Buddhadeva Bose - My Kind of Girl

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"[Written] with consummate mastery. . A gem of delight. . Bose stokes the embers of the story alive till the last page."
— Indian Express
A modern-day Bengali
is a sensitive and vibrant novella containing four disarming accounts of unrequited love. In a railway station one bleak December night, four strangers from different walks of life — a contractor, a government bureaucrat, a writer, and a doctor — face an overnight delay. The sight of a young loving couple prompts them to reflect on and share with each other their own experiences of the vagaries of the human heart in a story cycle that is in turn melancholy, playful, wise and heart-wrenching. The tales reveal each traveler's inner landscape and provide an illuminating
Buddhadeva Bose (1908–74), one of the most celebrated Bengali writers of the twentieth century, was a central figure in the Bengali modernist movement. Bose wrote numerous novels, short story collections, plays, essays, and volumes of poetry. He was also the acclaimed translator of Baudelaire, Hölderin, and Rilke into Bengali. Bose was awarded the prestigious Padma Bhushan in 1970.

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Mrs. Dey said, “Why don’t you get into this compartment?”

“No, no, how can we. . the other one. .”

“Come along, come along. .” said Mr. Dey and paid the extra fare to the guard.

Narayanganj to Dhaka. It seemed the happiest time of our lives had been waiting to be realized, all these days, in these forty-five minutes. Ignoring the first-class cushions, we sat on the luggage; the advantage was that we could see everyone. Mona Lisa was happy, her mother was happy, her father was happy, and as we saw them happy we too were filled with happiness. All that had been inhibited and suppressed in us became free at last, all that we had wished for was realized — we made a real din as we traveled, the huge train seemed to be impelled by the force of our happiness. Mona Lisa started calling us by our individual names as she spoke — so many things to say, so many stories — and as the train neared Dhaka station, she was describing a waterfall, when I broke in and asked, “Did you get our letter?”

“Our, or your?”

I reddened a little and said, “But you didn’t reply?”

“What do you think I’ve been doing all this while? There’ll be more when we get home, I’ll tell you all.”

Mona Lisa wasn’t lying. The doors to heaven had opened for us all of a sudden. The three of us became the four of us.

Then one day her mother called us and said, “You did so much for Toru once, now you have to do it again. She’s getting married on the twenty-fifth.”

Twenty-fifth! Just ten days later!

We ran off to see her. “Mona Lisa, what’s this we hear?” I exclaimed.

She frowned a little and asked, “What? What did you say?”

I was at a loss momentarily at this unwitting betrayal of her secret name, but why worry now that it was out? With the courage of the desperate man, I looked at her eyes, into her eyes — which I’d never done before. Her eyes were purplish brown, her pupil like a diamond drop. I looked again and said, “Mona Lisa.”

“Mona Lisa! Who on earth is that?”

“Mona Lisa is your name,” said Asit. “Didn’t you know?”

“What!”

Hitangshu said, “We can’t think of you by any other name.”

“What fun!” Laughter touched her face and colored it, then disappeared for an instant as a shadow descended on it, as though a momentary cloud of sadness had wafted across her face. She looked at us for a while, her lids raised, then dropping.

“What’s this we hear? What’s this we hear, Mona Lisa?” Our words held bubbles of amusement.

“What do you hear?” she said, and hiding her face in her sari, disappeared with a peal of laughter.

The groom arrived from Calcutta two days before the wedding. Fair of skin, dressed in a dhoti and kurta made with a fine material, he turned your heart into a flying bird with a subtle fragrance if you went near him. We were enchanted. Hitangshu kept saying, “How handsome Hiren-babu is.”

Asit added, “That dhoti and that border!”

“His feet!” said Hitangshu. “If he hadn’t such fair feet a dhoti like that wouldn’t suit him!”

I said, “But a little too handsome, a bit ridiculous.”

“What! Ridiculous!” Asit cried out, but no shout emerged for he had already gone hoarse with all the screaming he had done earlier with everyone else, before the wedding. Snarling like an angry cat, he said, “Have you ever seen anything like this?”

“Nothing like Mona Lisa.” I wasn’t letting go.

“Can one person be so much like another? They’re made for each other. Beautiful!” said Asit, leaping onto his cycle and disappearing in a flash. The entire responsibility for the wedding was his, he’d decided, where was the time to argue?

On the wedding day, I woke to the strains of the shehnai , before sunrise. As soon as I awoke I remembered that other last night, when I had rescued Mona Lisa — or so it had seemed then — from the clutches of death. The happiness that had borne me away that night as I watched the emergence of daylight — that same happiness returned to my breast, gave me goosebumps. The shehnai brought tears to my eyes. I couldn’t stay in bed, I went out and stood beneath the starry sky, heard them blowing the conch shell inside the house. I went close to where she was; if only I could see her at this moment before dawn, when the sky signaled midnight but the clear air spoke of morning, if only I could see her once in this extraordinary celestial moment. But no such luck, the haldi ceremony was underway, she was surrounded by so many unfamiliar girls, so much to do, so much to dress up for — I couldn’t possibly steal a glance in the middle of all this. I stood outside and listened to the sounds and activity inside, and over all of this showered the strains of the shehnai . The last star twinkled out of existence before my eyes, the trees became visible, as did the body of the earth: once more the sun dawned upon the planet.

That day Asit went so hoarse his voice was reduced to a new bride’s whisper; he was so busy he could barely recognize me. Hitansghu was busy too, busy and a little pompous, for the groom and his party had occupied two rooms in their house: he had worn out his sandals ferrying messages between the ground floor and first floor. All day long I tried to help Asit and Hitangshu in turn, but I didn’t think I was proving useful. Eventually, when it was time to pick up the bride’s platform and move it in a circle seven times around the groom, as was the custom, I stepped forward, only to be elbowed out by Asit and Hitangshu. She put her arms around them and did her seven rounds, I could only stand and watch.

The next day onwards, the three of us became Hiren-babu’s slaves. No one was as handsome, no one as learned, no one with as good a sense of humor. Other men seemed monkeys in comparison, even I, his only detractor of any kind, did not feel any more that his face looked silly. In fact, I began to imitate him, trying to sit, stand, walk, laugh, talk like him. The other two did the same, and this made me laugh; maybe each of us was laughing at the efforts of the other two, though none of us actually said anything.

One afternoon we were listening to a funny story Hiren-babu was telling when he looked around and said, “Could you just find out where Toru is?”

“Should I fetch her?” I said and ran off.

Mona Lisa was combing her hair on the south veranda, her back to the sun. I stood near her and forgot to speak; she suddenly seemed new, different, dressed in a fresh, crisp sari, vermilion in her hair, jewelry glittering on her ears, hands, and neck, and a strange fragrance emanating from her — not Hiren-babu’s scent, not the whiff of fresh furniture with its taint of alcohol, not even hair oil or face powder. Instead, it seemed to me that the very soul of all these smells had possessed Mona Lisa’s body. I breathed it in deeply, my head reeling.

She raised her eyes, looked at me and said, “What?”

“Nothing. .” I said, then remembered my errand. “Hiren-babu is calling for you.”

She didn’t appear to have heard what I added last, and kept combing her hair serenely.

“Can’t you hear me? Hiren-babu is calling for you.”

“So what if he is? Do I have to jump at his bidding?”

“What. .?”

Pausing in her combing, she looked at me and said, “Not much longer. I’ll be gone soon.”

I said, “You’ll love Calcutta, Dhaka’s no place to live.”

“Will all of you remember me, Bikash?”

I bustled about, trying to hurry her up, and said, “No more talking. Come on now.”

“Can’t you see I’m combing my hair? Go tell him I can’t go now.”

I was taken aback, but Mona Lisa rose soon afterwards, and I followed. “And then, Hiren-babu?” I said.

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