Jarett Kobek - Only Americans Burn in Hell

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Only Americans Burn in Hell: краткое содержание, описание и аннотация

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‘Brilliantly funny … the best satire of our contemporary nightmare that you will ever see, and very possibly the last’
It’s 2019 and America is ruled over by a billionaire reality TV star. Its media is owned by a transnational class of the shameless and the depraved. And its people have been silently robbed of their wealth, their dignity and their democracy.
In this brave new world, going to see a superhero movie counts as activism, and arguing with the other serfs on social media is political engagement. BUT EVERYTHING’S FINE – as long as you never, ever ask yourself who makes money from the ticket sales and the ratings, or who owns Twitter.
It’s 2019 and Jarett Kobek has done the only thing a dissident American novelist can do in those circumstances: he’s joined the party and written fantasy novel about an immortal fairy queen and a shadowy billionaire philanthropist sheikh called Dennis.
Hilarious, provocative and unmissable,
is the only novel for our certifiably insane times.

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One night, Orson was corralled into helping prepare a feast. This had happened because one of the usual preparers of food was busy fucking out his brains in a shadowy elm grove by the Ancient Rocks of Forever.

And so Orson helped prepare the feast for the Red-Rose Knight, the Red-Rose Knight’s men, and all the women of Fairy Land.

Orson placed the Red-Rose Knight’s drinking vessel on the communal table.

Because it was the early medieval period, Orson hadn’t washed his hands after using the latrine.

He got his left index finger in the Red-Rose Knight’s water.

The women of Fairy Land were immune to typhoid fever.

When the Red-Rose Knight died from drinking too much water filled with Orson’s shit, he resolved an ethical dilemma.

The dilemma was this: despite liking to fuck, Celia also believed in and embodied the organizational principles of Fairy Land, and the preeminent organizational principle of the Realm was that all men had to be killed or banished.

Celia had stretched this rule for a very long time. For years, she’d let the Red-Rose Knight and his men stay on Fairy Land.

Her citizenry had started to complain.

At the very moment when the Red-Rose Knight died from consuming too much of Orson’s shit, Celia had been trying to figure out how to tell the father of her children that he was to be banished from her island.

After the Red-Rose Knight died, the women of Fairy Land killed all of the Red-Rose Knight’s men who’d survived their encounter with Orson’s shit.

With one exception.

Rusticano was allowed to live.

Orson was the first to lose his head.

Unlike in his fantasies of being a princess, no one saved him from death.

His hands were filthy.

Chapter Two

Some Facts about Fern

A magical bullshit thing had happened when Fern was born. Maybe it was because she was the Queen’s daughter, maybe it was because she was King Arthur’s granddaughter. Maybe it was because she was the first and only woman born in Fairy Land after the expulsion and murder of its men.

Whatever the cause, the effect of this magical bullshit was that the health of the Realm of Fairy Land was tied, directly, to Fern.

She was its living avatar.

In the times when Fern was happy, Fairy Land was a paradise, full of joy and pleasure. The harvests were incredible, the livestock flourished, and the lesbianism was euphoric and multi-orgasmic.

When Fern was angry, Fairy Land was miserable. The harvests were pathetic, the animals all perished, and the lesbianism drifted into a mythical bed death.

In the times when Fern experienced feelings of vulgar existentialism, wondering about the purpose of her or any other life, the whole of Fairy Land entered a state of paralysis, of grinding malaise without discernible beginning or end.

In the five days before Fern ovulated, Fairy Land was hell on Earth.

One of the ways by which Fern dealt with being the living avatar of Fairy Land was to go on vacation.

Most women on Fairy Land never left the island. There was no rule against travel, but enormous social pressure kept the citizenry from venturing into the wider world.

Some people went on trips, sometimes, but it was always awkward.

No one left as much as Fern.

Fern’s first departure from Fairy Land was in the Year of the Silken Cutthroat, which roughly corresponded to 1349 AD, 749 AH, and 5109 AM.

Fern set off on a little boat, with no crew, and sailed across the sea to France.

Once she had landed, she made her way by horse to Paris.

Are you wondering how Fern managed to do all of this?

Don’t forget: Fern’s mother was Celia, the Queen of Fairy Land. Fern was the daughter of an undying being possessed of supranatural abilities, and Fern herself was the living avatar of a magic realm.

Money and horses and boats and all of that?

Fern waved her hand.

Fern performed magic.

And if you’re like the Los Angeles-based artist William E. Jones, when you read about Fern performing her magic, you thought to yourself: “Every time that the supernatural enters fiction, it’s a cheap shortcut around the craft of storytelling.”

And you’re right.

Fern’s bullshit magic really was a cheap shortcut around the craft of storytelling.

But take a deep breath.

Calm down.

Everything is going to be fine.

Just remember: this level of unprofessionalism has been positively reviewed by the New York Times.

When Fern got to Paris, the French capital was not what she had imagined.

It was 1349 AD.

The Black Death had arrived.

Tumors were sprouting from people’s skin and then bursting open into fireworks of wretched fluid.

The Black Death was rotting people’s flesh with gangrene until the people died.

They were living beings and they had lives and loves and hates and cares and worries and now they were lifeless matter.

Food for worms.

Trash scattered around the streets of Saint-Germain-des-Prés.

Stinking to high heaven.

It was a pretty shitty vacation.

When she traveled around Paris in 1349 AD, stepping over the bodies of the tortured urban poor, Fern collected news and information about the outside world.

It’d been about a century since the people of Fairy Land had learned much about what men were doing to the planet.

The news was not good.

It never was.

Fern was nothing if not resolute.

When she returned to Fairy Land, she decided to rest, but also decided that she would go again into the wider world.

And so she went on more vacations.

It was the late medieval and early modern periods. Fern saw unfathomable amounts of human suffering, but other than the Lisbon earthquake of 1755 AD, nothing was ever as bad as Paris in 1349 AD.

Fern became a seasoned traveler.

She learned to put up with a lot of crap, as long as she got the manic contact high and psychic relief that comes with being far from home.

And as she moved around the world, she collected more news.

Fern brought back this news in physical formats.

At first it was books, which eventually turned into other forms of media. Newsbooks, broadsides, wire recordings, shellac and vinyl records, audio cassettes, magazines, newspapers, reel-to-reel recordings, LaserDiscs, CDs, VHS tapes, DVDs, HD DVDs, Blu-ray Discs.

This is how Celia learned about Richard Johnson and Tom a Lincoln .

Unlike the sojourns of the island’s other women, Fern’s trips abroad were embraced by the residents of Fairy Land.

There was a simple reason.

As soon as Fern left the island, her mood stopped influencing their lives.

During Fern’s seventh trip abroad, which was supposed to be for six months, but lasted about two years, the residents of Fairy Land revised their previous opinion on Fern’s forays away from the island.

They had noticed a material change in the quality of their life.

It wasn’t anything that anyone could explain.

It wasn’t anything that had a definite beginning or end.

But there was a difference in the air, in the very luster of the trees, in the smell of things, in the crispness of life.

It was as if the island had entered into a long, flat period of depression.

People went through the motions, people did what they always did, but something was off. There was a pointlessness that made a mockery of the simplest actions.

Without Fern, the women of Fairy Land had been stripped of magical charm.

They were seeing life as it was.

They were witnessing existence with a dead honest clarity.

And life was brutal.

When Fern returned to the island, the depression lifted.

The magical charm returned.

Here then was Fern’s version of the bitter twist in the faery stories and folk tales that mortals used to tell each other before the world anesthetized itself with prescription opioids, anal gangbang pornography, and the illusion of individual freedom in the pyramid of global order.

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