Henry Roth - Mercy of a Rude Stream - The Complete Novels

In the back of the drugstore were special boards with long grooves in them which Mr. Biolov filled with the paste he made by grinding drugs together, and then cut the long worms of paste into pills, rolling them afterward in powdered sugar. In each corner of the store window stood two glorious glass amphorae, each one full of liquid, one brilliant green in color, the other brilliant ruby. Between them, in the middle of the show window, a fake monkey performed his tedious, tireless trick of pouring the same fluid from one glass to another. And once, made curious by Mr. Biolov’s secretive manner, Ira peeked into the little package he was given to deliver: a peculiar shallow rubber cup around a ring: puzzling; it wasn’t a condom; he had already seen those; he knew about them: scumbags they were called in the street. He too retrieved a package of them that were thrown into the waste basket, and tried blowing them up, but the rubber had deteriorated, and they popped. Best of all, he liked fetching people to the telephone booth in the store; they almost always gave him a nickel tip for the service; and more than once, when he called an Irish girl to the phone, a pretty Irish girl, with pink cheeks and eyes glistening, hurrying down the stairs after him through a cabbagey-permeated tenement, the deeply-breathing, far-away-looking girl gave him a dime. He could guess why, though he couldn’t understand why. Rankling over Mr. Biolov’s callousness in making him work two weeks for nothing, Ira worked a few weeks longer, and then quit.

And now it was summer again; random, rambling summer. There were certain trees on Madison Avenue that grew between the sidewalk and Mt. Morris Park, which shed a small green seedpod that came twirling down. “Polly-noses,” the kids named them; they could be split and were sticky and stuck to the bridge of one’s nose. It was on a summer night that Ira licked the only kid he ever licked in Harlem, Jewish Morty Nussbaum who lived on the top floor of 108 East. Morty had wanted to show Ira how to “pull off”—when the two were sitting in warm weather up on the roof, and both had gotten their peckers out. And then suddenly Ira refused to go on. Memory seemed to scramble into separate ugly clots: of a lanky individual in a pork-pie hat and rusty-neat clothes, of what he wanted to do to Ira, and of what he did afterward against a tree trunk. Despite Morty’s urgings that it was good, Ira balked; instead he rebuttoned his fly. How could anything be good that was as loathsome as that? Later, over some trifling dispute, he beat Morty in a fistfight, beat him easily. And even as Ira knew he was winning, he was conscious at the same time of the Irish kids egging the two on, two Jewish kids. And though exultant at winning, when Morty all at once admitted defeat, Ira disregarded the Irish kids’ injunction that he pound Morty on the back while yelling in traditional boast of triumph: two, four, six, eight, nine, I can beat you any old time. Soon after, Morty and his family moved away.

In the summer, you could walk and walk and walk all the way to the Museum of Natural History. You had read in the 6A Current Events news-sheet that several large meteorites that fell from out of the sky now rested in front of the museum doors. You didn’t have to go inside — maybe they wouldn’t let you — but it didn’t matter, because it was the meteorites you wanted to see, and they were outside. You wanted to see them, because it said in small print down at the bottom of the Book of Norse Mythology that the reason why Siegfried’s sword was so sharp might have been that it was made from a meteorite, and meteorites often contained special steel, so hard that after the sword was forged and sharpened, it could be dipped in a brook, and would shear tiny bits of lint and fleece floating against it. Imagine how sharp that was! Something to marvel at while walking and walking along the paved paths inside Central Park in the green, green of summer — past stylish people sporting silver-headed canes, past the nursemaids and the fancy baby carriages, fancier even than Mrs. Biolov’s, the fanciest on the block — until the long, long walk brought you to the immense museum building whose entrance was at the bottom of a short flight of stairs. And down the stairs you went timidly, to stand in awe before the stark, pitted boulders: those were meteorites fallen from heaven to earth.

“ Siz a manseh mit a bear ,” Mom twitted him fondly, when he had trudged home at last, and told her what he had discovered.

“It’s not a manseh mit a bear! ” he flared up. “It’s about the Norse gods: Odin and Thor and Loki. And about Siegfried and Brunhild. You don’t know what a wonderful sword he had.”

“ Azoy? ” she placated. “My clever son. A bulkie and fresh farmer’s cheese would go well after such a long journey, no?”

Stories with a bear, Mom called them. But he liked them much better than he did those by Horatio Alger, the kind of stories that Davey Baer liked: Tom the Bootblack or Pluck and Luck , the kind the other kids liked: Tom Swift and his motorcycle, and how resourcefully he could fix it with a piece of fence wire; or the Rover Boys who were so honest, and played baseball so well; or Young Wild West in fringed buckskin fighting treacherous “Injuns,” though Ira couldn’t tell why. And some of the fairy tales, and stories about witches and hobgoblins scared him so, he was afraid of the dark, afraid to go down into the cellar alone and fetch a pail of coal out of the padlocked crib; fearful even when he had to take the garbage can down to the big trash cans in front of the house at night — how he shirked, how he fought doing that chore! The closed cellar door at the foot of the feebly lit stairs before he turned to enter the hallway to the street filled him with panic.

Still, those were the stories he prized above all others, stories he loved: of enchantment and delicacy, of princelings and fair princesses. So often the princesses were not only fair, but they were the fairest in Christendom. You couldn’t help that. Maybe they wouldn’t mind if he was Jewish. And King Arthur’s knights, they sought the Holy Grail, the radiant vessel like a loving cup out of which Jesus had drunk wine. So everything beautiful was Christian, wasn’t it? All that was flawless and pure and bold and courtly and chivalric was goyish . He didn’t know what to feel some times: sadness; he was left out; it was a relief when Jews weren’t mentioned; he was thankful: he could fight the Saracens with Roland. Or he could appreciate seeing Mr. Toil everywhere, when the boy in the Grimm fairy tale ran away from his teacher, Mr. Toil, even leading the band of musicians — as long as he wasn’t Jewish. .

XIII

M came into his study. She had two skeins of wool she wanted to show him, one jet-black, one oxford-gray. “I don’t know why I didn’t think of weaving the worn places in the chaleco again,” she said.

“The one on your back?” he asked: M was wearing the salt-and-pepper woven chaleco she had bought in Mexico — where was it? Not Tlaqui-paqui, or however it was spelled, where the young weaver worked in dim light at a loom (and Ira also bought a chaleco ). That was in the late ‘60s.

“Yes. It’s true it doesn’t owe me anything,” she said. “But I like it.”

“And where will you get such a rarity again,” he agreed.

Such a rarity again — he thought afterward, after she left for the piano in the living room. My love, it would take a Taj Mahal in belles lettres to do you justice, tall, spare woman grown old, your once tawny hair, gray. Wrinkled, your lovely countenance, but still noble. Where did the millions of moments go, the million millions of moments spent together? She had just returned from shopping, and she said: “Do you think the cold weather kept the shoppers away? They were out in droves today. Of course the last two days weren’t very conducive for shopping. No one wanted to brave the cold.”