Tom Wolfe - The Right Stuff

There were many pilots in their thirties who, to the consternation of their wives, children, mothers, fathers, and employers, volunteered to go active in the reserves and fly in combat in the Korean War. In godforsaken frozen Chosen! But it was simple enough. Half of them were fliers who had trained during the Second World War and had never seen combat. It was well understood—and never said, of course—that no one could reach the top of the pyramid without going into combat.

The morale of foot soldiers in the Korean War was so bad it actually reached the point where officers were prodding men forward with gun barrels and bayonets. But in the air—it was Fighter Jock Heaven! Using F-86s mainly, the Air Force was producing aces, pilots who had shot down five planes or more, as fast as the Koreans and Chinese could get then Soviet MiG-15s up to fight them. By the time the fighting was stopped, there were thirty-eight Air Force aces, and they had accounted for a total of 299.5 kills. Only fifty-six F-86s were lost. High spirits these lads had. They chronicled their adventures with a good creamy romanticism such as nobody in flying had treated himself to since the days of Lufbery, Frank Luke, and von Richthofen in the First World War. Colonel Harrison R. Thyng, who shot down five MiGs in Korea (and eight German and Japanese planes in the Second World War), glowed like Excalibur when he described his Fourth Fighter-Interceptor Wing: "Like olden knights the F-86 pilots ride up over North Korea to the Yalu River, the sun glinting off silver aircraft, contrails streaming behind, as they challenge the numerically superior enemy to come on up and fight." Lances and plumes! I'm a knight ! Come on up and fight! Why hold back! Knights of the Right Stuff!

When a pilot named Gus Grissom (whom Conrad, Schirra, Lovell, and the others would meet later on) first went to Korea, the Air Force used to take the F-86 jocks out to the field before dawn, in the dark, in buses, and the pilots who had not been shot at by a MiG in air-to-air combat had to stand up. At first Grissom couldn't believe it and then he couldn't bear it—those bastards sitting down were the only ones with the right stuff ! The next morning, as they rumbled out there in the dark, he was sitting down. He had gone up north toward the Yalu on the first day and had it out with some howling supersonic Chinee just so he could have a seat on the bus. Even at the level of combat, the main thing was not to be left behind .

Combat had its own infinite series of tests, and one of the greatest sins was "chattering" or "jabbering" on the radio. The combat frequency was to be kept clear of all but strategically essential messages, and all unenlightening comments were regarded as evidence of funk, of the wrong stuff. A Navy pilot (in legend, at any rate) began shouting, "I've got a MiG at zero! A MiG at zero!"—meaning that it had maneuvered in behind him and was locked in on his tail. An irritated voice cut in and said, "Shut up and die like an aviator." One had to be a Navy pilot to appreciate the final nuance. A good Navy pilot was a real aviator; in the Air Force they merely had pilots and not precisely the proper stuff.

No, the tests were never-ending. And in the periods between wars a man's past successes in combat did not necessarily keep him at the top of the heavenly pyramid. By the late 1950's there was yet another plateau to strive for. On that plateau were men who had flown in combat in the Second World War or Korea and had then gone on to become test pilots in the new age of jet and rocket engines. Not every combat pilot could make the climb. Two of the great aces of the Second World War, Richard I. Bong and Don Gentile, tried it but didn't have the patience for the job. They only wanted to go up and poke holes in the sky; and presently they were just part of combat history. Of course, by now, thanks to the accident of age, you began to find young men who had reached the exalted level of test pilot without ever having had a chance to fight in combat. One was Pete Conrad, who was just graduating, with the survivors of Group 20, to the status of full-fledged test pilot at Pax River. Like every Navy test pilot, Conrad was proud of Pax River and its reputation. Out loud every true Navy aviator insisted that Pax River was the place… and inwardly knew it really wasn't. For every military pilot knew where the apex of the great ziggurat was located. You could point it out on a map. The place was Edwards Air Force Base in the high desert 150 miles northeast of Los Angeles. Everyone knew who resided there, too, although their actual status was never put into words. Not only that, everyone knew the name of the individual who ranked foremost in the Olympus, the ace of all the aces, as it were, among the true brothers of the right stuff.

Anyone who travels very much on airlines in the United States soon gets to know the voice of the airline pilot … coming over the intercom… with a particular drawl, a particular folksiness, a particular down-home calmness that is so exaggerated it begins to parody itself (nevertheless!—it's reassuring)… the voice that tells you, as the airliner is caught in thunderheads and goes bolting up and down a thousand feet at a single gulp, to check your seat belts because "it might get a little choppy"… the voice that tells you (on a flight from Phoenix preparing for its final approach into Kennedy Airport, New York, just after dawn): "Now, folks, uh… this is the captain… ummmm… We've got a little ol' red light up here on the control panel that's tryin' to tell us that the landin' gears're not… uh… lockin' into position when we lower 'em… Now… I don't believe that little ol' red light knows what it's talkin' about—I believe it's that little ol' red light that iddn' workin' right"… faint chuckle, long pause, as if to say, I'm not even sure all this is really worth going into — still, it may amuse you… "But … I guess to play it by the rules, we oughta humor that little ol' light… so we're gonna take her down to about, oh, two or three hundred feet over the runway at Kennedy, and the folks down there on the ground are gonna see if they caint give us a visual inspection of those ol' landin' gears"—with which he is obviously on intimate ol'-buddy terms, as with every other working part of this mighty ship—"and if I'm right… they're gonna tell us everything is copacetic all the way aroun' an' we'll jes take her on in"… and, after a couple of low passes over the field, the voice returns: "Well, folks, those folks down there on the ground—it must be too early for 'em or somethin'—I 'spect they still got the sleepers in their eyes… 'cause they say they caint tell if those ol' landin' gears are all the way down or not… But, you know, up here in the cockpit we're convinced they're all the way down, so we're jes gonna take her on in… And oh"… ( I almost forgot) … "while we take a little swing out over the ocean an' empty some of that surplus fuel we're not gonna be needin' anymore—that's what you might be seein' comin' out of the wings—our lovely little ladies… if they'll be so kind… they're gonna go up and down the aisles and show you how we do what we call 'assumin' the position'"… another faint chuckle ( We do this so often, and it's so much fun, we even have a funny little name for it) … and the stewardesses, a bit grimmer, by the looks of them, than that voice , start telling the passengers to take their glasses off and take the ballpoint pens and other sharp objects out of their pockets, and they show them the position , with the head lowered… while down on the field at Kennedy the little yellow emergency trucks start roaring across the field—and even though in your pounding heart and your sweating palms and your broiling brainpan you know this is a critical moment in your life, you still can't quite bring yourself to believe it, because if it were… how could the captain , the man who knows the actual situation most intimately… how could he keep on drawlin' and chucklin' and driftin' and lollygaggin' in that particular voice of his—