Саманта Швеблин - Mouthful of Birds

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A powerful, eerily unsettling story collection from a major international literary star.
Unearthly and unexpected, the stories in Mouthful of Birds burrow their way into your psyche and don't let go. Samanta Schweblin haunts and mesmerizes in this extraordinary, masterful collection.
Schweblin's stories have the feel of a sleepless night, where every shadow and bump in the dark take on huge implications, leaving your pulse racing, and the line between the real and the strange blur.

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Gruner’s toast returns to the plate and stays there. Gruner is going to ask something but then the door opens, and in comes Cho again. He looks first at Gruner and then curiously asks the woman:

“Is he new?”

Fi smiles and looks affectionately at Gruner.

“He got here yesterday.

Gruner’s actions that first day are the same as those of everyone who has ever been in his situation. Hide away offended and spend the morning next to the office that sells tickets for a train that doesn’t come. Then, refuse to eat lunch, and in the afternoon, secretly study the group’s activities. Under Pe’s instructions, the office workers work the earth. Barefoot, their pants rolled up to the ankles, they smile and laugh at their own jokes without losing the rhythm of their tasks. Then Fi brings tea for them all, and the four of them—Pe, Cho, Gong, and Gill—signal to Gruner, who thought he was hidden, inviting him to join the group.

But Gruner, as we know, refuses. There’s no one more stubborn than an office worker like him. Held over from offices with no partitions, but with a telephone line all his own, he still has his pride when he’s out in the country, and sitting on a wooden bench, he struggles not to move all afternoon long. Even if no train comes, he thinks. Even if I rot right here.

The night gathers everyone together in the preparation of a warm family meal, as the lights of the house turn on one by one and the first aromas of what will be a great feast escape into the cold through the cracks under the doors. Gruner, his patience and pride attenuated by the passage of the day, gives up guiltlessly and accepts the invitation: a door that opens and the woman who, as on the previous night, invites him in. Inside, a familial murmur. Pe congratulates the office workers with brotherly slaps on the back. The workers, grateful for everything, set a table that reminds Gruner of the intimate Christmas celebrations of his childhood, and—why not?—of the capital’s happy civilization. A triumphant Cho—successful, satisfied hunter—serves up the rabbit. Pe and Fi sit at either end of the rectangular table. On one side are the office workers, and all alone across from them sits Gruner. At Gong’s and Gill’s constant requests he passes a saltshaker back and forth, though it is never actually used. Finally, Pe discovers eager smiles tinged with mischief on Gong’s and Gill’s childish faces, and with a call to attention he frees Gruner from the exhausting game so he can finally taste his first mouthful of the meal.

Over the following days Gruner tries out various strategies. The first thing that occurs to him is to bribe Pe, or even Fi, for change. Then, with tears in his eyes, he offers to buy the ticket to the city in exchange for all his money: “No change,” he begs, “keep it all,” he begs over and over again. And he listens desperately to a reply that speaks of a certain railroad code of ethics and the impossibility of keeping someone else’s money. Those are the days Gruner proposes to buy something from them. The amount of the ticket plus anything they want to sell him will be the sum total of his money—the perfect bargain. But no. And he has to bear the office workers’ stifled laughter, and then another family dinner.

The first of Gruner’s tasks to become routine are washing the dishes after dinner and, in the morning, preparing the dog’s food. Then he begs again. He offers to pay with his work. To pay for something, pay for lunch. Chip in little by little with the work of living in the country. Chat every now and then with the office workers. Discover incredible talents in Gong when it comes to theories of efficiency and group work. In Gill, a lawyer of great prestige. In Cho, a capable accountant. Cry once again in front of the ticket office, and at night offer to make lunch the next day. Hunt field rabbits with Cho, and suggest, in thanks for the family’s goodwill, compensating them at least for the delicious food. Learn how this is done, and how one should do that, and also try to pay for that all-important information, that the harvest is done in the morning when the sun won’t bother you, and the midday hours are spent on housework. And every once in a while, with the hope of getting change for a ticket—a hope that is reborn only on certain days—sit on the station bench and watch another train that, at Pe’s inevitable signals, passes without stopping.

Then, bit by bit, begin to see the office workers’ happiness as false. Doubt it all: Cho’s innocent gratitude, Gong’s spirited hospitality, and Gill’s unflaggingly subservient attitude. Intuit in all their actions a secret plan that goes against the love that Pe and Fi profess for them. And then something happens. It’s a thing that he no longer expects, and it takes him by surprise. It starts with an invitation: Cho, Gong, and Gill will make Mother and Father’s bed. Gruner is invited. They go into the master bedroom and, as a team, spread out the sheets and smooth the creases. And that’s how it happens that something is revealed: Gong smiles and looks at Gill, and together, facing each other on either side of the bed, they each lift up a pillow, and before the surprised eyes of Gruner and Cho, spit onto the sheets before setting them down again.

It’s the moment they’re rebelling and Gruner knows it—so much love couldn’t have been real. So he gathers his courage. Gruner asks:

“Do any of you have change?”

All three seem surprised. Maybe it’s still too soon for the question, but then so, too, for the answer:

“Do you?”

Gruner says:

“Do you think I’d be here if I did?”

And they:

“Would we ?”

During a long silence, they all seem to draw conclusions that merge, and start to formulate a plan that, though still undefined, now unites them in a newfound but sincere kinship. As if the action could hide the words they’d uttered, Gill shyly straightens the sheets on a bed that is already smooth. And that night, when the euphoric familial love is reborn, Gruner understands that it has always been part of a farce that began many years before he arrived. And now nothing keeps him from enjoying Pe’s educational advice or the tender kisses Fi plants on her men’s foreheads when they say good night and go to bed. In the morning he submits gladly to the routine, everyday activity, and at night, when doubt invades him and he starts to think maybe his bold plan is born of his own self-delusion, he realizes that the noises bothering him are really the light little taps of someone knocking at his door. Taps that, like passwords to be deciphered, invite him to get up and open the door, to find an anxious Cho standing there. Under orders from Gong, he’s come to bring Gruner to their first meeting.

The gathering is in the public bathrooms next to the ticket window. Gill, ever efficient, has covered the broken windows with cardboard so the cold doesn’t seep in, and he’s brought candles and snacks. Everything is set out on a tablecloth spread neatly over the floor in the middle of the bathroom. Sitting cross-legged, attentive like true office workers, the four of them settle around the tablecloth and pool their money in Gong’s hand. Four bills, large and crisp. It’s strange for Gruner to discover a new expression on his companions’ childlike faces, a mixture of anxiety and distrust. Maybe it’s been months, maybe years, they’ve been here; maybe they suspect that they’ve lost everything back in the capital. Wives, children, jobs, homes, everything they had before they got stranded here in this station. Gill’s eyes grow damp, and a tear falls onto the tablecloth. Cho pats Gill on the back a few times and lets him lean his head on his shoulder. Then Gong looks at Gruner; they know Gill and Cho are weak, that they’re worn-out and they no longer believe in the possibility of escape, only in the pitiful consolation of more days in the country. Gong and Gruner, who are strong, will have to fight for all four of them. An unsparing plan, thinks Gruner, and in Gong’s eyes he finds an ally who follows every one of his thoughts with attention. Gill goes on crying, and he wails:

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