Henry Roth - Mercy of a Rude Stream - The Complete Novels

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Sixty years after the publication of his great modernist masterpiece,
, Henry Roth, a retired waterfowl farmer already in his late eighties, shocked the literary world with the announcement that he had written a second novel. It was called, he reported,
, the title inspired by Shakespeare, and it followed the travails of one Ira Stigman, whose family had just moved to New York’s Jewish Harlem in that "ominous summer of 1914."
"It is like hearing that…J. D. Salinger is preparing a sequel to
," the
pronounced, while
extolled Roth's new work as "the literary comeback of the century." Even more astonishing was that Roth had not just written a second novel but a total of four chronologically linked works, all part of
. Dying in 1995 at the age of eighty-nine, Roth would not live to see the final two volumes of this tetralogy published, yet the reappearance of
, a fulfillment of Roth's wish that these installments appear as one complete volume, allows for a twenty-first-century public to reappraise this late-in-life masterpiece, just as
was rediscovered by a new generation in 1964.
As the story unfolds, we follow the turbulent odyssey of Ira, along with his extended Jewish family, friends, and lovers, from the outbreak of World War I through his fateful decision to move into the Greenwich Village apartment of his muse and older lover, the seductive but ultimately tragic NYU professor Edith Welles. Set in both the fractured world of Jewish Harlem and the bohemian maelstrom of the Village,
echoes Nabokov in its portrayal of sexual deviance, and offers a harrowing and relentless family drama amid a grand panorama of New York City in the 1910s and Roaring 20s.
Yet in spite of a plot that is fraught with depictions of menace, violence, and intense self-loathing,
also contains a cathartic, even redemptive, overlay as "provocative as anything in the chapters of St. Augustine" (
), in which an elder Ira, haunted by the sins of his youth, communes with his computer, Ecclesias, as he recalls how his family's traditional piety became corrupted by the inexorable forces of modernity. As Ira finally decides to get "the hell out of Harlem," his Proustian act of recollection frees him from the ravages of old age, and suddenly he is in his prime again, the entire telling of
his final pronouncement.
Mercy of a Rude Stream Mercy of a Rude Stream: The Complete Novels
A Star Shines Over Mt. Morris Park, A Diving Rock on the Hudson, From Bondage
Requiem for Harlem

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And to an incomparably lesser extent, so did he, Ira; he did likewise, who now was left with the realization that the good heart, the kind and affectionate, the discerning, loyal and understanding heart was far more precious than artistic acclaim. Here in this defunctive zone, where he felt himself verging ever closer to all that had vanished, at last came this wisdom, accrued from the woman who would not be deterred from loving him — and with the wisdom won from her came its minion: humility. Pity Joyce — Ira thought in passing — not only did the guy marry a functional illiterate, but unlike Blake, such was the man’s monumental ego he made no effort to raise her to his level, as Blake did, which had he done, might have gone far to restore him to his folk, by her sweet discernment, her intelligent devotion: “In God’s intention a meet and happy conversation is the chiefest and noblest end of marriage. . ” So said John Milton. One might ponder here whether a meet and happy conversation might not in the end make all the difference between a fruitful and a sterile erudition, between a fruitful reunion with his people, and a sterile dallying with his medium. .

XI

I became knowledgeable about the store, perhaps too knowledgeable — especially about the basement. I knew where every variety of viands was kept, what aisle, what shelf. Only the fresh fruit locked in the icebox, and that musty, spider-webbed wine and whiskey bunker, cross-barred and double-locked and sealed with stamped, leaden seals were beyond my prying — and my tasting. Left alone to replenish stock from newly arrived cartons, whenever possible I nibbled or savored any contents that were accessible, or wicked ingenuity could contrive to make so: a bright cherry or two from a jar of maraschinos, the ineffable briny delights in a wee tin of curly anchovies — which could be opened with its own key — tea biscuits and sea biscuits and dried fruit.

And I filched: a veritable gamut of dainties: a small can of fancy salmon in the pocket of my mackinaw, foil-coated wedges of Gruyère cheese, prudently distributed about my person. Eggs. During the era when the “Great Engineer,” Herbert Hoover, administered the program of economic relief for Europe, and the “high cost of living” was on everyone’s tongue, eggs were $1.20 per dozen. I brought an egg home in each pocket whenever I chose, at reasonable intervals. “ Oy gevald, goniff , you’ll be caught!” was Mom’s permissive remonstrance. And sugar: The staple had become so scarce that Park & Tilford allowed only a half pound per order per customer. Not only did I purloin half-pound bags for domestic consumption, but I even made a deal with the Jewish ticket agent on the downtown side of the Lenox Avenue and 125th Street IRT subway station (which I used several times a week, and was given ten cents’ carfare to do so): a half-pound of sugar in exchange for free admission to the subway platform. It’s a wonder I wasn’t caught. But I wasn’t.

Luck held up marvelously until one afternoon when I suffered so painful an experience, it seemed to warn me of worse to come if I didn’t mend my ways (I didn’t; I just modified them slightly in the direction of greater caution). With Mr. Klein on the sidewalk, tallying incoming freight, and Harvey, the porter upstairs, attending to his duties, I sneaked over to the unlocked dairy icebox, where I had spotted earlier a freshly breached wheel of Swiss cheese. Beside it rested the broad cheese-knife. Stealthily, with eyes fixed on the stairs, ears cocked for an approaching tread, I proceeded to widen slightly the angle already cut out of the cheese. Unfortunately, I failed to notice which edge of the knife was against the cheese and which edge against my thumb, the thumb I was pressing so impetuously against the knife.

A moment later I knew only too acutely which edge was where. Blood was spurting profusely from the semisevered thumb. It was as if the cheese had reversed roles and sliced me! In panic, I dropped the knife and fled the scene — and then realized I had left the icebox shelf sprinkled with blood. And the Swiss cheese as well! And the knife too! I dashed back, dabbed frantically at the incriminating evidence but only succeeded in smearing it around. I rushed to the toilet, unreeled yards of toilet paper, and with handkerchief wrapped around my thumb to absorb if not staunch the bleeding, I soaked the toilet paper to a pulpy sponge under the faucet of the utility sink, wiped, mopped, wiped, got fresh sheets, wiped and blotted, expecting any second Mr. Klein or Harvey might come down, or worse still, Mr. MacAlaney, the assistant manager, to assemble a steamer basket. No one came down. Somehow I managed to remove all traces of telltale gore from everything, and doing all this with one hand, because the thumb of the other still dripped. I would bear the scar across my thumb for the rest of my life.

I rewound the handkerchief over sheets of toilet paper, tried to expose only the least bloody area, with not too much success, and secured the bulge of bandage with a dozen or more loops of twine from the big reel of twine on the zinc shipping table. The whole thing looked and felt like an idiot’s prosthesis, about as inconspicuous as a small bedroll.

Mr. Klein and Harvey came down together, Harvey with a dustpan full of broken glass embedded in mayonnaise.

“What’s with your hand?” Mr. Klein asked.

“I caught it on a broken — I mean a broken piece of glass.”

“Where?”

“In the trashcan. I went to stuff some wrapping paper in it.”

Harvey regarded me narrowly and walked off.

“You look like you got a hemorrhage,” said Mr. Klein. “You better go upstairs to Mr. Stiles. He’s got all that stuff for cuts in the cabinet. Maybe you need a couple of stitches. Maybe you should go to a doctor. Let’s see it.”

“Nah, it’s nothing.”

“Let’s see it. It could be something you could get blood-poisoning from.”

“Nah.”

“The store’ll pay for it. They’re insured. What’s the matter with you? They got doctors for that.”

“Nah. I’m all right.”

“Don’t blame nobody but yourself then. Boy, bist dee a yold —you know what a yold is? How’re you gonna peck a big besket of groceries with a hend like thet?”

“I can do it. I still got my other hand.”

“If you start to bleed on the peckeges from groceries, I’m sending you up to Mr. Stiles. You’re goin’ home.”

So. . the old man writing. . too imbued with literary irony to allow of self-pity, literary irony he loved so well; the old man scrivening to ward off time, while his wife in her turquoise bathrobe stands at the kitchen sink doing dishes. Recollections formed so long ago become discreet, immutable.

XII

I sit in Murphy’s truck, parked in front of a drab six-story walkup in the Bronx. An hour passes, an hour and a half. A shy young boy comes out of the doorway bearing a big wedge of coconut cream pie — for me. The boy goes back into the house; I gobble up the pie. After another interval, Murphy appears — curiously content in manner, curiously amiable. After the day’s deliveries have all been done, my full day’s work on Saturday is over. Murphy drives back to the garage, letting me off at West 119th Street. Sunday the store is closed. When I report for work the following Monday afternoon, I am interrogated by Mr. Klein: “Murphy keep you waiting outside that apartment house?” And at my vacant nod, he grins — so does Harvey; so does everyone else within hearing.

Why do Quinn and his helper, Tommy, watch me with such amusement when I sop up all the gravy around my roast beef sandwich with fresh slices of bread? They eat only one slice of bread throughout a meal; they use it as a backstop; their plates are piled high with corned beef and cabbage or baked Virginia ham and boiled potato. And the burly Irish waiter in his white apron, his shoes planted in the thick sawdust on the floor, smiles too. It is my first meal in a diner, my first conscious acceptance of a nonkosher meal. .

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