J. Ballard - High Rise

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High Rise: краткое содержание, описание и аннотация

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J.G. Ballard's 1975 novel "High Rise" contains all of the qualities we have come to expect from this author: alarming psychological insights, a study of the profoundly disturbing connections between technology and the human condition, and an intriguing plot masterfully executed. Ballard, who wrote the tremendously troubling "Crash," really knows how to dig deep into our troubling times in order to expose our tentative grasp of modernity. Some compare this book to William Golding's "Lord of the Flies," and there are definite characteristics the two novels share. I would argue, however, that "High Rise" is more eloquent and more relevant than Golding's book. Unfortunately, this Ballard novel is out of print. Try and locate a copy at your local library because the payoff is well worth the effort.
"High Rise" centers around four major characters: Dr. Robert Laing, an instructor at a local medical school, Richard Wilder, a television documentary producer, Anthony Royal, an architect, and the high rise building all three live in with 2,000 other people. Throughout the story, Ballard switches back and forth between these three people, recording their thoughts and actions as they live their lives in the new high-rise apartment building. Ballard made sure to pick three separate people living on different floors of the forty floor building: Laing lives on the twenty fifth floor, Wilder lives on the second floor, and Royal lives in a penthouse on the fortieth floor (befitting his status as the designer of the building). Where you live in this structure will soon take on an importance beyond life itself.
At the beginning of the story, most of the people living in the building get along quite well. There are the usual nitpicky problems one would expect when 2,000 people are jammed together, but overall people move freely from the top to the bottom floors. A person living on the bottom floors can easily go to the observation deck on the top of the building to enjoy the view, or shop at the two banks of stores on the tenth and thirty-fifth floors. Children swim and play in the pools and playgrounds throughout the high rise without any interference. Despite the fact that well to do people live in the building, with celebrities and executives on the top floors, middle-class people on the middle floors, and airline pilots and the like on the bottom ten floors, everyone gets along reasonably well-at first.
Then things change. The gossip level increases among the residents, and parties held on different floors start to exclude people from other areas. In quick succession, objects start to land on balconies, dropped by residents on higher levels. Equipment failures, such as electrical outages, lead to mild assaults between residents. Cars parked close to the building are vandalized, and a jeweler living on the fortieth floor does a swan dive out of the window. Every incident leads to further acts of violence and increasing chaos in the lives of those in the building. People begin to take a greater interest in what's going on where they live than in outside activities and jobs. As the violence escalates, elevators and lobbies on each floor turn into armed camps as the residents attempt to block any encroachments on their territory. What starts out as a book about living in a technological marvel quickly morphs into a study of how technology can cause human beings to regress back into primitivism. Moreover, Ballard tries to draw a correlation between the technology of the building and this descent into a Stone Age mentality. He shows in detail how the residents of the apartments sink back into the morass, passing through a classical Marxist structure of bourgeoisie-proletariat, moving on to a clan/tribal system, to a system of stark individuality. In short, Ballard tries to equate our striving towards individuality through technology with how we started out in our evolution as hunter-gatherers, as individuals seeking individual gains. The promise that technology will liberate the individual is not the highest form of evolution, argues Ballard, but is actually a return to the lowest forms of human expression.
Within a few pages of the story, I thought this might turn out to be very similar to a Bentley Little book. Little, nominally a horror writer but often a social satirist, often takes a situation like this and shows how people collapse under the pressures of modern life. My belief was not born out, however, not because Ballard doesn't take certain situations over the top but because he imbues his work with a significant philosophical subtext that Little would never write about. Bentley Little is all about focusing on the over the top, outrageous incidents of humanity's decline, whereas Ballard is more interested in serving as a preacher on anti-humanistic technology, thundering out a jeremiad concerning where we might go if we do not take the time to think very carefully about the society we wish to create.
"High Rise" is a dark, forbidding tale of woe that is sure to get a reaction from anyone who reads it. There seem to be few out there who can deliver such devastating blows to our love of technology as Ballard does in his works. This author is often referred to as a science fiction writer, but "High Rise" works just as well on a horror level. So does "Crash," when I think about it, although the cold, detached prose of that book is not present in "High Rise." Whatever genre Ballard falls into, this book delivers on every level.

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Laing had found the dying architect while chopping firewood in the 25th-floor lobby. As he pulled an antique dressing-table from the disused barricade, Royal had fallen through the gap, almost knocking Laing to the floor. A small wound had opened Royal's chest, covering his white jacket with huge bloodstains in the outline of his hands, as if he had tried to identify himself with these imprints of his own death to come. He was clearly on his last legs, eyes unfocused, the bones of his forehead cutting through the over-stretched skin. Somehow he had managed to descend all the way from the 40th floor. Rambling continually, he stumbled down the staircase, partly supported by Laing, until they reached the loth floor. As they stepped on to the shopping mall the stench of rotting flesh hung over the deserted counters of the supermarket, and at first Laing assumed that a concealed meat-store had burst open and begun to putrefy. Appetite keening, he had been about to drop Royal and head off in search of food.

But Royal, eyes almost closed, one hand gripping Laing's shoulder, pointed towards the swimming-pool.

In the yellow light reflected off the greasy tiles, the long tank of the bone-pit stretched in front of them. The water had long since drained away, but the sloping floor was covered with the skulls, bones and dismembered limbs of dozens of corpses. Tangled together where they had been flung, they lay about like the tenants of a crowded beach visited by a sudden holocaust.

Disturbed less by the sight of these mutilated bodies-residents who had died of old age or disease and then been attacked by wild dogs, Laing assumed-than by the stench, Laing turned away. Royal, who had clung so fiercely to him during their descent of the building, no longer needed him, and dragged himself away along the line of changing cubicles. When Laing last saw him, he was moving towards the steps at the shallow end of the swimming-pool, as if hoping to find a seat for himself on this terminal slope.

Laing crouched over the fire, testing the hind-quarters of the alsatian with a skewer. He shivered in the cold air flowing up the face of the high-rise, with an effort repressing his memory of the bone-pit. At times he suspected that some of the residents had reverted to cannibalism-the flesh had been stripped with a surgeon's skill from many of the corpses. The lower-level residents, under constant pressure and discrimination, had probably given in to necessity.

"Robert…! What are you doing…?" Alice's querulous voice roused Laing from his reverie. Wiping his hands on his apron, he hurried into the bedroom.

"It's all right-dinner is nearly ready."

He spoke in the reassuring, childlike voice he had used during his hospital training with the duller of his child patients, a tone at variance with the intelligent and bored gaze of the two women in the bed.

"You're filling the place with smoke," Eleanor told him. "Are you sending up signals again?"

"No… it's the telephone directories. The paper must be made of plastic."

Alice shook her head wearily. "What about Eleanor's batteries? You promised to find her some. She's got to start reviewing again."

"Yes, I know…" Laing looked down at the blank screen of the portable television set sitting on the floor beside Eleanor. He felt stumped for an answer-despite all his efforts, the last of the batteries had been used.

Eleanor stared at him severely. She had opened the wound on her wrist and was coyly exposing it to the cat watching with interest from the far side of the room. "We've been discussing whether you should move to another apartment."

"What?" Unsure whether the pantomime had become serious, Laing laughed delightedly, excited all the more when Eleanor refused to let her customary slow smile cross her mouth. The two women lay side by side, so close that they seemed to be merging into each other. At intervals throughout the day he brought them their food, but he was never sure exactly whose bodily needs and functions he was satisfying. They had moved into the same bed for warmth and security, but really, Laing suspected, so that they could synchronize their supervision over him. They knew that they were dependent on Laing. Despite the "pantomime" their behaviour was entirely geared to meeting Laing's private needs in return for his attention to the business of their physical survival. The exchange suited Laing admirably, just as it suited him to have them in bed together-he was faced with only one set of wheedling demands, one repertory of neurotic games.

He liked to see Eleanor's old spirit emerge. Both women suffered seriously from malnutrition, and it encouraged him when they were well enough to play their parts in this loosely evolving pantomime, treating him like two governesses in a rich man's manage, teasing a wayward and introspective child. At times Laing liked to carry the game to its logical conclusion, and imagine that it was the two women who were in charge, and that they despised him totally. This ultimate role had helped him on one occasion, when a marauding band of women led by Mrs Wilder had entered the apartment. Seeing Laing being abused, and assuming him to be Eleanor's and Alice's prisoner, they had left. On the other hand, perhaps they understood all too well what was really taking place.

Whatever the answer, Laing was free for the time being to live within this intimate family circle, the first he had known since his childhood. The situation allowed him ample freedom to explore himself, and the strong element of unpredictability kept everyone alert. Although he might wheedle at their breast he could easily become vicious. The women admired him for this. A substantial number of morphine ampoules were left, and he planned to introduce the two women to this heady elixir. Their addiction would tilt the balance of authority in his direction again, and increase their dependence on him. Ironically, it was here, in the high-rise, that he had found his first patients.

Later, after he had carved the dog and served generous but not excessive portions to the two women, Laing thought about his good fortune as he sat on the balcony with his back to the railing. Above all, now, it no longer mattered how he behaved, what wayward impulses he gave way to, or which perverse pathways he chose to follow. He was sorry that Royal had died, as he owed the architect a debt of gratitude for having helped to design the high-rise and make all this possible. It was strange that Royal had felt any guilt before his death.

Laing waved reassuringly to the two women, who sat on the mattress with the tray across their knees, eating from the same plate. Laing finished the dark, garlic-flavoured meat, and looked up at the face of the high-rise. All the floors were in darkness, and he felt happy at this. His affection for the two women was real, like his pride in keeping them alive, but this in no way interfered with his new-found freedom.

On the whole, life in the high-rise had been kind to him. To an increasing extent, everything was returning to normal. Laing had begun to think again of the medical school. He might well pay a visit to the physiology laboratory the next day, and perhaps take a supervision. First, though, he would clean up. He had noticed two women neighbours sweeping the corridor. It might even be possible to get an elevator working. Perhaps he would take over a second apartment, dismantle the barricades and begin to refurnish it. Laing thought of Eleanor's threat to banish him. He toyed with the notion, feeling an illicit thrill of pleasure at the prospect. He would have to think of something with which to win their favour again.

However, all this, like the morphine he would give them in increasing doses, was only a beginning, trivial rehearsals for the real excitements to come. Feeling these gather within him, Laing leaned against the railing.

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