MS. MERCURY
All that fortune and your idea of fun is dressing up like a poor mortal with no fashion sense. I can arrange this to be permanent. Just give me all your money and you’ll live happily ever after.
F.X.R. runs around to the passenger seat, trying to hop in over the door. He lands in a heap on the front seat, one foot hooked on the door.
MS. MERCURY (CONT’D)
Gangway for adventure!
She hits the gas and the car spins out and away, spewing dust and gravel.
MUSIC: “I’ve Been Everywhere” by Hank Snow
EXT. HIGHWAY 88—LATER
The Buick chugs along down the highway. F.X.R. smiles into the wind.
F.X.R.
I should get out of that penthouse more often!
MS. MERCURY
Two weeks ago you were boogie boarding on the Great Barrier Reef!
F.X.R.
To see America. Don’t see enough of my native land. Open road. Big sky. Asphalt ribbon with nothing but a dotted line and the horizon. I love this country! God help me, but I do love it so!
(then)
It’s good for the soul to come down from the mountaintop sometimes, Ms. Mercury. Otherwise, all you see are the tops of mountains. I should put that in a memo to all the employees.
MS. MERCURY
Do that. It would inspire us all.
(then)
So, where are we going, cochise?
Sending a message from his Watch to hers…
F.X.R.
Here. A little town called Phrygia.
(he tries three different pronunciations)
Population 102.
WATCH: Photos, facts, information about Phrygia…
F.X.R. (CONT’D)
Formerly a major stop on Route 88 that once billed itself as America’s Hospitality Capital. Let’s see how hospitable they are to the likes of us.
MS. MERCURY
Before you buy up every square inch and acre.
(studying her Watch)
Oh, hell. This drive will take us hours! I’m gonna fry!
EXT. A HUGE SIGN—Faded, ancient, with broken neon tubes and peeling paint that says motel olympus…
Still barely visible are the large figures of a man and woman, both waving to nonexistent traffic, calling out in sun-bleached letters “Stay with us!”
MUSIC: “Que Te Vaya Bonito” on an accordion
SUBTITLES IN ENGLISH OF THE SPANISH LYRICS
“I don’t know if your absence will kill me
even if my chest is made of steel…”
CUT TO:
EXT. MOTEL OLYMPUS, PHRYGIA—DAY—SAME
Nothing at all like its namesake in Las Vegas…Nothing at all.
Like the sign, the Motel Olympus has seen better days. The best that can be said of it? It’s clean.
The MUSIC is coming from JESUS HILDALGO, who plays the final bars of a song so beautiful it even sounds great on an accordion.
SUBTITLES: “But no one will call me a coward
Without knowing how much I love her…”
An old couple—PHIL and BEA (yes, that’s them on the sign)—applaud as Jesus packs away his instrument and loads it into his old pickup truck.
PHIL
Talent like I never seen!
BEA
Every time you play I find myself all misty . You have a gift, Jesus.
JESUS
You make me feel so good, Mr. Phil and Mrs. Bea. You have always made me feel I was at home.
BEA
That’s because you have been, Jesus. You’ve been at our home.
PHIL
Good luck there in Chesterton. I hear they get benefits galore at that windshield factory.
JESUS
Thank you. I will come back to see you many times. I promise I will.
BEA
Bring us a windshield you made yourself.
Jesus climbs in, and the pickup truck pulls out of the motel lot, honking. Phil and Bea watch the truck disappear down the road. They are quiet for a moment.
PHIL
There goes our only guest. One less bed to make.
BEA
Lord, am I going to miss him playing that ’cordine.
PHIL
Sixty-two less dollars a week. Why would anyone want to leave this little spot of paradise to live in a podunk burg like Chesterton…
BEA
Oh, stop serving crab apples. Do some weeding.
Phil sizes up the woman he married. The woman he still finds so very beautiful…
PHIL
Don’t treat me like some hired hand.
(then)
Unless you wearing that pretty dress means you want to play Seduce the Hired Hand.
BEA
You go out there with the weedwacker and flex your rippling muscles, maybe I’ll get all heated up.
PHIL
Tell you what, woman. Give me twenty minutes to clear the south forty, then meet me in room 10. I just might be naked in the shower.
BEA
It’s a date.
A Buick convertible is coming down the road, its turn signal blinking.
BEA (CONT’D)
Hold on. Looks like we have guests.
PHIL
Rats.
(shouting)
Come back in an hour, folks!
The car pulls in to the motel. Hey, it’s none other than F.X.R. and Ms. Mercury! The top is still down.
He is smiling. She looks like hell after driving three hours in a convertible with the top down. They pull right up to Phil and Bea.
F.X.R.
Howdy!
PHIL
Howdy-do?
BEA
Howdy-do to you.
MS. MERCURY
How-diddly-dee-dooty-do.
F.X.R.
(all “folksy”)
As you can see, we happen to be weary travelers who have been on the road too long.
MS. MERCURY
With no sunblock.
F.X.R.
We seek a respite from our journey. You know—some real hospitality.
BEA
How about trying a motel of some kind?
F.X.R.
Know any good motels around?
BEA
Well, let’s think here. Motels. You need a motel…
PHIL
Best motel in the world is right here on the outskirts of Phrygia. Called the Olympic or the Olympian or something.
F.X.R. looks at the faded sign.
F.X.R.
Motel Olympus!
PHIL
That’s the one.
F.X.R.
Ms. Mercury! Motel Olympus! This is fate!
Ms. Mercury wants out of the car and into a shower ASAP.
MS. MERCURY
It must be. This parking lot screams destiny .
BEA
Welcome. I’m Bea. He’s Phil. Stay with us!
These two adorable old folks immediately freeze in the positions of the sign behind them, complete with waving arms.
F.X.R. and Ms. Mercury share a look. Phil and Bea have not moved. They are still frozen in their “sign” position. They remain so. For a beat. Then another.
And another.
MS. MERCURY
So, do you have a vacancy?
BEA
(breaking her pose)
Nothing but.
CUT TO:
INT. MOTEL OFFICE—SAME
CLOSE ON:
A faded photo from fifty years before—young Phil and Bea, in that same pose. Obviously the model for the sign back when it was constructed.
The office is clean and cozy. F.X.R. inspects the photo as Bea prepares the paperwork.
BEA
If it seems like you have the place to yourself, you do.
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