Олдос Хаксли - Eyeless in Gaza

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Anthony Beavis is a man inclined to recoil from life. His past is haunted by the death of his best friend Brian and by his entanglement with the cynical and manipulative Mary Amberley. Realising that his determined detachment from the world has been motivated not by intellectual honesty but by moral cowardice, Anthony attempts to find a new way to live. Eyeless in Gaza is considered by many to be Huxley’s definitive work of fiction.

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A hansom, he was thinking—it was the classical opportunity. They were already at Hyde Park Corner; by this time he ought at least to have been holding her hand. But she sat there like a statue, staring at nothing in another world. She would feel outraged if he were to call her roughly back to reality.

‘I shall have to invent a story for Mary,’ he decided. But it wouldn’t be easy; Mary had an extraordinary talent for detecting lies.

Reined in, the old horse gingerly checked itself, came to a halt. They had arrived. Oh, too soon, Joan thought, too soon. She would have liked to drive on like this for ever, nursing in silence her incommunicable joy. It was with a sigh that she stepped on to the pavement.

‘Aunt Fanny said you were to come and say good night to her if she was still up.’

That meant that the last chance of doing it had gone, he reflected, as he followed her up the steps and into the dimly lighted hall.

‘Aunt Fanny,’ Joan called softly as she opened the drawing–room door. But there was no answer; the room was dark.

‘Gone to bed?’

She turned back towards him and nodded affirmatively. They stood there for a moment in silence.

‘I shall have to go,’ he said at last.

‘It was a wonderful evening, Anthony. Simply wonderful.’

‘I’m glad you enjoyed it.’ Behind his smile, he was thinking with apprehension that that last chance had not yet disappeared.

‘It was more than enjoying,’ she said. ‘It was … I don’t know how to say what it was.’ She smiled at him, added ‘Good night,’ and held out her hand.

Anthony took it, said good night in his turn; then, suddenly deciding that it was now or never, stepped closer, laid an arm round her shoulder and kissed her.

The suddenness of his decision and his embarrassment imparted to his movements a clumsy abruptness indistinguishable from that which would have been the result of a violent impulse irrepressibly breaking through restraints. His lips touched her cheek first of all, then found her mouth. She made as if to withdraw, to avert her face; but the movement was checked almost before it was begun. Her mouth came back to his, drawn irresistibly. All the diffuse and indefinite emotion that had accumulated within her during the evening suddenly crystallized, as it were, round her surprise and the evidence of his desire and this almost excruciating pleasure that, from her lips, invaded her whole body and took possession of her mind. The astonishment and anger of the first second were swallowed up in an apocalypse of new sensations. It was as though a quiet darkness were violently illuminated, as though the relaxed dumb strings of an instrument had been wound up and were vibrating ever more shrilly and piercingly, until at last the brightness and the tension annihilated themselves in their own excess. She felt herself becoming empty; enormous spaces opened up within her, gulfs of darkness.

Anthony felt her body droop limp and heavy in his arms. So heavy indeed, and with so unexpected a weight, that he almost lost his balance. He staggered, then braced himself and held her up more closely.

‘What is it, Joan?’

She did not answer, but leaned her forehead against his shoulder. He could feel that if he were now to let her go, she would fall. Perhaps she was ill. He would have to call for help—wake up the aunt—explain what had happened…. Wondering desperately what to do, he looked about him. The lamp in the hall projected through the open door of the drawing–room a strip of light that revealed the end of a sofa covered with yellow chintz. Still holding her up with one arm about her shoulders, he bent down and slid the other behind her knees; then, with an effort (for she was heavier than he had imagined), lifted her off her feet, carried her along the narrow path of illumination that led into the darkness, and lowered her as gently as her weight would allow him on to the sofa.

Kneeling on the floor beside her, ‘Are you feeling better now?’ he asked.

Joan drew a deep breath, passed a hand across her forehead, then opened her eyes and looked at him, but only for a moment; overcome by an access of timidity and shame, she covered her face with her hands. ‘I’m so sorry,’ she whispered. ‘I don’t know what happened. I felt so faint all of a sudden.’ She was silent for a little; the lamps were alight again, the stretched wires were vibrating—but tolerably, not to excess. She parted her hands once more and turned towards him, shyly smiling.

With eyes that had grown accustomed to the faint light, he looked anxiously into her face. Thank God, she seemed to be all right. He wouldn’t have to call the aunt. His feeling of relief was so profound that he took her hand and pressed it tenderly.

‘You’re not cross with me, Anthony?’

‘Why should I be?’

‘Well, you have every right. Fainting like that … ’ Her face felt naked and exposed; withdrawing her hand from his grasp, she once more hid her shame. Fainting like that … The recollection humiliated her. Thinking of that sudden, silent, violent gesture of his, ‘He loves me,’ she said to herself. And Brian? But Brian’s absence seemed to have been raised to a higher power. He was not there with an unprecedented intensity, not there to the point of never having been there. All that was really there was this living presence beside her—the presence of desire, the presence of hands and mouth, the presence, potential but waiting, waiting to actualize itself again, of those kisses. She felt her breasts lift, though she was unaware of having taken a deep breath; it was as though someone else had drawn it.’ He loves me,’ she repeated; it was a justification. She dropped her hands from her face, looked at him for a moment, then reached out and, whispering his name, drew his head down towards her.

*

‘Well, what’s the result?’ Mary called from the sofa as he entered. By the gloomy expression on Anthony’s face she judged that it was she who had won the bet; and this annoyed her. She felt suddenly very angry with him—doubly and trebly angry; because he was so spiritless; because he hadn’t cared enough for her to win his bet in spite of the spiritlessness; because he was forcing upon her a gesture which she didn’t in the least want to make. After a day’s motoring with him in the country she had come to the conclusion that Sidney Gattick was absolutely insufferable. By contrast, Anthony seemed the most charming of men. She didn’t want to banish him, even temporarily. But her threat had been solemn and explicit; if she didn’t carry it out, at least in part, all her authority was gone. And now the wretch was forcing her to keep her word. In a tone of angry reproach, ‘You’ve been a coward and lost,’ she said. ‘I can see it.’

He shook his head. ‘No, I’ve won.’

Mary regarded him doubtfully. ‘I believe you’re lying.’

‘I’m not.’ He sat down beside her on the sofa.

‘Well, then, why do you look so glum? It’s not very flattering to me.’

‘Why on earth did you make me do it?’ he burst out. ‘It was idiotic.’ It had also been wrong; but Mary would only laugh if he said that. ‘I always knew it was idiotic. But you insisted.’ His voice was shrill with a complaining resentment. ‘And now God knows where I’ve landed myself.’ Where he’d landed Joan and Brian, for that matter. ‘God knows.’

‘But explain,’ cried Mary Amberley, ‘explain! Don’t talk like a minor prophet.’ Her eyes were bright with laughing curiosity. She divined some delightfully involved and fantastic situation. ‘Explain,’ she repeated.

‘Well, I did what you told me,’ he answered sullenly.

‘Hero!’

‘There’s nothing funny about it.’

‘What! did you get your face slapped?’

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