Jim Crace - Genesis

On Monday, it was far too deep to paddle in the square. By lunchtime, when Lix and Alicja finally went down to the old town, only a handful of young men had been conceited and foolish enough to wade in up to their knees to reach the central stand, their office trousers ruined but their senses of self enhanced. The sheet had spread beyond the square and was lapping at the rising ground around the narrow medieval side lanes. Basements had been lost already to floodwater, but none of these were residential streets. Only storage spaces had been breached. Cellars full of laundered sheets and laundered banknotes, clamps of vegetables, catering cans, and imported wine below the many restaurants and tourist hotels were underwater. Expensive labels had peeled off. Good unidentifiable wines, which would only sell off cheaply now, were bobbing free just centimeters from the ceiling in the democratic company of tonic water, lemonade, and Coke.

One of the little brasseries, the Fencing Shed, where Lix performed his unaccompanied songs on those evenings, such as now, when he was not working in the theater, was unreachable by anyone who wanted to keep his toes dry.

The Debit Bar just around the corner, another of Lix’s occasional venues, was already closed. It would be on the rising shoreline soon, a waterfront cafe. The day-shift Debit waiters were stacking chairs and lining all the entrances with makeshift flood barriers. Short-tempered policemen, armed with batons and whistles, were turning vehicles away. The ancient drains were overwhelmed. Instead of swallowing the floods, they were regurgitating. For the first time since the rains began, nerves were being lost in our normally lackluster city. The mounting waters were now regarded not with smiles but with shaking heads, and everybody had begun to calculate the cost.

That evening, when Alicja returned from her late shift a little before midnight, she and Lix almost made love. It would have been the first time they’d made love since the weather changed. She wanted to. Making love had been implicit in their holding hands all day as they’d splashed through the town. A flirting conversation she’d had that evening with an older colleague had made her feel desirable, something she was too often missing in her marriage but which was essential for her self-esteem. Lix had had a flirting conversation with himself that night as well when he’d come back much earlier than usual from his shrinking, drowning round of busking venues. Performing, singing, had always made him sexually provoked. Onstage he was a Casanovan balladeer — love songs and songs of loss, intended to arouse. He’d masturbated in their tiny bathroom, dreaming first of one or two of the well-dressed women who’d come into the restaurant in cocktail dresses and knee-high rubber boots, then of Freda, then of a new waitress, scarcely seventeen, and then — a triumph of the married will — of his own wife. It made no sense, to climax thinking of his wife, bringing to mind a body that was not wholly present when she’d be home and completely tangible within the hour. He was impatient, though, and tense. Uncertain anyway if she would share his mood when she returned. He had not been strong enough to stop himself.

So by the time his wife walked through the door, kicked off her shoes, and put her arms around his waist, her thumbs again beneath his belt, his appetite for her or anyone was blunted. He’d make amends, he told himself. He’d truly make amends, some other day. For marriages are rich in other days. He made excuses for himself, sat on the toilet for a while, busied himself preparing coffee, talked too little and too much, and only joined her on the bed when he was sure that he was irritating her, that he had driven her away. Chatter is the cheapest contraceptive.

Instead of making love, then, they lay apart in their twin shirts, not even holding hands, and listened to the radio — the midnight news, the weather report, and “music from the studio”—in their dark attic room. Between a polka for accordions, some jailhouse jazz, a French chanson, and music from Alfredo Busi’s Tamborina , the weather pundits and one of the city senators warned that people ought to stay away from the floods (and from the riverside especially). Matters would get a little worse, perhaps, before they could get better. We should not panic, though. Talk of cholera was wildly mischievous. No one would drown if everyone was sensible. The easterly winds would soon dislodge the distant rain.

Anyway, according to an expert from the university, the worst would pass us by. The towns and villages downstream might soon be underwater, though, she said. Floods always find the lowest ground. The farmers could expect widespread waterlogging in their fields, a decimated harvest, and costly winter vegetables for us. “Everything invades the wallet.”

The city itself, however, was not vulnerable, she added. No need to construct an ark or walk about with flotation jackets on. Or drag your mats and furniture upstairs. No call for goggles yet. The streets would not be jammed with snorklers or bathyspheres instead of cyclists and streetcars. We’d not have ducks indoors. The dictates and principles of urban geography would keep us almost dry. If you build a city on a river’s floodplain and then defend yourself with embankments, as our ancestors had, as the local governments had continued to do for the past four hundred years, replacing, adding, and extending until the only open ground was parks, she explained, then the floods would be rebuffed by “solid surfaces” and hurried off elsewhere by drains and conduits and canals. These were the benefits of cobblestones, asphalt, and cement, especially in gently sloping cities such as ours. The rushing river always rushes to the sinks and basins of the fields where the hospitality is softer and the waters more at home.

Alicja and Lix, though, were young and free enough not to be discouraged from an adventure by the advice of senators, geographers, and forecasters. The next morning, they did not feel intimate enough to breakfast on the roof. Indeed, Alicja was beginning to fear that Lix was not the moodless paragon she had hoped. Instead, they walked in silence down to the river’s edge, soon after eight o’clock, turned their trousers up above their knees, and, carrying their shoes in knapsacks, waded through the thigh-deep and now traffic-free streets — streets where the Lesniaks had wanted their daughter to rent some rooms — six blocks below their own apartment building to reach the stairs of the flimsy wrought-iron walkway that ran alongside Deliverance Bridge onto Navigation Island and then across the farther stream into the campuses. They had to see for themselves what all the excitement was about and walk off their ill tempers.

There was excitement. A city’s seldom livelier than when things are clearly going wrong. At dawn, all five of the east-west bridges across the river had been closed to traffic. Some brickwork on a single central pier had been dislodged by the force of the flooding. The mortar pointing in the stonework of the oldest bridge below the wharf was being washed away. The engineers detected shifting in the wider spans. So there was very little choice but to put up traffic barricades until the floods retreated and repairs could be carried out.

Half of the city’s drivers couldn’t get to work, unless they were prepared to travel out of town up to the high suspension bridge and its high tolls. Or else they’d have to dump their cars and walk between the eastern and the western banks by joining Lix and Alicja on the wrought-iron walkway, which, as yet, had not been closed. Anyone with any sense — that’s everyone not desperate to work — would see this as the perfect opportunity to shrug their shoulders, phone the boss, and thank the gods of mischief that dangerous bridges stood between their workplace and their home, and that the sun was shining in a kind blue sky.