A Kennedy - Serious Sweet

Здесь есть возможность читать онлайн «A Kennedy - Serious Sweet» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2016, Издательство: Jonathan Cape, Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Serious Sweet: краткое содержание, описание и аннотация

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A good man in a bad world, Jon Sigurdsson is 59 and divorced: a senior civil servant in Westminster who hates many of his colleagues and loathes his work for a government engaged in unmentionable acts. A man of conscience.
Meg Williams is ‘a bankrupt accountant — two words you don’t want in the same sentence, or anywhere near your CV’. She’s 45 and shakily sober, living on Telegraph Hill, where she can see London unfurl below her. Somewhere out there is safety.
Somewhere out there is Jon, pinballing around the city with a mobile phone and a letter-writing habit he can’t break. He’s a man on the brink, leaking government secrets and affection as he runs for his life.
Set in 2014, this is a novel of our times. Poignant, deeply funny, and beautifully written,
is about two decent, damaged people trying to make moral choices in an immoral world: ready to sacrifice what’s left of themselves for honesty, and for a chance at tenderness. As Jon and Meg navigate the sweet and serious heart of London — passing through 24 hours that will change them both for ever — they tell a very unusual, unbearably moving love story.

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They didn’t believe that. When they saw me like I was, their faces showed the standard levels of contempt and maybe a bit more.

I didn’t turn my back at my father’s funeral: I was hardly there, instead.

Maybe that’s why Maggie’s threw me — another bad burial and the feelings creeping up from before, from where I’d left them, not buried deep enough.

I can have feelings now, right when I need them.

This morning I was frightened, right on cue.

Or nervous. More it was just that I was nervous … and I’d slept beforehand. I wasn’t scared of my bed, or the dark, or my dreams …

Can’t complain.

I can be a going concern.

I have time. I think I have time to do that. I can be happy.

May hadn’t been so bad. Meg had gone to the pictures in May and seen a film. She had worried beforehand that the film would be popular and sold out and therefore disappointing when she didn’t get in and therefore a cause for getting drunk again. The crowd of others queuing was also a cause for concern — perhaps she would not take to these dozens, maybe hundreds, thousands of happily and easily normal moviegoers. Perhaps they might notice she was built all wrong and decide to throw her out, call the management …

Cast me out of their midst …

My fears do sometimes like sounding biblical — it gives them extra weight when they’re especially fucking foolish.

But the showing was not sold out and she bought a ticket and took her seat — which wasn’t cheap plastic, or in a circle, or in a hospital … wasn’t in a community centre, in a church hall, in a hospital … wasn’t in any of the cheaply rented rooms that AA loves — and she’d had an averagely pleasant time, especially during those periods when she was not thinking I am in the pictures I am here in the pictures I am doing something that people enjoy this is something that I could enjoy I am not sure if I’m enjoying this I am in the pictures I may not be normal I should go I am in the pictures I should leave.

There are days when I’d make myself deaf, going on. One of the many reasons why it’s good that the din is all internal.

She liked when the voices around her in the cinema — those so many others watching the shine of the screen — she liked when they laughed and she also laughed at almost exactly the same time. That seemed companionable and healthy.

And she’d thought about hobbies and gone for walks. She’d looked off the Hill, down at the city where she kept on collecting sober days and collecting her moments, the good ones. It might — right now — be full of moments going uncollected, probably was. It could be purely golden in places, in moments, could shine as it did at night.

She’d begun teaching herself how to cook again, relearning how to slice and stir and eat with her full attention.

And in June she’d seen the advert for the letters.

Expressions of affection and respect delivered weekly.

They had seemed a necessity, not a luxury or a risk.

They had seemed like a genuine sign that reality grew out along a grain and that Meg was travelling with it, following a less obstructed path.

Accepting the offer of letters, chancing that her application wouldn’t be refused — that had seemed right.

And I know how it feels to do right — it’s entirely unfamiliar, that’s how it feels.

She had applied to the PO box listed — her heartbeat making her fingers jump as she posted the envelope — and had then received a polite and prompt request for more information. It had taken two weeks for her to reply. Creating an answer had seemed to need courage she didn’t have. Although what it asked was not unreasonable.

While I can write to you without your assistance, offering the truth you deserve and perhaps do not know, my letters will suit you and perhaps please you better if you are willing to tell me about yourself.

I drink. I fall over. I lie down.

I drank. I fell over. I lay down.

I can’t say that.

I am good at falling, but currently floating.

I’m Meg and I’m suspended. I think I might be empty now and that’s why I can float.

But I can’t say that.

Whatever you say will be held in confidence.

Yes, but that still doesn’t mean I can tell you that I would like to be somebody else. I can’t ask if you’d write to somebody else.

I mean, maybe — I’d guess — you do write to somebody else, lots of somebody elses.

And I want to say I’d like you to stop and just write to me. As somebody else.

I mean, I can’t even fucking reply and do you need to know me, really? Can’t I be an anonymous alcoholic?

You need not reply to the letters, although replies are welcome. This is, however, not a correspondence.

Meg had stared at the accusing notepaper she’d found in the spare room — probably her mother’s paper. I can’t even start to do this, I can’t say one word to you. She’d been dumbfounded. That had been her feeling, right on cue.

Thinking about it makes me sick.

But I have been told to do things that I like, because having a life that’s sweeter than before will help to keep me sober. Everything being kinder will make the effort of not drinking worthwhile. This means that I can and must have and do the things I like.

But I don’t know any things I like.

And before she’d cranked out a word, her hands had been weighted down by this clear sense of someone being there at the other end of the process, this waiting mind, judging mind, stern mind.

I know what I used to like: drinking and the drugs which make drinking longer and browner and I liked being turned out the way that a final light would be. And inside my dark flat, I liked when the booze taxis came.

And what I’d like now … would be if a stranger might forgive me for all of these things he doesn’t know about.

He was already strangely clear, judgementally clear, on the page — this man she quite literally couldn’t afford.

What I liked was what terrified me — so I like what terrifies me. You terrify me. I think I like you. I might already like you.

But I can’t tell if you’re to do with the way I used to be and have to stop, or the way I might end up. What are you? What are you going to be? Will you be something I like that ought to scare me? Will you be someone I need to be frightened of?

Will you hurt?

Would you tell me?

You may call me Corwynn, or Corey, or Mr August, whatever you would prefer, and I will address you as you would wish. I will aim to ensure that everything is as you wish.

In the end, the only reply she could offer to his request for information had seemed very small and lonely, toiling out across the whole of a page in her twisted handwriting. She had to use handwriting — her mother had always taught her: handwriting for personal letters, typing for things that you don’t really care about.

Please write what you think I would enjoy. And thank you. And please call me Sophia.

Which was pathetic in general and especially the Sophia part. Particularly that. If you turned round and asked yourself about that, you would find it laughable — wanting to be called a word that suggested wisdom and tasted of class, sophistication, maturity. All this, when she was a dim, big kid lost in this misleading body and couldn’t even manage common sense.

She still was a kid who would leg it, scarper, before intimacy even got threatened.

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