Alexandra Kleeman - Intimations - Stories

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Intimations: Stories: краткое содержание, описание и аннотация

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From the celebrated author of
,a thought-provoking, often unsettling story collection that consists, broadly, of narrative diagrams of the three main stages in a human life: birth, life, and death.
Alexandra Kleeman’s debut novel
earned her comparisons to Thomas Pynchon, Don DeLillo, Ben Marcus, and Tom Perrotta. It was praised by the
as "a powerful allegory of our civilization’s many maladies, artfully and elegantly articulated, by one of the young wise women of our generation."
In her second book, a collection of twelve stories irresistibly seductive in their strangeness, she explores human life from beginning to end: the distress of birth into a world already formed; the brief and confusing period of "living" where we understand what is expected of us and struggle to do it; and the death-y period toward the end where we sense it is ending and will end only partially understood, at best.
The title is taken from one of the stories ("Intimation"), but is also a play on Wordsworth's "Intimations of Immortality" — only in this case it’s not clear exactly what is being intimated, but it’s nothing so gleaming and good as Immortality. The middle, "Living" section of the book, is fleshed out with a set of stories that borrow more from traditional realist fiction to illustrate the inner lives of the characters.
At once familiar and mysterious, these stories have an eerie resonance as its characters find themselves in new and surprising situations. An unnamed woman enters a room with no exit and a ready-made life; the disappearance of people, objects, and memory creates an apocalypse; the art of dance is used to try to tame a feral child; the key to surviving a house-party lies in knowing the difference between fake and real blood.
Elegant, surprising, wondrous, and haunting,
is an utterly transporting collection from one of our most ingenious and brilliant young writers.

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The apartment opened up onto the disorderly kitchen. The kitchen was as she knew it would be: dishes undone, sliced cheese splayed out in the open. There was a bowl of cereal sitting out on top of the stove that she had forgotten to eat. Martin was looking at the spices on the rack and nodding at them. He pointed at one.

“Very nice,” he said.

“What?” asked Karen.

“Turmeric,” he answered.

Karen crumpled the pile of paper and cheese into a ball and stuffed it in the trash.

“Would you give me a tour?” asked Martin. From where he stood he could already see almost the entirety of the apartment, which was arranged in a straight line from the door toward a large back window. The only thing he couldn’t see into was the bedroom, a small closed-in room with walls all around. It had a small window onto the rest of the apartment. “Like a cave,” the realtor had said.

“Sure,” said Karen, washing her hands. She dried them on a paper towel.

She showed him the kitchen table and the bathroom with its goldfish-printed shower curtain. She showed him the couch and the heating duct and the bookshelf with its array of old schoolbooks and novels. She showed him a plant that she had been given by a friend when she moved into this apartment. She stood outside the bedroom and explained how it was very difficult for light to find its way inside, which made it a good place to sleep and write. Her desk was inside the small lightless room, and sitting at it occasionally made Karen feel so desperate that she went over to the bed and fell asleep instead.

“What do you think you’d like to watch?” Karen asked.

“What?” asked Martin.

“What kind of movie do you want to see. I have some of everything,” she said.

“Oh,” said Martin, “I’ll watch what you want.”

“I don’t have any Dreyer,” she said.

“Do you usually watch in bed?” he asked, pointing up at the lofted mattress.

“Sometimes I watch at the desk,” she said, pointing at the desk.

“Okay,” he said, “the desk.”

“There’s another chair in the kitchen,” Karen said. She went to get it, but Martin stopped her.

“Should I take off my shoes?” he asked.

“Oh,” she said. “Yes.”

He bent over and untied each shoe before pulling it off. His shoes were leather sneakers with a letter B on the side. As she watched him, Karen could see that his hands were shaking badly. He had trouble holding the little ends of the shoelaces as he tugged to undo them. He straightened his body up.

“I think one chair is fine,” said Martin, sitting down in the rolling desk chair. It squeaked. They looked at each other.

“I’d like to sit, too,” Karen said, her arms stiff.

Martin leaned forward and took her hands in his, pulling her toward him. His hands were shaking so much that her hands shook too. Their hands jittered together like they were on a bumpy car ride through the countryside.

“One is fine,” said Martin again, as he pulled her down onto his lap.

Tim used to say that Karen was the smartest person he had ever met. This meant something to Karen because in her own family, she had never even been close to the smartest person. She was always the weak thinker, the vague thinker, and these days thoughts came to her damaged in transit, one piece now and one piece several hours later, its counterpart already forgotten. Tim used to tell stories about how dumb Vanessa was. Vanessa was a successful associate news producer and therefore not literally dumb, but she had done some things in college. Once she was tricked into skinny-dipping and nobody else went in the water. Once she paid $1,200 to buy a star that would be named after herself, and it was a scam. She used to think that global warming was due to the rise of air conditioners, pumping hot air out into the climate in exchange for cold, and would correct itself as people grew more used to the hotter temperatures and used their air-conditioning units less. None of it mattered much to Karen. She had only known Vanessa for six months, though she had been with Tim for almost two years. She liked Vanessa because Vanessa liked her. Vanessa liked her because they both read the big thick Sunday newspaper all through the following week, and felt roughly the same way about the quality of each article. At the end of the night Vanessa was often slung over her shoulders, breathing heavily near her ear and telling Tim that he was so lucky, so lucky and he should stop being such an asshole.

Karen felt the sharp blades of Martin’s thighbones digging into the backs of her thighs. She squirmed on his lap, but that made it hurt more. He was like a man made of metal, inhospitable. Beneath her she felt something moving, twitching, a curious subterranean animal trying to find its way into the light.

Karen pushed herself up from the chair and walked to the far end of the room, but it was not a large room. She turned and looked at Martin, who looked confused.

“I just wanted to watch a movie,” said Karen. She was holding her elbows in her hands and her arms were crossed.

“I,” said Martin. “I’ve enjoyed talking to you very much.”

“Yes,” she said. “That’s fine.”

They were six feet apart.

“Would you like me to leave?” Martin asked.

Karen nodded. “Yes,” she said.

Karen didn’t want to stand there and watch while Martin put his shoes back on, but it was a small room and he was blocking the door. With one hand he formed a loop with the end of the shoelace. With the other he drew the other lace around and under. His hands were still shaking. He pulled the laces tight and stepped out into the apartment. The afternoon light was still cold and bright, but it was getting dimmer. She stood there and watched while he collected his bag, his jacket. Sometimes she looked away but there was nothing to look at. After he put on his jacket and gloves, she grabbed his forearm and squeezed it with her hand. Then she tried to slide her cheek next to his, but she forgot to make the kissing sound. She grabbed his forearm again and let it go. She had forgotten how to be a person.

At the door Martin turned around.

“I have your phone number,” he said.

She nodded.

“I’ll call you to come out on Thursday,” he said.

“Okay,” said Karen, and she closed the door behind him.

In the empty apartment, Karen sat on the chair by the kitchen table and shook silently. Her mother had a saying. Whenever you had given your all, she would tell you that it was time to “let the legumes grow.” This meant recognizing that you had nothing left to do because you had nothing left. You were a fallow field from which nothing more was going to come. Your task was to lay back and wait for the spring, when something might once again grow from you. Karen tried to sway back and forth, but it was not a sturdy chair. She sat still and closed her eyes. She had been doing okay at Ned Regan’s farm until she saw how they separated the cows from their calves. A milk cow only lactates if she has recently given birth, and this means that each dairy cow must be bred back roughly once a year. Calving is continual, and crucial. At the same time, the calf must be displaced so that it does not consume the bulk of the milk that is to be collected and sold. Ned Regan’s policy was to allow the cow and calf a week together, plenty of time to absorb the colostrum, an antibody-rich milk that mother cows produce in the first few days after birth. Most farmers only allowed three days, and industrial farms took the babies within hours. In the first few days after birth, Ned allowed the mothers to lick their babies dry. He lifted the spindly calves up to their mothers’ teats if they were too weak to find them themselves, he guided the teats into their wet mouths. But on the seventh day, Karen watched as Ned and his dairy hands set up a series of pens bounded by electrified wire. As the lot was herded through the pasture, the calves passed under a low-lying wire while their mothers remained on the other side. Once most of the calves had passed through, Ned and his helpers strung two more wires to close off the breach. The few calves that remained unsorted were sorted out by hand. They hauled them up into the back of a pickup and drove them away. The mothers cried out for their calves all through the night, and the night after, and the night after that. “Why don’t the mothers fight when you take them away?” Karen asked Ned once he returned from dropping the calves off in town. “They feel safe in groups,” Ned answered. “That’s why they don’t spook when you walk them to the slaughterhouse.”

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