Maki Kashimada - Touring the Land of the Dead - Two Novellas

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Touring the Land of the Dead: Two Novellas: краткое содержание, описание и аннотация

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A story from one of Japan’s rising literary stars about memory, loss, and love, Touring the Land of the Dead is a mesmerizing combination of two tales, both told with stylistic inventiveness and breathtaking sensitivity.
Taichi was forced to stop working almost a decade ago and since then he and his wife Natsuko have been getting by on her part-time wages. But Natsuko is a woman accustomed to hardship. When her own family’s fortune dried up years during her childhood, she, her brother, and her mother lived a surreal hand-to-mouth existence shaped by her mother’s refusal to accept their new station in life.
One day, Natsuko sees an ad for a spa and recognizes the place as the former luxury hotel that Natsuko’s grandfather had taken her mother to when she was little. She decides to take her damaged husband to the spa, despite the cost, but their time there triggers hard but ultimately redemptive memories relating to the complicated history of her family. The overnight trip becomes a voyage into the netherworld—a journey to the doors of death and back to life.
Modelled on a classic story by Junichiro Tanizaki, Ninety-Nine Kisses is the second story in this book and it portrays in touching and lyrical fashion the lives of the four unmarried sisters in a historical, close-knit neighbourhood of contemporary Tokyo.

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I turned toward her. I want her so badly. I remembered us often getting into the same bed together, naked. When I told Tamura about it, he called me a pervert. Your love for her is sexual , he said. But he’s wrong. I’m not lusting after some stranger I barely know. I mean, she’s my sister. They’re all my sisters. We were all one body to begin with. But then we were born, cut away from each other one by one. That’s why I want him to stop, this S—to stop planting these seeds of love inside them. We don’t need all that. But the visions kept racing through my head. I was teasing Meiko, sexually. Not by penetrating her with a penis or anything, but by whispering in her ear, filling her up with a poem that I had written to embarrass her. So Meiko, you don’t need a man. In this community, this body just of women, any one of us can play that role. I wouldn’t even mind playing it all the time. Because I don’t need sexual pleasure. Because I’m not interested in that. It would be enough for me just to give you all pleasure. You see, we’re all one person. So long as one of us sisters played the role of the man, it would be all self-contained. We ought to be able to do that. We’re a perfect whole. Like Adam before Eve. Or like a hermaphrodite.

When I came back to my senses, I realized that Meiko had taken a bite out of that taiyaki as she waited for the water to boil. If I had been my usual self, I would have wanted to put that taiyaki that had been in her mouth between my own lips. But not now, not something that S had given her.

* * *

I went shopping one evening, to the Yanaka Ginza, when I saw Yōko and S sitting on the steps at the end of the street where you can see the sun setting over the town, smoking together. I should have just called out to her, to my beloved sister, like I normally would. But instead, and I don’t really know why, the moment I saw them, I went and hid.

Yōko was petting a stray cat. I knew that she didn’t have any real interest in animals. Normally, if us sisters were to go out for a walk and happened to see a dog, Yōko wouldn’t want to pet it. Not at all. But S, he didn’t know that. He didn’t have the faintest clue. He just sat there, watching her pet that stray cat so joyfully, watching her with that content little smile of his. Did he like women who were fond of animals? I don’t know. But that must have been what Yōko was thinking. She was quizzing out what made him tick.

She had decided that he was the kind of guy who likes women who dote on animals, that was why she was playing with the stray cat. Even though she didn’t really like it herself. It was a calculated move. She had no taste for cats, but even so, she was willing to act as if she did in front of him. If another woman were to see her, they would probably be disgusted. But Yōko doesn’t care what other women think of her, whether they’re put off by what she does. She doesn’t let things like that bother her. She doesn’t think that there’s anything wrong with her actions. For her, it was nothing more serious than petty fraud. She isn’t particularly feminine, but she was willing to act feminine in front of this guy. Playing hard-to-get, pretending to be aloof. The loveliness of a peach-colored handkerchief, makeup applied so lightly that men wouldn’t notice it. My sister was laying her traps, one after the next, all in an effort to make this man her own. My sister, chatting with S, sitting there smoking with him, pretending to act cool. That must be it, that’s the kind of woman that he likes. Yōko had worked him out, right down to the smallest detail, and was busy now reeling him in.

I tried to ask her about it once: How do you do it, how do you see through all these men, how do you know how to act to get them interested? And she responded, with a completely expressionless face: How do I get them interested? I don’t know what you’re talking about.

Liar. You lied to me. You can see through them, through all these men, you know how to draw them in. I can see through you, Yōko, I can see through all my sisters, just like you can see through all these men. That’s what I wanted to say. But by the look of things, no one else in my family understood her the way I do. They don’t know exactly why, but they know that men like her. And they haven’t realized anything deeper than that.

My other sisters have a complex about this. Especially now that S has popped up. Why is it only Yōko who gets all the guys? Meiko asked with a troubled look. These men, all they ever talk about is Yōko this, Yōko that , Moeko said bitterly. They must have both thought that all women needed to be as popular as Yōko.

I’m the only one who knows just how much effort she puts into it, into getting guys to like her. I’m the only one who can see through that seemingly carefree attitude of hers. I felt like I could do something cruel to her, holding onto her secrets like that. I could take all her secrets, bit by bit, filing them all away—and then, one day, maybe I would expose her in front of the whole family. I kept trying to imagine what would happen. But then, her reaction probably wouldn’t be as straightforward as my other sisters. If I exposed Meiko’s darkest secrets, she would just end up breaking down into tears. And if it were Moeko, she would see straight through what I was doing and get angry right back at me. But Yōko, if it were Yōko… For some reason, picturing how she would react made me feel better. She would probably feign ignorance. You think I’m trying to get men to like me? I don’t know how to do that. If there’s a way, I’d love to know it. She would probably just say something like that.

Yōko sometimes brings the topic up when we talk, always sounding like she’s trying to make excuses. Meiko and Moeko, and Mom too, they all seem to think guys like me. But it isn’t true. Not one little bit. But to me, it looked more like she was trying to conceal even that basic fact. Maybe she’s realized it—that I’ve started catching on to what she’s doing.

Oh, Yōko, I know everything. I know just how cunning you are, how difficult you can be to deal with. I know because I love you. Even if you go out in secret to meet S, even if you don’t tell us sisters, I won’t blame you, I won’t mention it to any of the others. I’ll simply love you for how thorough you are, how meticulous. I won’t even try to imitate you. I just want to be enchanted by you, by your splendid worldly wisdom. Yōko, won’t you show me one day, that perfect worldly wisdom of yours? And then you can take a so-what attitude, and you can say something like: Men, you know, they really love it when you do this. I love that kind of wickedness, Yōko. And I want you to charm S, to charm him to your heart’s content. Because the wickeder you are, the greater the pleasure. It’s so good I could die.

* * *

Every now and then, when it’s still early in the evening, Meiko, Yōko, Mom, and I watch TV together in the living room over a plate of fruit. But not Moeko, not today—she’s locked herself in her room, in total darkness. Masturbation. That’s what she’s doing. I put my ear up against her door. I could hear a pained voice coming from inside. It wasn’t hers. It must have belonged to an actress in a pornographic video. And even though I couldn’t be entirely sure, every now and then I could hear what must have been Moeko, gasping for breath. Was she imagining herself having sex with S? I could picture her in front of me, and my heart overflowed with ecstasy. It made me feel like I was doing it too.

I remember one time when she let me in on it. You’re so innocent, Nanako. Let me teach you. Women do it too, you know? I do it. There’s no need to feel ashamed about it just because you’re a woman. But Nanako, you have to keep it a secret from Mom and Meiko. Because they’re old-fashioned when it comes to sex. And from Yōko too.

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