J. Ballard - High Rise

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High Rise: краткое содержание, описание и аннотация

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J.G. Ballard's 1975 novel "High Rise" contains all of the qualities we have come to expect from this author: alarming psychological insights, a study of the profoundly disturbing connections between technology and the human condition, and an intriguing plot masterfully executed. Ballard, who wrote the tremendously troubling "Crash," really knows how to dig deep into our troubling times in order to expose our tentative grasp of modernity. Some compare this book to William Golding's "Lord of the Flies," and there are definite characteristics the two novels share. I would argue, however, that "High Rise" is more eloquent and more relevant than Golding's book. Unfortunately, this Ballard novel is out of print. Try and locate a copy at your local library because the payoff is well worth the effort.
"High Rise" centers around four major characters: Dr. Robert Laing, an instructor at a local medical school, Richard Wilder, a television documentary producer, Anthony Royal, an architect, and the high rise building all three live in with 2,000 other people. Throughout the story, Ballard switches back and forth between these three people, recording their thoughts and actions as they live their lives in the new high-rise apartment building. Ballard made sure to pick three separate people living on different floors of the forty floor building: Laing lives on the twenty fifth floor, Wilder lives on the second floor, and Royal lives in a penthouse on the fortieth floor (befitting his status as the designer of the building). Where you live in this structure will soon take on an importance beyond life itself.
At the beginning of the story, most of the people living in the building get along quite well. There are the usual nitpicky problems one would expect when 2,000 people are jammed together, but overall people move freely from the top to the bottom floors. A person living on the bottom floors can easily go to the observation deck on the top of the building to enjoy the view, or shop at the two banks of stores on the tenth and thirty-fifth floors. Children swim and play in the pools and playgrounds throughout the high rise without any interference. Despite the fact that well to do people live in the building, with celebrities and executives on the top floors, middle-class people on the middle floors, and airline pilots and the like on the bottom ten floors, everyone gets along reasonably well-at first.
Then things change. The gossip level increases among the residents, and parties held on different floors start to exclude people from other areas. In quick succession, objects start to land on balconies, dropped by residents on higher levels. Equipment failures, such as electrical outages, lead to mild assaults between residents. Cars parked close to the building are vandalized, and a jeweler living on the fortieth floor does a swan dive out of the window. Every incident leads to further acts of violence and increasing chaos in the lives of those in the building. People begin to take a greater interest in what's going on where they live than in outside activities and jobs. As the violence escalates, elevators and lobbies on each floor turn into armed camps as the residents attempt to block any encroachments on their territory. What starts out as a book about living in a technological marvel quickly morphs into a study of how technology can cause human beings to regress back into primitivism. Moreover, Ballard tries to draw a correlation between the technology of the building and this descent into a Stone Age mentality. He shows in detail how the residents of the apartments sink back into the morass, passing through a classical Marxist structure of bourgeoisie-proletariat, moving on to a clan/tribal system, to a system of stark individuality. In short, Ballard tries to equate our striving towards individuality through technology with how we started out in our evolution as hunter-gatherers, as individuals seeking individual gains. The promise that technology will liberate the individual is not the highest form of evolution, argues Ballard, but is actually a return to the lowest forms of human expression.
Within a few pages of the story, I thought this might turn out to be very similar to a Bentley Little book. Little, nominally a horror writer but often a social satirist, often takes a situation like this and shows how people collapse under the pressures of modern life. My belief was not born out, however, not because Ballard doesn't take certain situations over the top but because he imbues his work with a significant philosophical subtext that Little would never write about. Bentley Little is all about focusing on the over the top, outrageous incidents of humanity's decline, whereas Ballard is more interested in serving as a preacher on anti-humanistic technology, thundering out a jeremiad concerning where we might go if we do not take the time to think very carefully about the society we wish to create.
"High Rise" is a dark, forbidding tale of woe that is sure to get a reaction from anyone who reads it. There seem to be few out there who can deliver such devastating blows to our love of technology as Ballard does in his works. This author is often referred to as a science fiction writer, but "High Rise" works just as well on a horror level. So does "Crash," when I think about it, although the cold, detached prose of that book is not present in "High Rise." Whatever genre Ballard falls into, this book delivers on every level.

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"Poor pet. You're lost, aren't you, beauty? Come on, up here…"

Barely able to contain his glee at the spectacle of this bald-headed crone fawning with exaggerated pathos over the dog, Wilder leaned against the table, laughing soundlessly to himself. At any moment she would be in for a shock, his heavy boot on her neck.

Behind the barricade a second figure appeared. A young woman of about thirty, probably the daughter, peered over the old woman's shoulder. Her suede jacket was unbuttoned to reveal a pair of grimy breasts, but her hair was elaborately wound into a mass of rollers, as if she were preparing parts of her body for some formal gala to which the rest of herself had not been invited.

The two women stared down at the dog, their faces expressionless. As the daughter waited with the carving-knife the mother edged down the steps. Muttering reassuringly, she patted the poodle on the head and bent down to take the lead.

As her strong fingers closed around the cord Wilder leapt forward. The dog sprang to life, hurled itself up the steps and sank its teeth into the old woman's arm. With surprising agility, she darted through the gap in the barricade, the dog clamped to her arm. Barely in time, Wilder followed her, kicking back the writing-desk before the daughter could lock it into place. He dragged the poodle from the old woman's bloodied arm, seized her by the neck and flung her sideways across a stack of cardboard cartons. She lay there stunned, like a dishevelled duchess surprised to find herself drunk at a ball. As Wilder turned away, wrestling with the dog, the daughter ran towards him. She had thrown the carving-knife aside. In one hand she held her hair curlers, in the other a silver handbag pistol. Wilder sidestepped out of her way, knocked the pistol from her hand and clubbed her backwards across the barricade.

As the two women sat panting on the floor, Wilder looked down at the pistol at his feet, little more than a child's bright toy. He picked it up and began to inspect his new domain. He was standing in the entrance to the 35th-floor swimming-pool. The tank of foetid water, filled with debris, reflected the garbage-sacks heaped around the tiled verge. A small den had been built inside a stationary elevator in the lobby. Beside a burnt-out fire an elderly man-a former tax-consultant, Wilder seemed to recall-lay asleep, apparently unaware of the spasm of violence that had taken place. A chimney flue, fashioned from two lengths of balcony drainage pipe, exited over his head through the roof of the elevator.

Still holding the pistol, Wilder watched the two women. The mother sat among the cardboard cartons, matter-of-factly bandaging her arm with a strip torn from her silk dress. The daughter squatted on the floor by the barricade, rubbing the bruise on her mouth and patting the head of Wilder's poodle.

Wilder peered up the staircase to the 36th floor. The skirmish had excited him, and he was tempted to press on all the way to the roof. However, he had not eaten for more than a day, and the smell of animal fat hung in the air around the fire by the entrance to the den.

Wilder beckoned the young woman towards him. Her bland, rather bovine face was vaguely familiar. Had she once been the wife of a film-company executive? She climbed to her feet and walked up to him, staring with interest at the emblems painted across his chest and shoulders, and at his exposed genitals. Pocketing the pistol, Wilder pulled her towards the den. They stepped over the old man and entered the elevator. Curtains hung from the walls, and two mattresses covered the floor. Holding the young woman to him, an arm around her shoulders, Wilder sat down against the rear wall of the elevator. He gazed across the lobby at the yellow water of the swimming-pool. Several of the changing cubicles had been converted into small, single-tenant cabins, but they were all now abandoned. Two bodies, he noted, floated in the pool, barely distinguishable from the other debris, the kitchen garbage and pieces of furniture.

Wilder helped himself to the last of the small cat that had been barbecued above the fire. His teeth pulled at the stringy meat, the still warm fat almost intoxicating him as he sucked at the skewer.

The young woman leaned affably against him, content to have Wilder's strong arm around her shoulders. The fresh smell of her body surprised him-the higher up the apartment building he moved the cleaner were the women. Wilder looked down at her unmarked face, as open and amiable as a domestic animal's. She seemed to have been totally untouched by events within the high-rise, as if waiting in some kind of insulated chamber for Wilder to appear. He tried to speak to her, but found himself grunting, unable to form the words with his broken teeth and scarred tongue.

Pleasantly high on the meat, he lay back comfortably against the young woman, playing with the silver handbag pistol. Without thinking, he opened the front of her suede jacket and loosened her breasts. He placed his hands over the small nipples and settled himself against her. He felt drowsy, murmuring to the young woman while she stroked the painted stripes on his chest and shoulders, her fingers moving endlessly across his skin as if writing a message to him.

Lying back in this comfortable lakeside pavilion Wilder rested during the early afternoon. The young woman sat beside him, her breasts against his face, nursing this huge, nearly naked man with his painted body and exposed loins. Her mother and father pottered about in the lobby. Now and then the old woman in her evening gown pulled a piece of furniture at random from the barricade and chopped it into kindling with the carving knife.

Wilder ignored them, conscious only of the young woman's body and the huge pillars that carried the apartment building upwards to the roof. Through the windows around the swimming-pool he could see the towers of the four high-rise blocks nearby, suspended like rectilinear clouds within the afternoon sky. The warmth within the elevator, which seemed to emanate from the young woman's breasts, had drained all will and energy from him. Her calm face gazed down at Wilder reassuringly. She had accepted him as she would any marauding hunter. First she would try to kill him, but failing this give him food and her body, breast-feed him back to a state of childishness and even, perhaps, feel affection for him. Then, the moment he was asleep, cut his throat. The synopsis of the ideal marriage.

Rallying himself, Wilder sat up and put his boot into the poodle lying asleep on the mattress outside the elevator. The yelp of pain revived Wilder. He pushed the young woman away. He needed to sleep, but first he would move to a safer hiding-place, or the crone and her daughter would make short work of him.

Without looking back, he stood up and dragged the dog behind him. He slipped the silver pistol into the waistband of his trousers and checked the patterns on his chest and shoulders. Carrying the cine-camera, he climbed past the barricade and re-entered the staircase, leaving behind the quiet encampment and the young woman beside her yellow lake.

As he moved up the steps everything was silent. The staircase was carpeted, muffling the tread of his boots, and he was too distracted by the sounds of his own breathing to notice that the walls around him had been freshly painted, their white surfaces gleaming in the afternoon sunlight like the entrance to an abattoir.

Wilder climbed to the 37th floor, smelling the icy air moving across his naked body from the open sky. He could hear now, more clearly than ever before, the crying of gulls. When the dog began to whimper, reluctant to go any further, he turned it loose, and watched it disappear down the stairs.

The 37th floor was deserted, apartment doors open on the bright air. Too exhausted to think, he found an empty apartment, barricaded himself into the living-room and sank into a deep sleep on the floor.

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