Jenni Fagan - The Sunlight Pilgrims

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Set in a Scottish caravan park during a freak winter — it is snowing in Jerusalem, the Thames is overflowing, and an iceberg separated from the Fjords in Norway is expected to arrive off the coast of Scotland — THE SUNLIGHT PILGRIMS tells the story of a small Scottish community living through what people have begun to think is the end of times. Bodies are found frozen in the street with their eyes open, euthanasia has become an acceptable response to economic collapse, schooling and health care are run primarily on a voluntary basis. But daily life carries on: Dylan, a refugee from panic-stricken London who is grieving for his mother and his grandmother, arrives in the caravan park in the middle of the night — to begin his life anew.

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A small pitiful chorus of No .

— They will find us in here, all frozen to death, next summer, Stella whispers.

— Stop that right now! Constance says.

— I’m scared! She grips her mother’s hand.

— I don’t know why you’re scared, Alistair says.

— Why’s that? Stella asks him.

— Well, when we run out of tinned food, then roadkill, which will take a while, after that I reckon it’s me that will get eaten first. You know it’s like that joke about the kid bear that goes into the forest and it says I’m scared, and the guy bear says: I don’t know why; you’re not the one that has to walk back on your own.

They all sit listening to the clock tick.

— If you do eat me, though, could you do just one thing?

— What’s that? Constance asks.

— Well, I’m so glad you are not contradicting me — if you do , could you keep my bones, get them ground down, made into a nice bit of china?

A barometer on the wall reads minus seventy, Dylan and Constance glance at each other and as he looks back it drops one more degree. Wind batters at the door, so loud he could put a face to it. There is a booming noise up the mountain as ice expands and cracks.

They sit on the sofa in a row. Alistair, Constance, Dylan, Stella. The fire flickers and the windows glow yellow against a dark that is as complete as any of them will ever know. Constance takes Dylan’s hand. He cannot see if she is holding Alistair’s on the other side. Stella curls into him and he puts his arm around her too, pulls her in and holds her safe. They can do this. It’s fucking snow. It’s ice. No electricity, but wood. They can cook with the fire? He can’t think. He is woolly and tired. As soon as they get through this he will go to a city, just for a visit; he’ll go to a decent pub and he’ll get some new tattoos — a sunlight pilgrim, a wolf-child, a moon-polisher, an iceberg and a vintage projector that shines a light in the dark. It will have to be a full sleeve. They can go over some of the old tattoos. Olaf looks out at him from the picture on the wall. Vivienne must have told Constance when they were drinking gin one evening, and all this time she’s never said a thing, not to Stella, either. Cos she liked him. Right from the start she didn’t want to do anything to stop it happening, either. She has left it up to him. If they had to eat Alistair, there’s no way he’d pound those bones down for china. He’d throw them out of the door for the farmers’ dogs. Odd thoughts lacing together in his mind, wondering if this is the beginning of some kind of snow-cabin fever.

The only noise in the cottage is the crack of the fire.

Outside the snowfall grows thicker and heavier.

He’ll go outside when it stops falling. See how much of the village below is lit up. There’s probably electricity out in homes all across the region. People sitting in cold houses without heating. Knocking on their neighbours’ doors. Snow piling up higher each minute. The cottage windows look out onto sheer darkness. Stella is asleep, leaning on him now. Constance stroking her thumb along the palm of his hand. Firelight making shadows dance. If they can make it to spring they’ll be okay. Unlike Barnacle. Poor guy. Dylan can still picture each eyelash encrusted with frost and his eyes frozen wide open, like a man cursed only to see the world straight on when he was laid out on the floor in the worst snowstorm in 200 years. Staring at the sky. Clouds drifting over his old, tired corneas, Constance curling into him as his eyes close too, just, so tired, all of them, their bodies gang into hibernation mode, just to rest here, like this, just for a few hours.

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