Олдос Хаксли - Mortal Coils

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Mortal Coils: краткое содержание, описание и аннотация

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Mortal Coils is the famous book of short stories (and a play) by Aldous Huxley. Mortal Coils includes the following stories: The Gioconda Smile Permutations Among the Nightingales The Tillotson Banquet Green Tunnels Nuns at Luncheon Enjoy this wonderful book Mortal Coils by Aldous Huxley today!

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He had reached the gate. A large, prosperous–looking motor was standing at the side of the road.

"Home, M'Nab." The chauffeur touched his cap. "And stop at the cross–roads on the way, as usual," Mr. Hutton added, as he opened the door of the car. "Well?" he said, speaking into the obscurity that lurked within.

"Oh, Teddy Bear, what an age you've been!" It was a fresh and childish voice that spoke the words. There was the faintest hint of Cockney impurity about the vowel sounds.

Mr. Hutton bent his large form and darted into the car with the agility of an animal regaining its burrow.

"Have I?" he said, as he shut the door. The machine began to move. "You must have missed me a lot if you found the time so long." He sat back in the low seat; a cherishing warmth enveloped him.

"Teddy Bear…." and with a sigh of contentment a charming little head declined on to Mr. Hutton's shoulder. Ravished, he looked down sideways at the round, babyish face.

"Do you know, Doris, you look like the pictures of Louise de Kerouaille." He passed his fingers through a mass of curly hair.

"Who's Louise de Kera–whatever–it–is?" Doris spoke from remote distances.

"She was, alas! Fuit . We shall all be 'was' one of these days. Meanwhile…."

Mr. Hutton covered the babyish face with kisses. The car rushed smoothly along. McNab's back, through the front window was stonily impassive, the back of a statue.

"Your hands," Doris whispered. "Oh, you mustn't touch me. They give me electric shocks."

Mr. Hutton adored her for the virgin imbecility of the words. How late in one's existence one makes the discovery of one's body!

"The electricity isn't in me, it's in you." He kissed her again, whispering her name several times: Doris, Doris, Doris. The scientific appellation of the sea–mouse, he was thinking as he kissed the throat, she offered him, white and extended like the throat of a victim awaiting the sacrificial knife. The sea–mouse was a sausage with iridescent fur: very peculiar. Or was Doris the sea cucumber, which turns itself inside out in moments of alarm? He would really have to go to Naples again, just to see the aquarium. These sea creatures were fabulous, unbelievably fantastic.

"Oh, Teddy Bear!" (More zoology; but he was only a land animal. His poor little jokes!) "Teddy Bear, I'm so happy."

"So am I," said Mr. Hutton. Was it true?

"But I wish I knew if it were right. Tell me, Teddy Bear, is it right or wrong?"

"Ah, my dear, that's just what I've been wondering for the last thirty years."

"Be serious, Teddy Bear. I want to know if this is right; if it's right that I should be here with you and that we should love one another, and that it should give me electric shocks when you touch me."

"Right? Well, it's certainly good that you should have electric shocks rather than sexual repressions. Read Freud; repressions are the devil."

"Oh, you don't help me. Why aren't you ever serious? If only you knew how miserable I am sometimes, thinking it's not right. Perhaps, you know, there is a hell, and all that. I don t know what to do. Sometimes I think I ought to stop loving you."

"But could you?" asked Mr. Hutton, confident in the powers of his seduction and his moustache.

"No, Teddy Bear, you know I couldn't. But I could run away, I could hide from you, I could lock myself up and force myself not to come to you."

"Silly little thing!" He tightened his embrace.

"Oh, dear, I hope it isn't wrong. And there are times when I don't care if it is."

Mr. Hutton was touched. He had a certain protective affection for this little creature. He laid his cheek against her hair and so, interlaced, they sat in silence, while the car, swaying and pitching a little as it hastened along, seemed to draw in the white road and the dusty hedges towards it devouringly.

"Good–bye, good–bye."

The car moved on, gathered speed, vanished round a curve, and Doris was left standing by the sign–post at the cross–roads, still dizzy and weak with the languor born of those kisses and the electrical touch of those gentle hands. She had to take a deep breath, to draw herself up deliberately, before she was strong enough to start her homeward walk. She had half a mile in which to invent the necessary lies.

Alone, Mr. Hutton suddenly found himself the prey of an appalling boredom.

II

Mrs. Hutton was lying on the sofa in her boudoir, playing Patience. In spite of the warmth of the July evening a wood fire was burning on the hearth. A black Pomeranian, extenuated by the heat and the fatigues of digestion, slept before the blaze.

"Phew! Isn't it rather hot in here?" Mr. Hutton asked as he entered the room.

"You know I have to keep warm, dear." The voice seemed breaking on the verge of tears. "I get so shivery."

"I hope you're better this evening."

"Not much, I'm afraid."

The conversation stagnated. Mr. Hutton stood leaning his back against the mantelpiece. He looked down at the Pomeranian lying at his feet, and with the toe of his right boot he rolled the little dog over and rubbed its white–flecked chest and belly. The creature lay in an inert ecstasy. Mrs. Hutton continued to play Patience. Arrived at an impasse , she altered the position of one card, took back another, and went on playing. Her Patiences always came out.

"Dr. Libbard thinks I ought to go to Llandrindod Wells this summer."

"Well—go, my dear—go, most certainly."

Mr. Hutton was thinking of the events of the afternoon: how they had driven, Doris and he, up to the hanging wood, had left the car to wait for them under the shade of the trees, and walked together out into the windless sunshine of the chalk down.

"I'm to drink the waters for my liver, and he thinks I ought to have massage and electric treatment, too."

Hat in hand, Doris had stalked four blue butterflies that were dancing together round a scabious flower with a motion that was like the flickering of blue fire. The blue fire burst and scattered into whirling sparks; she had given chase, laughing and shouting like a child.

"I'm sure it will do you good, my dear."

"I was wondering if you'd come with me, dear."

"But you know I'm going to Scotland at the end of the month."

Mrs. Hutton looked up at him entreatingly. "It's the journey," she said. "The thought of it is such a nightmare. I don't know if I can manage it. And you know I can't sleep in hotels. And then there's the luggage and all the worries. I can't go alone.

"But you won't be alone. You'll have your maid with you." He spoke impatiently. The sick woman was usurping the place of the healthy one. He was being dragged back from the memory of the sunlit down and the quick, laughing girl, back to this unhealthy, overheated room and its complaining occupant.

"I don't think I shall be able to go."

"But you must, my dear, if the doctor tells you to. And, besides, a change will do you good."

"I don't think so."

"But Libbard thinks so, and he knows what he's talking about."

"No, I can't face it. I'm too weak. I can't go alone." Mrs. Hutton pulled a handkerchief out of her black silk bag, and put it to her eyes.

"Nonsense, my dear, you must make the effort."

"I had rather be left in peace to die here." She was crying in earnest now.

"O Lord! Now do be reasonable. Listen now, please." Mrs. Hutton only sobbed more violently. "Oh, what is one to do?" He shrugged his shoulders and walked out of the room.

Mr. Hutton was aware that he had not behaved with proper patience; but he could not help it. Very early in his manhood he had discovered that not only did he not feel sympathy for the poor, the weak, the diseased, and deformed; he actually hated them. Once, as an undergraduate, he spent three days at a mission in the East End. He had returned, filled with a profound and ineradicable disgust. Instead of pitying, he loathed the unfortunate. It was not, he knew, a very comely emotion; and he had been ashamed of it at first. In the end he had decided that it was temperamental, inevitable, and had felt no further qualms. Emily had been healthy and beautiful when he married her. He had loved her then. But now—was it his fault that she was like this?

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