Nathan Hill - The Nix

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The Nix: краткое содержание, описание и аннотация

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A hilarious and deeply touching debut novel about a son, the mother who left him as a child, and how his search to uncover the secrets of her life leads him to reclaim his own. Meet Samuel Andresen-Anderson: stalled writer, bored teacher at a local college, obsessive player of an online video game. He hasn’t seen his mother, Faye, since she walked out when he was a child. But then one day there she is, all over the news, throwing rocks at a presidential candidate. The media paints Faye as a militant radical with a sordid past, but as far as Samuel knows, his mother never left her small Iowa town. Which version of his mother is the true one? Determined to solve the puzzle — and finally have something to deliver to his publisher — Samuel decides to capitalize on his mother’s new fame by writing a tell-all biography, a book that will savage her intimately, publicly. But first, he has to locate her; and second, to talk to her without bursting into tears.
As Samuel begins to excavate her history, the story moves from the rural Midwest of the 1960s to New York City during the Great Recession and Occupy Wall Street to the infamous riots at the 1968 Chicago Democratic National Convention, and finally to Norway, home of the mysterious Nix that his mother told him about as a child. And in these places, Samuel will unexpectedly find that he has to rethink everything he ever knew about his mother — a woman with an epic story of her own, a story she kept hidden from the world.

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“Actually?” Pwnage said. “Yes. There is one thing you could do for me.”

“Name it.”

“I have this book,” Pwnage said. “Well, more like a book idea. A mystery thriller novel?”

“The psychic detective story. I remember.”

“Yeah. I always intended to write that book, but I had to push back the writing because there were all these tasks that needed to be completed before I could begin — you know, my readers would expect me to understand how police operate and how the justice system actually works, and so I would need to shadow a real detective for a while, which means I would need to find a detective and explain how I’m a writer working on a novel about police work and I need a few nights on the job to get the flavor of real police lingo and procedure. That type of thing.”

“Sure.”

“You know, research.”

“Yes.”

“But then, okay, I worry that any detective I send my letter to probably won’t believe the ‘writer’ claim since I’ve never published anything ever, a fact that the detective would almost certainly deduce because detectives know how to find things. So before I can contact a detective I’ll have to publish a few short stories in a few literary journals and maybe win a few little awards to corroborate the ‘writer’ claim, after which the detective would be more apt to allow me on duty.”

“I suppose.”

“Not to mention all the books about ESP and other paranormal psychic phenomena that I’d need to read to achieve the proper verisimilitude. In fact, there are so many things I need to finish before the writing can even begin that I’m having trouble finding motivation.”

“Are you trying to ask me something specific?”

“If I had a publisher for my book already lined up, then the detective I contacted would automatically believe that I’m a writer, plus it would give me an incentive to actually start writing. Plus there’s the advance money, of course, which could fund renovations I plan to make to my kitchen.”

“So you want me to show your book to my publisher?”

“Yeah, if it’s not too much trouble.”

“No problem. Done.”

Pwnage smiled and slapped Samuel on the back and turned again to watch the guy on TV, who was now halfway through eating the Gut Buster, having completely devoured one of the twin logs, the other having lost its internal structural integrity and loosened into a cone of slimy potato rubble. The host looked wearily into the camera with the expression of a staggered and exhausted boxer trying to remain conscious. The chef said he’d created the Twin Towers Gut Buster a few years back in order to “never forget.” The host started in on the other log. His fork moved slowly. It visibly shook. A concerned onlooker offered him a glass of water, which he refused. He swallowed the next bite. He looked like he hated himself.

Samuel stared at the photograph of Alice. He wondered how the fierce-looking protestor of 1968 could become this person, who apparently wore cargo pants and ironic T-shirts and tromped along beaches looking perfectly happy and at ease. How could two people who seemed so different inhabit the same body?

“Did you talk to Alice?” Samuel said.

“Yep.”

“What did she seem like? What was your impression of her?”

“She seemed very interested in mustard.”

“Mustard?”

“Yep.”

“Is that slang?”

“No. I mean that literally,” Pwnage said. “She’s super interested in mustard.”

“I don’t understand.”

“Neither did I.”

The man on TV, meanwhile, was down to his last few bites. He was exhausted and miserable. His forehead rested on the table and his arms splayed out and if it weren’t for his heavy breathing and visible sweating it would seem like he was dead. The crowd was ecstatic that he’d almost consumed the entire dish. The chef said no one had ever been this close before. The crowd chanted “USA! USA!” as the host held the final bite, trembling, on his fork, aloft.

4

ALICE KNELT on the soft, spongy ground of the forest behind her house. She clutched a small tuft of mustard plant and pulled — not too hard, and not straight up, but rather gently and twistingly, a torsion that freed the roots from the sandy soil without breaking them. This was what she did most days. She roamed the woods of the Indiana dunes, absolving them of their mustard.

Samuel stood about twenty paces away, watching her. He was on the narrow gravel path that cut through the woods and connected Alice’s cabin with her distant garage. The path was maybe a quarter-mile long, up and down a hill. His cresting the hill had set her dogs to barking.

“The problem,” Alice said, “is the seeds. Garlic mustard seeds can linger for years.”

It was a one-woman crusade she waged in the dunes along Lake Michigan’s southern shore. This certain exotic mustard had found its way into Indiana forests from its native home in Europe, then proceeded to annihilate the local flowers, shrubs, trees. If she weren’t here to beat it back, the stuff would take over in just a few summers.

Yesterday she’d been reading one of the Chicago-area invasive-species online discussion boards that she moderates, her job being to tell people when they were posting in the wrong area and move their misplaced threads to different discussion boards. She kept everything nice and tidy; she engaged in a sort of pruning that mimicked in a digital way what she did most days in these woods, ripping out things that didn’t belong. And since most websites were bombarded with an unthinkable amount of spam — mostly advertisements for male enhancement pills or pornography or who knows what because it’s in Cyrillic — even the smallest and most niche sites needed a moderator to vigorously patrol the boards and delete unwanted posts and ads and spam or else the whole thing choked with senseless data. Most of Alice’s time not spent with mustard or her dogs or her partner was spent like this, beating back the advancing chaos, trying to achieve Enlightenment order in the face of twenty-first-century madness.

She was at her laptop looking in on her invasive-species discussion forum and saw that someone named Axman had posted a thread titled “Do you know the woman IN THIS PHOTO?” Which seemed definitely like spam because of its unnecessary use of all-caps words, and because it certainly did not have anything to do with that specific board’s ostensible topic, which was “Honeysuckle (Amur, Morrow’s, Bell’s, Standish, and Tartarian).” So she was about to move the post to the Odds ’n’ Ends forum and scold Axman for putting it in the wrong place when she clicked on the image in question and saw, incredibly, herself.

A photo taken in 1968, at the big protest in Chicago that year. There she was, in her old sunglasses, in her army fatigues, staring at the camera. Goddamn she was such a badass. She was in the park, in a field of student revelry. Thousands of protestors. Behind her were flags and signs and outlines of old Chicago buildings on the horizon. Faye sitting in front of her. She could hardly believe what she was seeing.

She contacted Axman, who sent her to a strange guy named Pwnage, who sent her to Samuel, who came to visit the very next day.

He stood several paces away from her, far from this patch of leafy shrub that to the uninitiated looked in no way special but was, in fact, garlic mustard. Each twig on a garlic mustard plant contained dozens of seeds, which wedged in shoe soles and inside socks and on the cuffs of jeans and were then spread by walking. Samuel was not allowed anywhere near it. Alice wore large plastic boots up to her knees that seemed appropriate for swamps or bogs. She carried black plastic bags that she carefully wrapped around each mustard plant to catch the seeds that dropped as she jostled it out of the ground. Every plant had hundreds of seeds, and not one of them could be allowed to escape. The way she held these bags when they were full of mustard plants — carefully, and at a small distance away from her — looked like how one might carry a bag that contained the body of a dead cat.

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