Олдос Хаксли - The Doors of Perception

Здесь есть возможность читать онлайн «Олдос Хаксли - The Doors of Perception» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Год выпуска: 2020, Издательство: epubBooks Classics, Жанр: Современная проза, Биографии и Мемуары, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Doors of Perception: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Doors of Perception»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

‘The man who comes back through the Door in the Wall will never be quite the same as the man who went out’. Aldous Huxley first took mescalin in 1953 and continued his experiments with hallucinogenic drugs until 1963 when, on his deathbed, he asked for and was given LSD. Huxley explores the effects of the mescalin experience, describing how the drug enabled him to discover a ‘sacramental vision of reality’. He also discusses the spiritual and moral implications of the experience, demonstrating how negative emotions can transform man’s perceptual Nirvana into a ‘schizophrenic hell’.

The Doors of Perception — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Doors of Perception», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

When it was over, the investigator suggested a walk in the garden. I was willing; and though my body seemed to have dissociated itself almost completely from my mind—or, to be more accurate, though my awareness of the transfigured outer world was no longer accompanied by an awareness of my physical organism—found myself able to get up, open the French–window and walk out with only a minimum of hesitation. It was odd, of course, to feel that ‘I’ was not the same as these arms and legs ‘out there,’ as this wholly objective trunk and neck and even head. It was odd; but one soon got used to it. And anyhow the body seemed perfectly well able to look after itself. In reality, of course, it always does look after itself. All that the conscious ego can do is to formulate wishes, which are then carried out by forces which it controls very little and understands not at all. When it does anything more—when it tries too hard, for example, when it worries, when it becomes apprehensive about the future—it lowers the effectiveness of those forces and may even cause the devitalized body to fall ill. In my present state, awareness was not referred to an ego; it was, so to speak, on its own. This meant that the physiological intelligence controlling the body was also on its own. For the moment that interfering neurotic who, in waking hours, tries to run the show was blessedly out of the way.

From the French–window I walked out under a kind of pergola covered in part by a climbing rose tree, in part by laths, one inch wide with half an inch of space between them. The sun was shining and the shadows of the laths made a zebra–like pattern on the ground and across the seat and back of a garden chair, which was standing at this end of the pergola. That chair—shall I ever forget it? Where the shadows fell on the canvas upholstery, stripes of a deep but glowing indigo alternated with stripes of an incandescence so intensely bright that it was hard to believe that they could be made of anything but blue fire. For what seemed an immensely long time I gazed without knowing, even without wishing to know, what it was that confronted me. At any other time I would have seen a chair barred with alternate light and shade. Today the percept had swallowed up the concept. I was so completely absorbed in looking, so thunderstruck by what I actually saw, that I could not be aware of anything else. Garden furniture, laths, sunlight, shadow—these were no more than names and notions, mere verbalizations, for utilitarian or scientific purposes, after the event. The event was this succession of azure furnace–doors separated by gulfs of unfathomable gentian. It was inexpressibly wonderful, wonderful to the point, almost, of being terrifying. And suddenly I had an inkling of what it must feel like to be mad. Schizophrenia has its heavens as well as its hells and purgatories, I remember what an old friend, dead these many years, told me about his mad wife. One day in the early stages of the disease, when she still had her lucid intervals, he had gone to the hospital to talk to her about their children. She listened for a time, then cut him short. How could he bear to waste his time on a couple of absent children, when all that really mattered, here and now, was the unspeakable beauty of the patterns he made, in this brown tweed jacket, every time he moved his arms? Alas, this paradise of cleansed perception, of pure, one–sided contemplation, was not to endure. The blissful intermissions became rarer, became briefer, until finally there were no more of them; there was only horror.

Most takers of mescalin experience only the heavenly part of schizophrenia. The drug brings hell and purgatory only to those who have had a recent case of jaundice, or who suffer from periodical depressions or a chronic anxiety. If, like the other drugs of remotely comparable power, mescalin were notoriously toxic, the taking of it would be enough, of itself, to cause anxiety. But the reasonably healthy person knows in advance that, so far as he is concerned, mescalin is completely innocuous, that its effects will pass off after eight or ten hours, leaving no hangover and consequently no craving for a renewal of the dose. Fortified by this knowledge, he embarks upon the experiment without fear—in other words, without any pre–disposition to convert an unprecedentedly strange and other than human experience into something appalling, something actually diabolical.

Confronted by a chair which looked like the Last Judgment—or, to be more accurate, by a Last Judgment which, after a long time and with considerable difficulty, I recognized as a chair—I found myself all at once on the brink of panic. This, I suddenly felt, was going too far. Too far, even though the going was into intenser beauty, deeper significance. The fear, as I analyse it in retrospect, was of being overwhelmed, of disintegrating under a pressure of reality greater than a mind, accustomed to living most of the time in a cosy world of symbols, could possibly bear. The literature of religious experience abounds in references to the pains and terrors overwhelming those who have come, too suddenly, face to face with some manifestation of the Mysterium tremendum . In theological language, this fear is due to the incompatibility between man’s egotism and the divine purity, between man’s self–aggravated separateness and the infinity of God. Following Boehme and William Law, we may say that, by unregenerate souls, the divine Light at its full blaze can be apprehended only as a burning, purgatorial fire. An almost identical doctrine is to be found in The Tibetan Book of the Dead , where the departed soul is described as shrinking in agony from the Clear Light of the Void, and even from the lesser, tempered Lights, in order to rush headlong into the comforting darkness of selfhood as a reborn human being, or even as a beast, an unhappy ghost, a denizen of hell. Anything rather than the burning brightness of unmitigated Reality—anything!

The schizophrenic is a soul not merely unregenerate, but desperately sick into the bargain. His sickness consists in the inability to take refuge from inner and outer reality (as the sane person habitually does) in the homemade universe of common sense—the strictly human world of useful notions, shared symbols and socially acceptable conventions. The schizophrenic is like a man permanently under the influence of mescalin, and therefore unable to shut off the experience of a reality which he is not holy enough to live with, which he cannot explain away because it is the most stubborn of primary facts, and which, because it never permits him to look at the world with merely human eyes, scares him into interpreting its unremitting strangeness, its burning intensity of significance, as the manifestations of human or even cosmic malevolence, calling for the most desperate counter–measures, from murderous violence at one end of the scale to catatonia, or psychological suicide, at the other. And once embarked upon the downward, the infernal road, one would never be able to stop. That, now, was only too obvious.

‘If you started in the wrong way,’ I said in answer to the investigator’s questions, ‘everything that happened would be a proof of the conspiracy against you. It would all be self–validating. You couldn’t draw a breath without knowing it was part of the plot.’

‘So you think you know where madness lies?’

My answer was a convinced and heartfelt, ‘Yes.’

‘And you couldn’t control it?’

‘No, I couldn’t control it. If one began with fear and hate as the major premiss, one would have to go on to the conclusion.’

‘Would you be able,’ my wife asked, ‘to fix your attention on what The Tibetan Book of the Dead calls the Clear Light?’

I was doubtful.

‘Would it keep the evil away, if you could hold it? Or would you not be able to hold it?’

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Doors of Perception»

Представляем Вашему вниманию похожие книги на «The Doors of Perception» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Doors of Perception»

Обсуждение, отзывы о книге «The Doors of Perception» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x