Tahar Ben Jelloun - About My Mother

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About My Mother: краткое содержание, описание и аннотация

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"Morocco's greatest living author." — "A writer of social and moral acuteness." — "A writer of much originality." — Lalla Fatma believes she is in Fez in 1944—where she grew up — not in Tangier in 2000, where the story begins.
Guided by her fragmented memories, Ben Jelloun reimagines his mother's life in Fez at the end of the war, in the heavily ritualised world of custom and tradition that saw her married, pregnant, and widowed by sixteen. He gains privileged, painful access to her lives as daughter, sister, thrice-widowed wife — lives in which she had little say, mostly spent working in kitchens, marked by a deep religious faith and love for her family — as Alzheimer's rips them all away.
A delicate portrait of a woman's slow and unwinding descent into dementia,
maps out the beautiful, fragile, and complex nature of human experience in prose equally tender and compelling.
Tahar Ben Jelloun
Le Monde, Panorama
New Yorker
Paris Review
The Blinding Lights of Absence, Leaving Tangier, Sand Child
Racism Explained to My Daughter

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‘You know, he kissed both my hands then went off to speak with your uncle. You are welcome here, may you bring us the goodness and health we have lacked for some time. Lalla Fatma, can you help me sit up? Take my hand, pull, gently, that’s right, put this pillow behind me. My back has to be supported or I’ll be in pain. All my muscles hurt, it’s difficult to move my hand, especially my fingers. Usually it’s Ghita who cares for me, who bathes and dresses me, and feeds me like a baby … I’m happy to have some company. So give us a fine boy. And be quick about it, the house needs new life and the laughter of children. My adult sons are married, they come and see me every day. But their wives drag their feet, they don’t like it here, which means I don’t see my granddaughters very often.

‘No one knows what this illness is called. Drissi, the nurse, tells me it’s a kind of rheumatism, because of the cold and damp in Fez. I worked like a slave for years, I ruined my health in that enormous kitchen. My husband, our husband — may God keep him — loves to entertain. He was always inviting friends to lunch and would only ever tell me the same morning. Can you imagine how hard that was? Everything had to be done in a hurry, rushing around, not forgetting to make the bread. Ghita helped, but my husband insisted I do the cooking myself. He’d say: “Your hands work miracles, don’t deprive us of their creations.”

‘So tell me, what did your husband die of?’

‘Of the disease with a name I don’t want to utter in this happy household. He was carried off in a matter of weeks. I watched him waste away day after day. Only his big, very dark eyes stayed the same. I was pregnant, I had morning sickness, I didn’t feel well, and I said to myself that my arrival in this family hadn’t kept misfortune at bay. I couldn’t sleep, spent all my time crying. When my daughter was born, my mother took her from me. I was too weak and too unhappy to care for her. I left her with my mother. My little sister’s only eighteen months older than her. It was my mother who nursed her. It’s as if I hadn’t had a child.’

Sidi Abdelkrim was very attentive to his new wife. He forbade her from setting foot in the kitchen, saying: ‘I don’t want these pretty little hands to be ruined by work. You are my princess, my gazelle, a gift from God, I want you to be happy. I can feel your body’s changing. Is it carrying another gift from God? I hope so.’

She gave birth to a boy: seven days of celebrations. Sidi Abdelkrim’s sick wife wept with joy. The child was named Abdel Aziz. The father wanted to call him Abdel Razzaq, as a reminder that this gift from God was precious.

My mother thinks she had twins: she talks of Hassan and Houcine. Her son Abdel Aziz laughs at her and tells her she’s thinking of her cousin, who did in fact give birth to twins the same week.

Now she’s asking for her husband, who died over fifty years ago. She says she needs to speak to him. We remind her that he’s no longer with us. ‘Oh, I see! You’re hiding things from me!’

Abdel Aziz was brought up in that huge house by a mother who was too young and a stepmother who was ill. As soon as he was old enough to go to school, his older brother took him to live in his house. His father, who was elderly and ailing, no longer went out. Now Drissi the nurse almost never left the house. They brought in Hammad, their blind cousin, who was famous for his beautiful recitation of the Qur’an. In the family, they knew the arrival of Hammad meant that death was approaching. Sidi Abdelkrim passed away in his sleep. Two months later, screaming in pain, his first wife died. A widow again, my mother appealed to Moulay Idriss, whose mausoleum she visited every Thursday. She’d bring offerings, and would stay there for hours, praying and entreating God to show her His great mercy and compassion. She returned to live in her parents’ house and was reunited with her daughter, by now aged eight. Marrying again was out of the question — she was convinced she was a harbinger of doom, of death, a victim of fate and the evil eye. She’d gaze up at the sky, tracking and talking to the stars.

13

This morning she’s beaming, asking for a mirror and lipstick. ‘Quick, quick, Keltum, all three of them are coming for lunch. They met at the Moulay Idriss mausoleum at Friday prayers, and decided to come and eat a mrouzia tagine, one of my specialities. Quick, Keltum, bring me the pot. Have you marinated the meat? Don’t forget the seven spices, it’s getting late …’

Out of curiosity, Keltum asks her who are these people coming to lunch. ‘My three husbands, of course. Yes, my three men, they’re here in Fez. They’re coming after midday prayers and the house isn’t ready. I’m starting to worry. Nothing’s ready, I’m so ashamed. What am I going to do? What will I tell them?’

Luckily, a moment later she forgets, and takes up the usual thread of her life. She asks for her medication, complains about Keltum’s laziness, adjusts her clothes and begins to pine for the days when she was stylish and beautiful. Then, driven by the devil, she’s off again:

‘Last night, before I went to bed, I opened my suitcase and counted my dresses and caftans. There were seven of them. I put them there, by my pillow. I wanted to sleep knowing my things were there, within reach. In the morning, they’d gone. Yes, gone. I’m surrounded by wicked people, by thieves. My dresses and caftans are nowhere to be found. Keltum must have sold them at auction. It’s like the pills — especially the expensive ones — she steals them and sells them. I don’t have proof, but I know how greedy country people can be; they’re never satisfied. They’re jealous. You see, son, the moment you go, they do exactly as they please; they leave me here, all alone. I cry out, I shout, but they don’t come. I can’t say a word to them; at the least little thing, they just drop everything and leave. It frightens me. You, you understand me. Do something, so they won’t abandon me. Now, where did my shoes go?’

‘But Yemma, you’ve got a bad foot, it’s covered in a dressing and won’t fit in your shoe.’

‘No, I want to be sure my shoes haven’t been sold.’

‘No one’s sold anything.’

‘Oh good. I’m so tired. Can you give me some money, to buy … What do I need to buy? I’ve forgotten. Oh lord, my memory’s gone, I’m forgetting everything. Your father used to tease me, saying I couldn’t even remember what we’d had for supper the night before. He was exaggerating, but sometimes I did have trouble remembering things.’

Keltum’s curiosity got the better of her again. That afternoon, while we were having tea, she asked: ‘Is it true you had three husbands?’

‘I don’t know. My foot hurts. I need a painkiller and you’re talking to me about marriage. No, I’ve decided I won’t marry again.’

She won’t marry again, she’ll never get married again …

The Diwane is the heart of the medina in Fez. That’s where all the shops are huddled together. That’s where Moulay Abdesslam, my mother’s uncle, would meet my father and become his closest friend. My father imported spices wholesale: crates and jute sacks were brought to the Diwane on the backs of mules. Sacks of coriander seeds, cumin from Africa, saffron from Spain, ginger from Asia, paprika, chilli pepper, white pepper, black pepper, tea from China, green tea, black tea … Moulay Abdesslam, who sold babouches, liked to come and smell the spices: he helped my father put away the stock, chatting all the while. That was how he learned that my father was neither happy nor satisfied with his wife, who was unable to bear him children.

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