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Джон Макдональд: A Key to the Suite

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Джон Макдональд A Key to the Suite

A Key to the Suite: краткое содержание, описание и аннотация

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In this swift and striking novel, John D. MacDonald examines the ferment of a big-time convention — the plots, the savage maneuverings, the dreadful ease with which a man or a dream can be destroyed.

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John D. MacDonald

A Key to the Suite

One

The gentle hand of a girl pressed him awake, and he looked up along a tailored arm at the gloriously empty smile of a stewardess. “Fasten your seat belt, please.”

When he straightened in the seat and began to grope for the ends of the belt, she resumed her tour of inspection, looking from side to side, waking other sleepers.

It would have to be a surgical technique, he decided. Their smiles are all too alike. A few minutes of deftness with the scalpel, cutting the frown muscles loose, rehooking the nerve circuits, and you would limit each of them to just two expressions — the habitual superior blandness or the dazzling smile. Perhaps with true corporate efficiency they had hooked the smile to the vocal nerve complex so that they could not speak without smiling. “Prepare for ditching,” would be said with the same smile as, “How would you like your fillet, sir?”

But of course they had not yet been able to do anything about the expression of the eyes. They all looked at you with the same aseptic, merciless disdain, then walked away, germless Dynel hair a-bounce under the trig cap, tennis hips swinging the military worsted skirts, any bounce of breasts falling neatly within the maximum and minimum allowable limits as set by the airline.

He ran the pad of his thumb down the line of his jaw, feeling the sandstone texture of the night growth of beard, and smacked his lips in self-disgust at the stale and clotted taste in his mouth. He was on the starboard side of the airplane, behind the wings, and as it tilted into the landing pattern, he looked out the port windows and saw the dawn jumble of the city, with random neon still on, paling in the grayness, and the shining eyes of some small cars in the small streets.

The airplane slowed as the flaps were extended, and it felt tentative and less airworthy under him, so that he inadvertently tightened his buttock muscles and held his chest a little higher.

There had been so much jet travel in this past year, a Super-Constellation felt like a flapping silly thing, rough and haphazard, like an old lady roller skating on cobblestones. An intrusion of history, he thought, to ride in this sister of the Ford Trimotor, and to be killed in one would have certain ludicrous overtones.

“Snob,” he said to himself. Fanciful snob at that, with the analysis of surgical smiles, and preference for dying up-to-date — but always fanciful when overtired, always that half step to one side of reality, so the world bulges into strange shapes.

He saw, to the east, a dark gray velvet sea with a pink rim, delicate as porcelain, and then looked down at the racing, upcoming ribbon of warehouses, scrubby lots, auto dumps; then saw the landing strip lights, and tucked his anus up yet more firmly until he felt the yelp of tires, the second contact, the rolling that began to slow down. Then the muscles softened, and he unlatched the safety belt and stifled the sigh that meant — “Hubbard, you made it again.” Hubbard, the hero of progress. He remembered being told that when his grandfather bought a battery flashlight and brought it home, they made him go out into the yard to light it up. Dangers have become more joyless. Each horseless carriage shall be proceeded by a man on horseback carrying a red flag by day and a lighted lantern by night.

He retrieved his hat and dispatch case from the overhead shelf and walked down the stairway on wheels into a curious damp warmth like that of a team locker-room a little while after the last hot shower has been taken. There were puddles on the ramp from recent rain. He marched with the others down an endless corridor, thinking that the air age is turning us into a race of pedestrians.

The main part of the terminal was so savagely air-conditioned he felt chilled when the sweat of walking began an immediate evaporation. He found a men’s room, whitely lighted, and as he was washing his hands he stared dispassionately at himself in the mirror and was mildly astonished he should look so tidy in that cruel light. The smut-shadow of beard gave him somewhat the look of imported syndicate muscle, but, he decided, of the upper echelon where the payoff goes into a numbered account and the shotgun stock is of Circassian walnut.

But muscle, nevertheless, he thought sadly. The analogy works. Hubbard shoots the stock option out from under one Jesse Mulaney. He shoots Mulaney’s name off the office door. This time it will be worse than usual because I do like that fat, fumbling, nervy, scared son-of-a-bitch — for reasons which escape me.

He collected his suitcase from the baggage pen and headed for a distant door which seemed as if it might lead to taxicabs. He hefted the suitcase and wondered if Jan had repacked it with the kind of clothing he would need. Though she had yet to fail him, he always felt unprepared when he did not have the time and opportunity to do his own packing. This time there had been even less notice than usual, and Jan had hustled the suitcase to the airport at almost the last moment, with even her good disposition showing signs of erosion.

He pulled the cab door shut and said, “The Sultana, please.”

“Sultana coming up,” the driver said and wrenched the cab away from the curb. They sped through the empty six o’clock streets on octagonal wheels with a continuous bounce, bang and rumble of springs and shocks. The interior stank of a harsh antiseptic vividly flavored with mint, a device which failed to accomplish its purpose, to conceal the illness of a passenger carried not very long ago. Hubbard rolled the nearest window down the rest of the way and lit a cigarette. The damp warm air blew in on him, coming from some endless cellar full of ripe mushrooms and old swimming trunks. On the causeway the air had a fresher, saltier scent. The street lights went out. An old man in what looked like bright yellow pajamas fled across the road in front of the cab and turned to shriek an obscenity. An ambulance sped past them with descending doppler scream, a prowl car close behind it. Above the entrance to a strip joint was a forty-foot-high plywood silhouette of someone named Saturday Jones. The beach street wore a compacted, sodden litter that looked as if parades had gone by, honoring the more ancient perversions.

The cab headed north past increasingly arrogant and fanciful hotel structures. A massive woman in white slacks and white halter strolled the lonely sidewalk with a small trotting dog on a leash. Hubbard had to look back to assure himself that the dog was not pale purple, but it was. The static fronds of all the palm trees were obviously the product of patience, metal shears and an endless supply of green enameled tin. The bursting beds of flowers were vulgarities perpetrated by thousands of busy-fingered, stone-faced little Polish women.

The driver yanked the cab through a mausoleum gate and up a glossy acreage of asphalt. Before the cab plunged under the daring tilt of the cantilevered roof that sheltered the main entrance, Hubbard caught a glimpse of a huge black, white and red banner which said, “Welcome APETOD!!!”

The cab stopped with a dual complaint of tires and brakes, and the driver said with dreary pride, “Sultana, nineteenahalf minutes.”

A big doorman with a meaty, military face came gravely to take the two pieces of luggage. Hubbard paid the driver. Three stout disheveled men were standing in a patch of ornamental shrubbery. They wore tropical suits, ragged straw peon hats and big round convention buttons.

“Goddam it, Hank,” one of them was saying loudly. “Every goddam time we all agree I’m going to take the tenor, you come in and take it too. Now goddam it dyah wanna sing it right or dyah wanna sing it wrong?”

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