Henry Roth - Mercy of a Rude Stream - The Complete Novels

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Sixty years after the publication of his great modernist masterpiece,
, Henry Roth, a retired waterfowl farmer already in his late eighties, shocked the literary world with the announcement that he had written a second novel. It was called, he reported,
, the title inspired by Shakespeare, and it followed the travails of one Ira Stigman, whose family had just moved to New York’s Jewish Harlem in that "ominous summer of 1914."
"It is like hearing that…J. D. Salinger is preparing a sequel to
," the
pronounced, while
extolled Roth's new work as "the literary comeback of the century." Even more astonishing was that Roth had not just written a second novel but a total of four chronologically linked works, all part of
. Dying in 1995 at the age of eighty-nine, Roth would not live to see the final two volumes of this tetralogy published, yet the reappearance of
, a fulfillment of Roth's wish that these installments appear as one complete volume, allows for a twenty-first-century public to reappraise this late-in-life masterpiece, just as
was rediscovered by a new generation in 1964.
As the story unfolds, we follow the turbulent odyssey of Ira, along with his extended Jewish family, friends, and lovers, from the outbreak of World War I through his fateful decision to move into the Greenwich Village apartment of his muse and older lover, the seductive but ultimately tragic NYU professor Edith Welles. Set in both the fractured world of Jewish Harlem and the bohemian maelstrom of the Village,
echoes Nabokov in its portrayal of sexual deviance, and offers a harrowing and relentless family drama amid a grand panorama of New York City in the 1910s and Roaring 20s.
Yet in spite of a plot that is fraught with depictions of menace, violence, and intense self-loathing,
also contains a cathartic, even redemptive, overlay as "provocative as anything in the chapters of St. Augustine" (
), in which an elder Ira, haunted by the sins of his youth, communes with his computer, Ecclesias, as he recalls how his family's traditional piety became corrupted by the inexorable forces of modernity. As Ira finally decides to get "the hell out of Harlem," his Proustian act of recollection frees him from the ravages of old age, and suddenly he is in his prime again, the entire telling of
his final pronouncement.
Mercy of a Rude Stream Mercy of a Rude Stream: The Complete Novels
A Star Shines Over Mt. Morris Park, A Diving Rock on the Hudson, From Bondage
Requiem for Harlem

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And the way he stared at Ira, out of hard, brown, uncompromising eyes. But then maybe it was just because of the cataracts he had in his eyes: “You say to her, ‘By this act I have made you my wife.’” (Listening, Ira had forgotten his restiveness.) “What did I understand as a child of eleven: ‘By this act’?” Old man with stained vest over paunch speaking, old man in a black yarmulke and with scraggly beard delivering his homily. “But you see how wise the Talmud was to prepare the immature mind for the time when the mature mind would understand?”

“Yeah.” How convulsively he had swallowed the saliva in his mouth. “In about a year or so,” Ira had jested.

“It could take longer,” the old man said seriously. “Who knows how much longer? Each youngster is different. But longer or shorter, before he knew desire, each child knew how God decreed desire should be satisfied: by taking a wife. And how wives were taken.”

It’s nothing, Ira assured himself, halted again in the light of the French pastry shop, open still, just short of the overhead poolroom on 112th Street, sniffed fragrance. It’s nothing with nothing. Look at those brave napoleons and chocolate éclairs. Handsome. If only this wasn’t Friday night, he’d blow fifteen cents on a slice of mocha tart for Mom. How she adored it, how little he ever bought her. What a son, what a sonofabitch he was, except calling himself that insulted Mom, poor Mom, with the scalding tea dripping down her chin. What did Eliot say, Mr. Tse-tse fly: I should have been a pair of ragged claws . You shouldn’t have been at all, period — Ira addressed himself as he rounded the closed millinery store on the corner — tell you something — the mind directed itself to the click of pool balls overhead: do you know that “Prufrock” has more in it than The Waste Land ? Of course. But if you told Edith’s highbrow friends that you liked “Prufrock” better than The Waste Land , they’d laugh you out of court. What did that mean? Laugh you out of court. Hee-haw. Oh, just judge. A Daniel come to judgment, Jew. 112th Street, trudging west.

Only the little Puerto Rican grocery store was open and illuminated on the other side of the street; every other gesheft was dark, l’kuvet Shabbes . But the little tienda , as he remembered from high school Spanish, was still open, the same one on whose iron step he had fastened together the laces of his shoes. Long ago. Oh boy, what a fuck that had been! What the hell are you gonna do? How are you gonna make love to a nice woman, an intelligent woman, a refined woman? How’re you gonna say: Ah, you’re beautiful, you’re lovely, exquisite — the way, yes, Larry had sighed about Edith? She was so sweet, so tiny, so fragile. He just wanted to hold her in his arms, protect her. Protect her from what? Protect her from his hard-on. Never mind being lewd about it. Tears of pure worship had come into Larry’s eyes. Yeah, as if she were a statue of a goddess: effigy.

Who the hell was it brought the Pallas Athena from Troy, or the Lares and Penates? Well, how the hell were you gonna do that when you didn’t feel it? You came at twelve riding Minnie. Wham! So much for Dido and Aeneas. There went your romantic love, keyed into a carnal crevice, plugged into a submerged, unromantic socket, sock it, sock it. . shorted, that was it. You were no longer capable of romantic love; you were too late. Then how were you gonna use fancy, high-flown poetic diction, when the street words, the slum words of Harlem, already resounded in your ears, and you already had knowledge of what they were? And not only knowledge: the flesh knew, the body and brain knew: tit, knockers, twat, cunt, pussy, and piece of ass, that was what you’d had. Not delicate terms. You couldn’t use fancy words. They stood right in your way — balked your hard-on.

Yep—

Once to every man and nation comes

the moment to decide:

Something about choosing the good or evil side. But it hadn’t worked out that way for him. The evil side, the line of demarcation, had been Minnie’s pink little ass above the bathtub water line. It had been some sensation. Sensation wasn’t the word for it. A thousand years couldn’t undo its wicked transport.

Apt word, Ira smirked at himself: how buoyantly conveyed. Archimedes never dreamed of that one. Here he was: he had sauntered all that way, yeah, as aimless, as errant as a Western Union messenger boy with a telegram — right to the right address, right to the first of the twin solid blocks of masonry where Mamie lived. Mamie’s house was the first, when approached from the east. Ira stood contemplating the empty, lighted tile foyer; he stepped back on the sidewalk and looked up. Oh, the front-room windows a flight up were lit, all right. The family was home. Once to every man and nation. . for the good or evil side . He could walk past, now that he had been here, past the other, the second stone warren, stroll on to the lights of Lenox Avenue. And around to the north again. Plot your course: to 116th East, around the big ice-cream parlor, back to Fifth and the corner theater, and then east to Madison, and uptown this time following the long shiny reins of the trolley tracks — giddap. He entered the foyer: now’s the time and now’s the hour. See the front o’ battle lour — oh, Rabby Burns, amico fidato —if only I’d been a Scotsman — and began climbing the stone stairs. . came to the landing. . came to the first flight, stood on the wan tiles amid the dark-green-painted apartment house doors, each sticking out the brass tongue of its doorbell in ridicule.

Here goes. Brace for Mamie’s — or Joe’s — furious Yiddish tirade: Paskudnyack! Scoundrel! You dare show your vile face here? Ferbrent zollste veren! Heraus. Fershtinkeneh dreck! I’ll slap you forthwith. I’ll spit in your face! Grunk, grunk, grunk. He spun the brass key of the ratchety doorbell.

His grimness waxed with the passage of time, and time seemed unconscionable in duration. Finally, Hannah’s voice challenged: “Who?”

“It’s Ira.” His throat burred.

“Who?”

“Ira!” he called. Damn. Let the blow fall.

“Oh, it’s my collegiate cousin.” The tongue of the lock slid back; the door swung open. And there, jiggling in her antics, his stripling, saucy, redheaded cousin.

He stared searchingly at her countenance, waited for some sign. There was none. Only an effusive welcome.

“C’mon in. It’s cold in the hall. Oh, is my father gonna be surprised.”

“Is he home?” He had tumbled into fatuity, the absolute, boundless fatuity of his unfounded fears. He had ruined his chances for the weekend — but hell. . worth it. . for the next minute anyway. . until relief wore off. And then he’d kick himself in the pants.

“Is he home? My father?” Hannah led the way to the farther end of the hallway, brightened by the overlapping of light of front room ahead with that of the kitchen doorway to the side. Traditional Friday-night supper emanations became stronger as he advanced. “My father shouldn’t be home on Friday night? On Shabbes bay nakht? My father?”

“Of course.” Ira passed the open door of Zaida’s empty, darkened bedroom.

“You’ll be surprised too, you haven’t seen him in so long. He shaved off his mustache, did Minnie tell you? He says it makes him look taller. And will he ever be surprised to see you. When was it last? Did you go to Max’s wedding? Look who’s here,” she announced.

“Who is it?” Mamie bulked in the kitchen doorway.

“You’ll never guess,” Hannah promised.

“It’s Ira. A gitten Shabbes, ” Mamie greeted. She turned her head to inform those in the kitchen. “Indeed a guest for you, Jonas. You haven’t seen each other since you’ve been working so late all the time.” And to Ira: “Come in, come in, let Jonas see you. Why so late?”

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