Джеймс Кейн - Mildred Pierce

While Mildred’s temples throbbed with helpless rage, the voice moved off somewhere, and another one began, off to one side: “Well, I hope you all paid close attention to the critique of operatic acting, by one who knows nothing about it — somebody ought to tell that fag that the whole test of operatic acting is how few motions they have to make, to put across what they’re trying to deliver. John Charles Thomas, can he make them wait till he’s ready to shoot it! And Flagstad, how to be an animated Statue of Liberty! And Scotti, I guess he was nauseating. He was the greatest of them all. Do you know how many gestures he made when he sang the Pagliacci Prologue? One, just one. When he came to the F — poor bastard, he could never quite make the A flat — he raised his hand, and turned it over, palm upward. That was all, and he made you cry... This kid, if I ever saw one right out of that can, she’s it. So she locked her hands in front of her, did she? Listen, when she folded one sweet little paw into the other sweet little paw, and tilted that pan at a forty-five-degree angle, and began to warble about the delicious agony of love — I saw Scotti’s little girl. My throat came up in my mouth. Take it from me, this one’s in the money, or will be soon. Well, hell, it’s what you pay for, isn’t it?”

Then Mildred wanted to run after the first man, and stick out her tongue at him, and laugh. Some things, to be sure, she tried not to think about, such as her relations with Monty. Since the night Veda came home, Mildred had been unable to have him near her, or anybody near her. She continued to sleep alone, and he, for a few days, to sleep in the tackroom. Then she assigned a bedroom to him, with bath, dressing room, and phone extension. The only time the subject of their relations was ever discussed between them was when he suggested that he pick out his furniture himself; on that occasion, she had tried to be facetious, and said something about their being “middle-aged.” To her great relief, he quickly agreed, and looked away, and started talking about something else. From then on, he was host to the numerous guests, master of the house, escort to Mildred when she went to hear Veda sing — but he was not her husband. She felt better about it when she noted that much of his former gaiety had returned. In a way, she had played him a trick. If, as a result, he was enjoying himself, that was the way she wanted it.

And there were certain disturbing aspects of life with Veda, as for example the row with Mr. Levinson, her agent. Mr. Levinson had signed Veda to a radio contract singing for Pleasant , a new brand of mentholated cigarettes that was just coming on the market. For her weekly broadcast Veda received $500, and was “sewed,” as Mr. Levinson put it, for a year, meaning that during this period she could do no broadcasting for anybody else. Mildred thought $500 a week a fabulous stipend for so little work, and so apparently did Veda, until Monty came home one day with Mr. Hobey, who was president of Consolidated Foods, and had decided to spend part of his year in Pasadena. They were in high spirits, for they had been in college together: it was Mr. Hobey’s mountainous, shapeless form that reminded Mildred that Monty was now in his forties. And Mr. Hobey met Veda. And Mr. Hobey heard Veda sing. And Mr. Hobey experienced a slight lapse of the senses, apparently, for he offered her $2,500 a week, a two-year contract, and a guarantee of mention in 25 percent of Consol’s national advertising, if she would only sing for Sunbake , a new vitamin bread he was promoting. Veda, now sewed, was unable to accept, and for some days after that her profanity, her studied, cruel insults to Mr. Levinson, her raving at all hours of the day and night, her monomania on this one subject, were a little more than even Mildred could put up with amiably. But while Mildred was trying to think what to do, Mr. Levinson re-revealed an unexpected ability to deal with such situations himself. He bided his time, waited until a Sunday afternoon, when highballs were being served on the lawn out back, and Veda chose to bring up the subject again, in front of Mildred, Monty, Mr. Hobey, and Mr. Treviso. A pasty, judgy little man in his late twenties, he lit a cigar, and listened with half-closed eyes. Then he said: “O.K. ya dirdy li’l rat. Now s’pose ya take it back. Now s’pose ya ’pologize. Now s’pose ya say ya sorry.”

“I? Apologize? to you?”

“I got a offer for ya.”

“What offer?”

“Bowl.”

“Then, accept... If the terms are suitable.”

Mr. Levinson evidently noted how hard it was for Veda to say anything at all about terms, for the Hollywood Bowl is singer’s heaven. He smiled a little, and said: “Not so fast, baby. It’s kind of a double offer. They’ll take Pierce or they’ll take Opie Lucas — they leave it to me. I handle ya both, and Opie, she don’t cuss me out. She’s nice.”

“A contralto’s no draw.”

“Contralto gets it if you don’t ’pologize.”

There was silence in the sunlight, while Veda’s mouth became thick and wet, and Mr. Treviso smiled at a dancing mote, looking like a very benign cadaver. After a long time, Veda said: “O.K., Levy. I apologize.”

Mr. Levinson got up, walked over to Veda, and slapped her hard, on the cheek. Monty and Mr. Hobey jumped up, but Mr. Levinson paid no attention. His soft, pendulous lower lip hanging down, he spoke softly to Veda: “What ya say now?”

Veda’s face turned pink, then crimson, then scarlet, and her light blue eyes stared at Mr. Levinson with a fixity characteristic of certain varieties of shark. There was another dreadful pause, and Veda said: “O.K.”

“Then O.K. And lemme tell ya someth’n, Pierce. Don’t ya start noth’n with Moe Levinson. Maybe ya don’t know where ya comin’ out.” Before sitting down, Mr. Levinson turned to Mr. Hobey. “Opie Lucas, she’s free. She’s free and she’s hot. You want her? For twenty-five hunnerd?”

“... No.”

“I thought not.”

Mr. Levinson resumed his seat. Monty and Mr. Hobey resumed their seats, Mr. Treviso poured himself a spoonful of the red wine he had elected, instead of a highball, and shot a charge of seltzer into it.

For the rest of the summer Mildred did nothing, and Veda did nothing, but get ready for this appearance at the Bowl. There were innumerable trips to buy clothes: apparently a coloratura couldn’t merely buy a dress, and let it go at that. All sorts of questions had to be considered, such as whether the material took up light, from the spots, or reflected it, whether it gave, or whether it took. Then the question of a hat had to be decided. Veda was determined she must have one, a little evening affair that she could remove after the intermission, “to give some sense of progression, a gain in intimacy.” These points were a little beyond Mildred, but she went eagerly to place after place, until a dressmaker in the Sunset Strip, near Beverly Hills, seemed to be indicated, and presently made the dress. It was, Mildred thought, incomparably lovely. It was bottlegreen, with a pale pink top, and a bodice that laced in front. With the little green bonnet it gave a sort of French garden-party effect. But Veda tried it on a dozen times, unable to make up her mind whether it was right. The question, it seemed, was whether it “looked like vaudeville.” “I can’t come out looking like both Gish sisters,” said Veda, and when Mildred replied that neither of the Gish sisters had ever been in vaudeville, so far as she knew, Veda stared in the mirror and said it was all the same thing. In the end, she decided the bodice was “too much,” and took it off. In truth, Mildred thought, the dress did look a little fresher, a little simpler, a little more suitable to a girl of twenty, than it had before. Still unsatisfied, Veda decided presently she would carry a parasol. When the parasol arrived, and Veda entered the living room, one night, as she would enter the Bowl, she got a hand. Mildred knew, and they all knew, that this was it.