Henry Roth - Mercy of a Rude Stream - The Complete Novels

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Sixty years after the publication of his great modernist masterpiece,
, Henry Roth, a retired waterfowl farmer already in his late eighties, shocked the literary world with the announcement that he had written a second novel. It was called, he reported,
, the title inspired by Shakespeare, and it followed the travails of one Ira Stigman, whose family had just moved to New York’s Jewish Harlem in that "ominous summer of 1914."
"It is like hearing that…J. D. Salinger is preparing a sequel to
," the
pronounced, while
extolled Roth's new work as "the literary comeback of the century." Even more astonishing was that Roth had not just written a second novel but a total of four chronologically linked works, all part of
. Dying in 1995 at the age of eighty-nine, Roth would not live to see the final two volumes of this tetralogy published, yet the reappearance of
, a fulfillment of Roth's wish that these installments appear as one complete volume, allows for a twenty-first-century public to reappraise this late-in-life masterpiece, just as
was rediscovered by a new generation in 1964.
As the story unfolds, we follow the turbulent odyssey of Ira, along with his extended Jewish family, friends, and lovers, from the outbreak of World War I through his fateful decision to move into the Greenwich Village apartment of his muse and older lover, the seductive but ultimately tragic NYU professor Edith Welles. Set in both the fractured world of Jewish Harlem and the bohemian maelstrom of the Village,
echoes Nabokov in its portrayal of sexual deviance, and offers a harrowing and relentless family drama amid a grand panorama of New York City in the 1910s and Roaring 20s.
Yet in spite of a plot that is fraught with depictions of menace, violence, and intense self-loathing,
also contains a cathartic, even redemptive, overlay as "provocative as anything in the chapters of St. Augustine" (
), in which an elder Ira, haunted by the sins of his youth, communes with his computer, Ecclesias, as he recalls how his family's traditional piety became corrupted by the inexorable forces of modernity. As Ira finally decides to get "the hell out of Harlem," his Proustian act of recollection frees him from the ravages of old age, and suddenly he is in his prime again, the entire telling of
his final pronouncement.
Mercy of a Rude Stream Mercy of a Rude Stream: The Complete Novels
A Star Shines Over Mt. Morris Park, A Diving Rock on the Hudson, From Bondage
Requiem for Harlem

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“Yeah, but I’m putting ’em in right! You can see I am.”

“All right,” he conceded. “Those guys get me upset, it’s terrible. I’m in that — in that shlakht haus again. Once, a shell hit so close, I didn’t know my own name for two days. Did I give you the tarragon vinegar?”

“Yeah.”

“So that finishes that slip.” He put the invoice behind the others. “I’m gonna take a leak. I don’t want you to move from the table, you hear? You’re the shipping clerk.” He gave Ira the sheaf of invoices. “Every clerk upstairs writes different. But you got a Jewish kupf . So figure out. I don’t wanna lose no more time. This day should be over, Oy! ” He left.

Was that the way war felt? Ira couldn’t shake the sense of foreboding as he tried to decipher the scrawl on the invoice. Killing. Battle. What did he say? No romance—

“Hey, Irey! Hey, kid!” The cry came from the street: It was Murphy’s voice.

“Yeah!” Ira yelled.

“Push the button, will ye? The down button.”

Ira hurried to the elevator, pressed the lower button. “OK,” he yelled.

The elevator descended, three men aboard it, Quinn, Murphy, the tall stalwart Prohibition agent, the one who had been at Argonne. But now their demeanor had changed. They were jovial, friendly.

“There’s nothin’ like a good slug o’ booze to make you forget,” said Quinn.

“Or remember, too,” Murphy rejoined, barely humorous as was his wont. “By Jesus, I don’t think I ever woulda remembered. Hey, I remember! Didn’t you say, ‘What’s the use? You chew tobacco an’ spit the juice.’”

“Yeah. Hard to believe. I thought that night never would pass,” the agent puffed on his cigarette, offered the pack to the others. “Talk about steady machine-gun fire. They knew we were in there. If our mortars hadn’t opened up in the morning, and that barrage — say, I recognize your voice now.” He went into a gale of laughter, bent over, coughed cigarette smoke, wheezed with laughter again. “If that wasn’t the funniest goddamn story I ever heard! It’s still funny.”

“That was me, all right.” Murphy pushed the handtruck off the elevator. The others followed.

“What the hell was so funny I don’t know,” said the agent. “Every time somebody asked you what it felt like at the end of that rope, we’d go off.” He laughed again, head back, laughter full and prolonged. “The Germans could hear us. We didn’t give a damn.” He laughed again.

Quinn laughed. Murphy began to laugh too. He was a short man but tough in mien, with a rocky jaw and long arms. He banged the handtruck. His normally fair skin suffused: “A rough sea, ye know, an’ night, an’ about ten guys over me yellin’, ‘Git goin’!’ An’ there ain’t a goddamn lifeboat under me or nothin’. Black water, that’s all. The whole fuckin’ ocean.”

The wooden boxes on the handtruck in his hands shook, as if in lieu of mirth — to which the roaring merriment of the other two men added dimension.

The laughter continued. Ira, too, was infected. It really was funny. He lifted his face, grinning appreciatively toward the laughing faces above him, saw the Prohibition agent’s countenance turn sober, heard him say with quiet urgency: “Where is it, Murph?”

“Back o’ the icebox. The big locked one.”

“Hope it’s good.”

“Bushmill. Johnny Walker. Haig.”

The agent whistled between his teeth: “You don’t miss a trick.”

“Not when it’s all P and T.”

“Any man deserves a sup o’ poteen after bein’ dipped in the drink,” said Quinn. “There’s more Lily cups at the sink.”

“Right.” The agent swallowed. “I’m McCrory.” He took a few steps toward the stairs. “Craig, will you come down here?

“Okay, Major.” The beefy, short-necked man appeared.

“That’s Murphy. That’s Quinn. Remember the story I told you about standing in the mud in a helluva big shell crater all night? There’s the soldier hanging from a rope when his troopship was torpedoed?” He pointed at Murphy. “Would you believe it?”

“No!” And once again a roar of laughter.

“Ira!” Mr. Klein’s angry shout was loud enough to be heard through the swelling guffaw — and stern enough to frighten Ira.

“Here. I’m coming!”

“I told you not to leave the place, didn’t I?” Mr. Klein’s impatient glare tracked Ira returning. “You didn’t peck a thing. Look, it’s the same slip.”

“You took so long,” Ira countered.

“So you shoulda done more!”

“They called me to the elevator. To get it down,” Ira answered.

Under fretful eyebrows lowered over the invoices, Mr. Klein seemed to be trying to block out the view of the group near the elevator. “ A shvartz gelekhter ,” he growled. “Here, take: three bottles Perrier water.”

“They were in a shellhole together,” Ira said.

“Six Knox gelatin.”

“The one who’s going in the back now is a major. I heard Murphy tell him—”

“Pay attention!” Mr. Klein scolded.

“Oh, Jesus!” Ira muttered rebelliously.

“Three cans pie cherries. Take. Gib dikh a rick . Salt water teffy. Another dozen eggs — beck on the counter. Extract cloves. Smoked kippers, six cans. Gluten bread. Coffee, cocktail onions, a jar—”

“You ain’t givin’ me a chance to pack,” Ira complained.

“All right. No becktalks.” Nevertheless, Mr. Klein slowed down — slightly. “If you knew what I feel, you’d do everything on the double. It’s not enough once for them to be in that murder? Murder, and mud, and rats!”

One after the other, each of the four agents took turns walking around the opposite end of the cellar, even the agent supervising Tommy — and Tommy himself, and Murphy and Quinn. “ Shikkerim! ” said Mr. Klein. “ A brukh uf zeh! Look! Look! Three on that elevator, and a double load whiskey.” He scowled at the elevator creaking upward. “This is Prohibition? S’ toigt shoyn uf a kapura .” He slapped his own cheek with the sheaf of invoices: “What am I worrying about? Let Park and Tilford worry. Baker’s chocolate. Hearts of palm. Butterscotch sauce. Coffee. Sugar. Yams, two cans. That’s another besket.”

Under Mr. Klein’s forceful dispensing, they made good progress. The second hamper for the customers was full and pulled out of the way alongside the first: They would be Quinn’s and Tommy’s delivery stint for tomorrow. The summit of the mountain of groceries on the counter had subsided considerably, subsided to a widespread heap. Now to fill Murphy’s big hamper for the east Bronx. That would leave only Shea’s smaller basket to take care of. Shea’s smaller basket was rarely filled all the way to the top, its contents destined for local stops.

“Oh, what has become o’ hinky dinky, parlez-vous? Oh, what has become of all the Jewish soldiers, too?” Quinn sang as he came down the stairs from the street— “All the sons of Abraham are eatin’ ham fer Uncle Sam, hinky dinky—” He passed in front of the table. “Them trucks’re goddamn near down on their springs,” he said out of the side of his mouth — and walked around toward the iceboxes. “Hinky, dinky, parlez-vous .”

XXVII

Ira,” Mr. MacAlaney called down from the top of the stairs leading up to the store. “You down there?”

“Yes, sir.”

“You know what the Camembert cheese looks like?”

“Yes, sir. It’s in a round wooden box.”

“Bring up a box.”

Conscious of Mr. Klein’s stern look following him, Ira left the table for the icebox. Quinn was there, and Tommy with a bottle of beer. At the sight of Ira, Quinn allowed himself a chuckle. Tommy proffered his bottle. “I can’t,” Ira grabbed one of the quaint wooden boxes of Camembert, “Mr. MacAlaney is waiting.”

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