter.”

At six, after spending five hours ordering X-rays and blood work, prescribing antibiotics and ibuprofen, Peter visited his last patient: a blank-faced fifteen-year-old boy with crispy blond hair. Though the boy sat next to his mother, his whole body curved away from her, like a parenthesis. The mother said the boy had been experiencing vertigo — the kid’s loose jaw looked incapable of forming words.

Peter noted the gray sweatshirt that identified the boy as a varsity swimmer. He spoke to the kid, “You have an ear infection.”

The mother growled.

“I never get ear infections,” mumbled the boy.

“He doesn’t get ear infections.” The mother’s voice built upon itself. Something inside her, a governor, had snapped. “We waited an hour to see you. You didn’t even look at his ear.”

Peter imagined Ogata shaking his head. Tsk, tsk .

With one hand holding the boy’s leaden chin, Peter grabbed his otoscope and thumbed on the light. He checked the tympanic membranes. Both sides were red and irritated. He asked the mother to take a peek.

“It’s not about me looking,” she said, shaking her phone from her purse — was she going to call someone, the boy’s father, the police? “It’s about you looking.”

Even after Peter assured her that they could treat the condition, that her son would feel better, probably within twenty-four hours, the boy’s mother managed to stay furious.

AS SOON AS he was safely in his car, he dialed Judith.

When his mother answered, Peter said, “You almost got me fired.”

“Just ‘almost.’ I’ll try harder next time.” There was no echo to her voice; he’d probably caught her fussing in the terraced garden Rolf built for her fiftieth.

“I was with lawyers all morning.”

“Don’t kid your mother.”

He told her he wasn’t, that the hospital had wanted to fire him, but it was all a big misunderstanding; his lawyer was in the process of clearing things up. Peter would know more tomorrow.

“Since when do you have a lawyer?” Her voice let him know that she’d become “concerned.” Was that the reason he’d called? Did he want her to worry about him? If anything, he was supposed to worry about her, his aging, hippie mother.

“I met Jim Cross last night.”

Judith’s silence (she usually hemorrhaged words) caught him by surprise.

“The musician,” he added.

He thought he heard songbirds and the whining big rigs worming their way down those steep canyon roads.

“I don’t understand. Did he come into the hospital?”

“He played a show here last night. Afterward, he called me and asked me to stop by his hotel.” Peter said, “You gave him my number.”

He heard a door close. Judith had gone inside. “Why would I give him your number?”

Peter wasn’t sure if he understood the story he was telling. “I guess because I’m a doctor. He is a friend of yours, right?”

“You’ve caught me a bit off guard.”

“Tony Ogata is his personal doctor. Do you have any idea how famous he is?”

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