J. Ballard - High Rise

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High Rise: краткое содержание, описание и аннотация

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J.G. Ballard's 1975 novel "High Rise" contains all of the qualities we have come to expect from this author: alarming psychological insights, a study of the profoundly disturbing connections between technology and the human condition, and an intriguing plot masterfully executed. Ballard, who wrote the tremendously troubling "Crash," really knows how to dig deep into our troubling times in order to expose our tentative grasp of modernity. Some compare this book to William Golding's "Lord of the Flies," and there are definite characteristics the two novels share. I would argue, however, that "High Rise" is more eloquent and more relevant than Golding's book. Unfortunately, this Ballard novel is out of print. Try and locate a copy at your local library because the payoff is well worth the effort.
"High Rise" centers around four major characters: Dr. Robert Laing, an instructor at a local medical school, Richard Wilder, a television documentary producer, Anthony Royal, an architect, and the high rise building all three live in with 2,000 other people. Throughout the story, Ballard switches back and forth between these three people, recording their thoughts and actions as they live their lives in the new high-rise apartment building. Ballard made sure to pick three separate people living on different floors of the forty floor building: Laing lives on the twenty fifth floor, Wilder lives on the second floor, and Royal lives in a penthouse on the fortieth floor (befitting his status as the designer of the building). Where you live in this structure will soon take on an importance beyond life itself.
At the beginning of the story, most of the people living in the building get along quite well. There are the usual nitpicky problems one would expect when 2,000 people are jammed together, but overall people move freely from the top to the bottom floors. A person living on the bottom floors can easily go to the observation deck on the top of the building to enjoy the view, or shop at the two banks of stores on the tenth and thirty-fifth floors. Children swim and play in the pools and playgrounds throughout the high rise without any interference. Despite the fact that well to do people live in the building, with celebrities and executives on the top floors, middle-class people on the middle floors, and airline pilots and the like on the bottom ten floors, everyone gets along reasonably well-at first.
Then things change. The gossip level increases among the residents, and parties held on different floors start to exclude people from other areas. In quick succession, objects start to land on balconies, dropped by residents on higher levels. Equipment failures, such as electrical outages, lead to mild assaults between residents. Cars parked close to the building are vandalized, and a jeweler living on the fortieth floor does a swan dive out of the window. Every incident leads to further acts of violence and increasing chaos in the lives of those in the building. People begin to take a greater interest in what's going on where they live than in outside activities and jobs. As the violence escalates, elevators and lobbies on each floor turn into armed camps as the residents attempt to block any encroachments on their territory. What starts out as a book about living in a technological marvel quickly morphs into a study of how technology can cause human beings to regress back into primitivism. Moreover, Ballard tries to draw a correlation between the technology of the building and this descent into a Stone Age mentality. He shows in detail how the residents of the apartments sink back into the morass, passing through a classical Marxist structure of bourgeoisie-proletariat, moving on to a clan/tribal system, to a system of stark individuality. In short, Ballard tries to equate our striving towards individuality through technology with how we started out in our evolution as hunter-gatherers, as individuals seeking individual gains. The promise that technology will liberate the individual is not the highest form of evolution, argues Ballard, but is actually a return to the lowest forms of human expression.
Within a few pages of the story, I thought this might turn out to be very similar to a Bentley Little book. Little, nominally a horror writer but often a social satirist, often takes a situation like this and shows how people collapse under the pressures of modern life. My belief was not born out, however, not because Ballard doesn't take certain situations over the top but because he imbues his work with a significant philosophical subtext that Little would never write about. Bentley Little is all about focusing on the over the top, outrageous incidents of humanity's decline, whereas Ballard is more interested in serving as a preacher on anti-humanistic technology, thundering out a jeremiad concerning where we might go if we do not take the time to think very carefully about the society we wish to create.
"High Rise" is a dark, forbidding tale of woe that is sure to get a reaction from anyone who reads it. There seem to be few out there who can deliver such devastating blows to our love of technology as Ballard does in his works. This author is often referred to as a science fiction writer, but "High Rise" works just as well on a horror level. So does "Crash," when I think about it, although the cold, detached prose of that book is not present in "High Rise." Whatever genre Ballard falls into, this book delivers on every level.

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The actress walked to the private entrance of the upper-floor elevator lobby, picking her way casually through the broken bottles and empty cans. A single journey to her apartment would carry him, like a ladder in a board game, virtually to the top of the high-rise with one throw of the dice.

Helen was putting the boys to bed. She had moved the wardrobe and dressing-table around their beds, in an attempt to shield them from the noise and disturbances which the night would bring.

"Richard…? Are you going…?"

As she spoke she emerged briefly from the deep well inside herself, aware for these few seconds that she and her sons were about to be left on their own.

Wilder waited for this moment of lucidity to pass, knowing that it would be impossible to describe his self-imposed mission to Helen. She sat silently on her bed, a hand resting on the pile of children's books, watching him in the mirror with an unchanging expression as he stepped into the corridor.

Wilder soon found that it was more difficult than he had assumed to climb to the 37th floor. The five top-floor elevators were either out of order or had been taken to the upper levels and parked there with their doors jammed open.

The 2nd-floor lobby was crowded with Wilder's neighbours, some in office suits, others in beach wear, arguing with each other like disgruntled tourists caught by a currency crisis. Wilder pushed through them to the staircase, and began the long climb to the 10th floor, where he stood a better chance of finding an ascending elevator.

When he reached the 5th floor he met the dozen members of the airline pilots' raiding party returning from another of their abortive missions. Angry and shaken, they shouted at the people jeering down at them from the stairwell above. The entrance to the 10th-floor concourse had been blocked by desks and chairs taken from the junior school and flung down the stairs. The raiding party, made up of parents of the children attending the school, had tried to replace the desks, harassed by residents from the middle floors waiting impatiently for the liquor store to be re-stocked.

Wilder pressed on past them. By the time he reached the 10th floor the opposing group had moved off in a posse. Wilder stepped over the broken desks lying on the steps, pencils and crayons scattered around them. Wishing that he had brought his camera with him, he noticed two 18th-floor residents, a chemical engineer and a personnel manager, standing by the door. Each had a cine-camera and was carefully filming the scene below, following Wilder as he climbed towards them.

Leaving them to complete these dubious private news-reels, Wilder pushed back the swing doors, and looked out at the deck of the shopping mall. Hundreds of residents jostled against each other, pulling and shoving among the wine-bins and shelves of detergent packs, wire trollies locked together in a mesh of chromium wire. Voices rose in anger above the singing of the cash registers. Meanwhile, as these scuffles took place, a line of women customers sat under the driers in the hairdressing salon, calmly reading their magazines. The two cashiers on evening duty at the bank impassively counted out their bank-notes.

Giving up any attempt to cross the concourse, Wilder turned into the deserted swimming-pool. The water level was down by at least six inches, as if someone had been stealing the yellowing fluid. Wilder walked around the pool. An empty wine bottle floated in the centre, surrounded by a swill of cigarette packs and unravelling cigar butts. Below the diving-boards a newspaper hung slackly in the water, its wavering headline like a message from another world.

In the 10th-floor lobby a crowd of residents pressed impatiently against the elevator doors, their arms laden with liquor cartons and delicatessen purchases, raw materials for the aggressive parties of that evening. Wilder returned to the staircase. Somewhere above him these passengers would step out of their elevators and give him a chance to get aboard.

He climbed the steps two at a time. The staircase was deserted-the higher up the building the more reluctant were the residents to use the stairs, as if this in some way demeaned them. As he pressed on upwards Wilder peered through the windows at the car-park sinking from view below. The distant arm of the river stretched towards the darkening outline of the city, a signpost pointing towards a forgotten world.

As he turned into the final stretch of steps to the 14th floor, picking his way among the discarded cans and cigarette packs, something moved above his head. Wilder paused and looked up, his lungs pumping in the silence. A kitchen chair whirled through the air towards his head, hurled down by an assailant three floors above. Wilder flinched back as the steel chair struck the railing, glancing against his right arm before spinning away.

Wilder crouched against the steps, shielding himself below the overhang of the next floor. He massaged his bruised arm. At least three or four people were waiting for him, ostentatiously tapping their clubs on the metal railing. Fists clenching, Wilder searched the steps for a weapon. Danger in the streets of the sky-his first impulse was to rush the stairs and counter-attack. With his powerful physique he knew that he could put to flight any three residents of the high-rise, these under-exercised and overweight account executives and corporation lawyers egged on into this well-bred violence by their pushy wives. However, he calmed himself, deciding against a frontal attack-he would reach the top of the high-rise, but by guile rather than by brute force.

He moved down to the 13th-floor landing. Through the walls of the elevator shaft he could hear the rails and cables humming. Passengers were stepping out of the elevators on to their floors. But the doors into the 13th-floor lobby had been bolted. A face frowned out at him, a well-groomed hand curtly waved him away.

All the way down to the 10th floor the communicating doors had been locked or barricaded. Frustrated, Wilder returned to the shopping mall. A large crowd was still waiting by the elevators. They formed clearly demarked groups from different floors, each commandeering its own transit system.

Wilder left them and strode towards the supermarket. The shelves had been stripped, and the staff had left after locking the turnstiles. Wilder vaulted over a check-out counter and made his way to the store-room at the rear. Beyond the pyramids of empty cartons was one of the three service cores of the high-rise, containing a freight elevator, and the water, air-conditioning and electrical supply trunks.

Wilder waited as the elevator descended cumbrously down its shaft. The size of a carrier's aircraft lift, it had been designed to carry kitchen-appliance islands, bathroom units, and the huge pop-art and abstract-expressionist paintings favoured by the residents of the high-rise.

As he pulled back the steel grille he noticed a thin-shouldered young woman hiding behind the control panel. She was pallid and undernourished, but she watched Wilder with interest, as if glad to welcome him to this private domain.

"How far do you want to go?" she asked him. "We can travel anywhere. I'll ride with you."

Wilder recognized her as a masseuse from the 5th floor, one of the vagrants who spent their time wandering around the high-rise, the denizens of an interior world who formed a second invisible population. "All right-what about the 35th floor?"

"The people on the 30th are nicer." Expertly she pressed the control buttons, activating the heavy doors. Within seconds the elevator was carrying them ponderously aloft. The young masseuse smiled at him encouragingly, alive now that they were moving. "If you want to go higher, I'll show you. There are a lot of air-shafts, you know. The trouble is, dogs have got into them-they're getting hungry…"

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