Roddy Doyle - The Commitments

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Barrytown, Dublin, has something to sing about. The Commitments are spreading the gospel of soul. Ably managed by Jimmy Rabbitte, brilliantly coached by Joey 'The Lips' Fagan
their twin assault on Motown and Barrytown takes them by leaps and bounds from the parish hall to immortality on vinyl. But can the Commitments live up to the name?

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— An’ your woman tha’ reads the News, said Imelda. — Yeh’d get off with her just cos she reads the News.

— He’d try to get off with Bosco, said Outspan.

When Joey The Lips opened the door they were laughing.

— Soul food, said Joey The Lips.

They stopped laughing and looked awkward, and away from Joey The Lips.

— Good man, Joey, said Outspan. — I’m fuckin’ starvin’. I haven’t eaten ann’thin’ since me dinner.

Jimmy grabbed Deco’s arm.

— Not a word, righ’. Not a fuckin’ word, righ’?

Deco freed his arm.

— Righ’.

— You’re a randy little bollix all the same, aren’t yeh, Joey? said Billy.

They laughed through their shock and embarrassment.

— The soul man’s libido, Brother, Joey The Lips explained.

* * *

By now The Commitments had about a quarter of an hour’s worth of songs that they could struggle through without making too many mistakes. They could sound dreadful sometimes but not many of them knew this. They were happy.

Joey The Lips told them that they were ready for the funkier uptempo numbers, the meaner stuff.

— Rapid!

He didn’t say it but Joey The Lips wanted to loosen up Dean, to get him swinging. Dean was the only one still suffering. He stood rigid and even though so far he’d only had three or four note changes at the most per song they usually came too quickly for him and they’d hear him saying Sorry yet again as the rest of them kept going.

A funkier number would force Dean into the open. It would do him good.

Deco was excited. This was where he’d come into his own. He was jumping up and down. He’d started wearing track-suit bottoms during rehearsals. He swallowed teaspoons of honey whenever he wasn’t needed for singing.

— Come on, come on, Deco shouted. — Let’s go.

— Wha’ ’re we doin’, Joey? Outspan asked.

Jimmy handed the lyrics to the girls and Deco.

— Knock on Wood.

— Deadly!

— I know this one, said Imelda.

— Not the disco version, said Jimmy.

— Aaah!

— No way, said Jimmy. — Use the butt-ends of your sticks for this one, Billy.

— Yes, sir.

They listened to the tape of Eddie Floyd.

— You and me together, Dean, said Joey The Lips. — Let’s show these dudes what a horn section does for a living.

— Jaysis, Joey, I don’t know.

Outspan got a chord and hit it.

— THI — THI —

— Is tha’ abou’ righ’, Joey? he asked.

— That’s about right. — Now, Dean, make that baby squeal.

— How?

— We did this one together before.

Joey The Lips put the trumpet to his mouth.

— DUHHH —

DU —

DUHHH —

— Remember?

— Oh yeah.

— Good boy. — Right. — That’s a nipple you’ve got there.

— Wish it was.

— Ready?

— S’pose so.

— DUHHH —

DU —

DUH — DEHHH —

DE —

DEHHH —

— Good good, said Joey The Lips. — And that’s where Brother Deco comes in. — Are we ready, cats?

They were ready.

— A one, a two.

Joey The Lips and Dean blew the intro again.

Billy joined in.

— THU — UNG UNG UNG — THU — UNG UNG UNG —

— I DON’T WANNA LOSE — HUH —

— Stop.

— Why — What’s wrong?

— Brother Deco, said Joey The Lips. — Leave the Huhs till later on, okay. We don’t want to alienate our white audience.

— I DON’T WANNA LOSE —

Outspan: —THI — THI —

THIS GOOD THANG —

Billy: — THU — UNG UNG UNG

THA’ I’VE GOT —

IF I DO —

— DUH DAA DOOHHH, blew Joey The Lips and Dean, very successfully.

— I WOULD SURELY —

SURELY LOSE THE LOT —

Dean wiped his face.

— COS YOUR LOVE — —THI — THI —

IS BET HA — THU — UNG UNG UNG

THAN ANNY LOVE I KNOW — OW —

The Commitmentettes joined in here.

— IT’S LIKE THUNDER —

— DUH UH UHHH, went the horns.

— LIGH’ —

NIN’ —

— DEH EH EHHH, went the horns.

— THE WAY YEH LOVE ME IS FRIGH’ NIN’ —

I’D BET HA KNOCK —

Billy: THU THU THU THU

— ON WOO — O — OOD —

BAY —

BEEE —

The horns: — DUHHH —

DU —

DUH — DEHHH —

DE

DEHHH —

Dean didn’t sleep too well that night.

He’d got through his solo in Knock on Wood. When they were going through it the third time before going home Dean had arched his back and pointed the sax at the ceiling. He’d walloped his nose but it had been great. He couldn’t wait for the next rehearsal.

* * *

The Commitments were looser and meaner the next night, three days later.

— NOW I AIN’T SUPERSTITIOUS, Deco yelled.

— THI — UH THI, went Outspan’s guitar.

— ABOU’ YEH —

Billy: — THU — UNGA UNG UNG —

— BUT I CAN’T TAKE NO CHANCE —

Outspan: — THIDDLE OTHI — UH THI —

— YOU’VE GOT ME SPINNIN’ —

YOU BRASSER —

BABY —

I’M IN A TRANCE —

The Commitmentettes lifted their arms and clicked their fingers while they waited to sing. Derek bent his knees as he bashed away at his string. Dean was wearing shades. James hit the keys now and again with his elbows. Joey The Lips approved and gave James a thumbs-up. Jimmy grinned and danced his shoulders.

— IT’S LIKE THUNDER —

The horns: — DUH UH UHHH —

— LIGH’ —

NIN’ —

The horns: —DEH EH EHHH —

— IT’S VERY FUCKIN’ FRIGH’NIN’ —

I’D BET HA KNOCK

Billy: —THU THU THU THU

— ON WOO — O — OOD —

BAY —

BEEEE ——

The Commitmentettes: — OOOOHH —

The horns: — DUHHH —

DU —

DUH — DEHHH —

DE —

DEHHH —

* * *

A week later The Commitments were taking five.

Jimmy was talking to Joey The Lips.

— Have yeh been in any o’ the music pubs in town?

— No, said Joey The Lips. — Not my style.

— We prefer somewhere a bit more quieter, don’t we, Joey? said Natalie.

— Behind the garage door, like? said Jimmy.

— Fuck yourself, you.

Natalie went over to Imelda, Bernie and Derek.

Joey The Lips looked straight at Jimmy.

— Rescue me.

— Wha’?

— Rescue me. — I am a man in need of rescue.

— What’re yeh on abou’?

Jimmy looked behind him.

— That woman is driving me fucking crazy, said Joey The Lips. — She won’t get off my case.

— I think that’s the first time I ever heard yeh say Fuckin’, Joey.

— She won’t leave me alone.

— Well, Jaysis now, Joey, yeh shouldn’t of gotten off with her then.

— I had no choice, Brother, Joey The Lips hissed.

— She had me pinned to the wall before I could get on my wheels.

— Wha’ abou’ tha’ soul man’s ludo yeh were on abou’?

— What’s the smell?

— Wha’ smell? — Hang on.

— Weed, said Joey The Lips.

He looked around, frowning.

— It’s hash. — Here, Jimmy shouted. — Who has the hash?

— Me, said Billy.

Deco, Outspan, Dean and James were with him, over at the piano.

— No way, Billy. — No way.

— Wha’? said Billy.

The joint, a very amateur job, stopped on the way back to his mouth.

— Hash is out, said Jimmy.

— Why? said Deco.

He was next on it.

— It fucks up your head, said Jimmy.

— Jimmy, said James. — It’s been medically proven —

— Fuck off a minute, James, sorry, said Jimmy. — Yis won’t be able to play.

— We’ll be able to play better, said Deco.

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