That November, President Pedro Aguirre Cerda died of tuberculosis, after only three years in office. The poor people in Chile, who had benefited from his reforms, shed tears for him as for a beloved father in the most spectacular funeral ever seen. Even his right-wing enemies were forced to concede he was honest and grudgingly accepted his vision—he had promoted national industry, health, and education—but there was no way they were going to allow Chile to shift to the Left. Socialism was fine for the Soviets, who lived far away and were barbarians, but it was not for their own homeland. The deceased president’s secular, democratic spirit was a dangerous precedent that was not to be repeated.
Felipe del Solar met the Dalmaus at the funeral. They had not seen one another in months, and after the procession he invited them to lunch to catch up with their news. He learned they were getting ahead and that Marcel, who was still not three years old, spoke in Catalan as well as in Spanish. Felipe told them about his family: Baby had a heart problem, and his mother wanted to take him on a pilgrimage to the shrine of Santa Rosa of Lima because in Chile there was a sore lack of national saints; his sister Ofelia’s wedding had been postponed.
Nothing about Victor betrayed the shock he felt inside on hearing about Ofelia, but Roser could sense the reaction on her own skin and so knew beyond doubt who her husband’s lover was. She would have preferred the identity to remain a mystery, because uncovering Ofelia’s name made her into an incontrovertible reality. The situation was far worse than Roser had imagined.
“I told you to forget her, Victor!” she reproached him that night when they were alone.
“I can’t, Roser. Do you remember how you loved Guillem? How you still love him? It’s the same with me and Ofelia.”
“What about her?”
“She loves me too. She knows we can never be together openly and accepts it.”
“How long do you think that girl is going to put up with being your mistress? She has a privileged future ahead of her. She would be crazy to sacrifice it for you. And let me tell you again, Victor: if this gets out, they’ll throw us out of this country. Those people are very powerful.”
“Nobody will find out.”
“Everything gets out sooner or later.”
—
OFELIA’S WEDDING WAS CANCELED with the excuse that she was unwell. Matias Eyzaguirre returned to the post in Paraguay that he had abandoned precipitously. He received a warning for his escapade that had little impact, as he had shown an unusual ability for diplomacy and had succeeded at gaining acceptance in the political and social circles where the ambassador, a rancorous and rather dim man, was struggling. Ofelia was punished with enforced leisure. At twenty-one, she was made to sit at home doing nothing, with Juana Nancucheo keeping a close eye on her. She was bored to death, but it was no use arguing that she had come of age: she had nowhere to go and was incapable of fending for herself, as she was clearly told. “Be very careful, Ofelia, because if you leave by the front door, you’ll never enter this house again,” her father threatened her. She tried to win sympathy from Felipe or her sisters, but the clan closed ranks to defend the family honor, and so in the end she could rely only on help from the chauffeur, a man of negotiable honesty. Her social life was over, for how could she go out and enjoy herself if she was meant to be ill? Her only outings were visits to the Santiago slums with the Catholic Ladies, to family Mass, and to her art classes, where it was unlikely she would meet anyone from her own circle. Thanks to throwing an epic tantrum, she had managed to get her father to yield over these classes. The chauffeur was told to wait at the door for the three or four hours the sessions lasted. Several months went by without Ofelia making any artistic progress, which only went to show she had no talent, as the family already knew. In fact, she would enter the art school carrying her canvases, easel, and paints, walk through the building, and leave by the back door, where Victor was waiting for her. They met only infrequently, as he found it hard to make his rare free time coincide with her class schedule.
Victor was tired, with dark shadows under his eyes from lack of sleep. He was so exhausted that sometimes he nodded off even before his lover managed to remove her clothes in their hotel room. Roser, on the other hand, displayed an irrepressible energy. She was adapting to the city and learning to understand Chileans, who deep down were as generous, muddle-headed, and dramatic as Spaniards. She had set herself to win friends and carve out a reputation as a pianist, and now played on the radio, in the Hotel Crillon, at the cathedral, in clubs, and in private houses. Word got around that she was well turned-out and well-mannered, and that she could play by ear anything she was asked for. All people had to do was whistle a couple of bars and within a few seconds she could play the tune on the piano, which made her ideal for both parties and solemn occasions. She earned a lot more than Victor with his Winnipeg, but had been obliged to neglect her role as a mother. Until he was four, Marcel didn’t call her “mother” but “señora.” The first words he said were “white wine” in Catalan, spoken in his playpen behind the tavern counter. Roser and Victor took turns carrying him in the sling until he became too heavy. It was so snug and warm that, clinging to his mother’s or father’s body, he felt secure. He was a calm, quiet little boy who made his own amusement and rarely asked for anything. His mother would take him to the radio station, and his father to the tavern, but he spent most of his time at the house of a widow who had three cats and looked after him for a modest amount.
Contrary to expectation, the relationship between Victor and Roser was strengthened during this chaotic time when their lives barely coincided and his heart had gone out to another woman. Their longstanding friendship turned into a deeper complicity in which there was no room for secrets, suspicion, or offense; they started from the principle that they would never hurt each other and that if this happened, it would be unintentional. They protected each other, which made their present hardships and the ghosts of the past bearable.
In the months Roser had spent in Perpignan living with the Quakers, she had learned to sew. In Chile, she used her first savings to buy a Singer sewing machine: it was a shiny black treadle model, with gilt lettering and flowers, a wonder of efficiency. Its rhythmic sound was similar to her piano exercises, and whenever she finished a dress or a romper for her son, she was as pleased as she was with an audience’s applause. She copied styles from fashion magazines and was always well-dressed. For her performances she made herself a long, steel-colored gown to which she added and subtracted different-colored bows, short or long sleeves, collars, flowers, and brooches so that she looked different on every occasion. She wore her hair in the old-fashioned way, in a chignon held by combs or clasps, and painted her nails and lips bright red, as she would into her old age when her hair was streaked with gray and her lips dry.
“Your wife is very pretty,” Ofelia told Victor. She had run into Roser at the funeral of one of her uncles, when Roser was playing solemn music on the organ as the deceased man’s relatives walked past offering their condolences to the widow and children. When she saw Ofelia, Roser stopped playing, kissed her on the cheek, and whispered in her ear that she could count on her for anything she might need. This confirmed for Ofelia the truth of Victor’s assertion that they were like brother and sister.
Ofelia’s comment about Roser’s looks surprised Victor: whenever he thought of Roser, the image that sprang to mind was that of the skinny, unassuming girl he had known in Spain, the defenseless goatherd his parents had adopted, or simply Guillem’s girlfriend. Whether Roser was that or the woman Ofelia admired did not change the essential fact that he loved her. Not even the irresistible temptation of eloping with Ofelia to a palm tree–fronded paradise could make him leave Roser or her child.
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