J. Ballard - High Rise

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High Rise: краткое содержание, описание и аннотация

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J.G. Ballard's 1975 novel "High Rise" contains all of the qualities we have come to expect from this author: alarming psychological insights, a study of the profoundly disturbing connections between technology and the human condition, and an intriguing plot masterfully executed. Ballard, who wrote the tremendously troubling "Crash," really knows how to dig deep into our troubling times in order to expose our tentative grasp of modernity. Some compare this book to William Golding's "Lord of the Flies," and there are definite characteristics the two novels share. I would argue, however, that "High Rise" is more eloquent and more relevant than Golding's book. Unfortunately, this Ballard novel is out of print. Try and locate a copy at your local library because the payoff is well worth the effort.
"High Rise" centers around four major characters: Dr. Robert Laing, an instructor at a local medical school, Richard Wilder, a television documentary producer, Anthony Royal, an architect, and the high rise building all three live in with 2,000 other people. Throughout the story, Ballard switches back and forth between these three people, recording their thoughts and actions as they live their lives in the new high-rise apartment building. Ballard made sure to pick three separate people living on different floors of the forty floor building: Laing lives on the twenty fifth floor, Wilder lives on the second floor, and Royal lives in a penthouse on the fortieth floor (befitting his status as the designer of the building). Where you live in this structure will soon take on an importance beyond life itself.
At the beginning of the story, most of the people living in the building get along quite well. There are the usual nitpicky problems one would expect when 2,000 people are jammed together, but overall people move freely from the top to the bottom floors. A person living on the bottom floors can easily go to the observation deck on the top of the building to enjoy the view, or shop at the two banks of stores on the tenth and thirty-fifth floors. Children swim and play in the pools and playgrounds throughout the high rise without any interference. Despite the fact that well to do people live in the building, with celebrities and executives on the top floors, middle-class people on the middle floors, and airline pilots and the like on the bottom ten floors, everyone gets along reasonably well-at first.
Then things change. The gossip level increases among the residents, and parties held on different floors start to exclude people from other areas. In quick succession, objects start to land on balconies, dropped by residents on higher levels. Equipment failures, such as electrical outages, lead to mild assaults between residents. Cars parked close to the building are vandalized, and a jeweler living on the fortieth floor does a swan dive out of the window. Every incident leads to further acts of violence and increasing chaos in the lives of those in the building. People begin to take a greater interest in what's going on where they live than in outside activities and jobs. As the violence escalates, elevators and lobbies on each floor turn into armed camps as the residents attempt to block any encroachments on their territory. What starts out as a book about living in a technological marvel quickly morphs into a study of how technology can cause human beings to regress back into primitivism. Moreover, Ballard tries to draw a correlation between the technology of the building and this descent into a Stone Age mentality. He shows in detail how the residents of the apartments sink back into the morass, passing through a classical Marxist structure of bourgeoisie-proletariat, moving on to a clan/tribal system, to a system of stark individuality. In short, Ballard tries to equate our striving towards individuality through technology with how we started out in our evolution as hunter-gatherers, as individuals seeking individual gains. The promise that technology will liberate the individual is not the highest form of evolution, argues Ballard, but is actually a return to the lowest forms of human expression.
Within a few pages of the story, I thought this might turn out to be very similar to a Bentley Little book. Little, nominally a horror writer but often a social satirist, often takes a situation like this and shows how people collapse under the pressures of modern life. My belief was not born out, however, not because Ballard doesn't take certain situations over the top but because he imbues his work with a significant philosophical subtext that Little would never write about. Bentley Little is all about focusing on the over the top, outrageous incidents of humanity's decline, whereas Ballard is more interested in serving as a preacher on anti-humanistic technology, thundering out a jeremiad concerning where we might go if we do not take the time to think very carefully about the society we wish to create.
"High Rise" is a dark, forbidding tale of woe that is sure to get a reaction from anyone who reads it. There seem to be few out there who can deliver such devastating blows to our love of technology as Ballard does in his works. This author is often referred to as a science fiction writer, but "High Rise" works just as well on a horror level. So does "Crash," when I think about it, although the cold, detached prose of that book is not present in "High Rise." Whatever genre Ballard falls into, this book delivers on every level.

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"My God, he's actually going to listen to all these tapes-there must be miles of them…"

"Are you sure?" Helen was giggling to herself. "Perhaps no one else minds. You're the only one."

The tampering with the electricity system had affected the air-conditioning. Dust was spurting from the vents in the walls. Exasperated, Wilder drove his fists together. Like a huge and aggressive malefactor, the high-rise was determined to inflict every conceivable hostility upon them. Wilder tried to close the grilles, but within minutes they were forced to take refuge on the balcony. Their neighbours were crowded against their railings, craning up at the roof as if hoping to catch sight of those responsible.

Leaving his wife, who was wandering light-headedly around the apartment and smiling at the spurting dust, Wilder went out into the corridor. All the elevators were stationary in the upper section of the building. A large group of his neighbours had gathered in the elevator lobby, pounding rhythmically on the doors and complaining about various provocative acts by the residents on the floors above.

Wilder pushed his way towards the centre, where two airline pilots were standing on a lobby sofa and selecting the members of a raiding party. Wilder waited his turn, trying to catch their attention, until he realized from the excited talk around him that their mission consisted solely of going up to the 35th floor and publicly urinating into the water.

Wilder was about to argue with them, warning that a childish act of this kind would be counter-productive. Until they were organized the notion of a punitive expedition was absurd, as they were far too exposed to retaliation. However, at the last moment he turned away. He stood by the doors to the staircase, aware that he no longer felt committed to this crowd of impulsive tenants egging each other on into a futile exercise, Their real opponent was not the hierarchy of residents in the heights far above them, but the image of the building in their own minds, the multiplying layers of concrete that anchored them to the floor.

A cheer went up, followed by a chorus of catcalls. An elevator was at last descending from the 35th floor, the indicator numerals flashing from right to left. While it approached, Wilder thought of Helen and the two boys-he knew already that his decision to dissociate himself from his neighbours had nothing to do with any feelings of concern for his wife and children.

The elevator reached the 2nd floor and stopped. As the doors opened there was a sudden hush. Lying on the floor of the cabin was the barely conscious figure of one of Wilder's neighbours, a homosexual air-traffic controller who dined regularly in the 35th-floor restaurant. He turned his bruised face away from the watching crowd and tried to button the shirt torn from his chest. Seeing him clearly as the crowd stepped back, awed by this evidence of open violence. Wilder heard someone say that two more floors, the 5th and 8th, were now in darkness.

6. Danger in the Streets of the Sky

All day Richard Wilder had been preparing for his ascent. After the noise-filled night, which he had spent calming his sons and giggling wife, Wilder left for the television studios. Once there, he cancelled his appointments and told his secretary that he would be away for the next few days. While he spoke, Wilder was barely aware of this puzzled young woman or his curious colleagues in the nearby offices-he had shaved only the left side of his face, and had not changed his clothes since the previous day. Tired out, he briefly fell asleep at his desk, watched by his secretary as he slumped snoring across his unread correspondence. After no more than an hour at the studios, he packed his briefcase and returned to the high-rise.

For Wilder, this brief period away from the apartment building was almost dreamlike in its unreality. He left his car in the parking-lot without locking it and walked towards the entrance, a growing sense of relief coming over him. Even the debris scattered at the foot of the building, the empty bottles and garbage-stained cars with their broken windscreens, in a strange way merely reinforced his conviction that the only real events in his life were those taking place within the high-rise.

Although it was after eleven o'clock, Helen and the children were still asleep. A film of white dust covered the furniture in the lounge and bedrooms, as if he had returned to the apartment and its three sleepers after an immense period of time had condensed around them like a stone frost. Wilder had blocked the air-conditioning vents during the night, and the apartment was without sound or movement. Wilder looked down at his wife, lying on the bed surrounded by the children's books she was reviewing. Aware that he would be leaving her in a few hours, he regretted that she was too weak to come with him. They might have climbed the high-rise together.

Trying to think more clearly about his ascent, Wilder began to clean the apartment. He stepped out on to the balcony and swept up the cigarette butts and broken glass, condoms and torn newspapers thrown down from the floors above. He could no longer remember when he had made his decision to climb the building, and had little idea of what exactly he would do when he finally got there. He was also well aware of the disparity between the simple business of climbing to the roof-a matter of pressing an elevator button-and the mythologized version of this ascent that had taken over his mind.

This same surrender to a logic more powerful than reason was evident in the behaviour of Wilder's neighbours. In the elevator lobby he listened to the latest rumours. Earlier that morning there had been a serious brawl between the 9th- and llth-floor tenants. The 10th-floor concourse was now a no-man's land between two warring factions, the residents of the lower nine floors and those in the middle section of the building. Despite the harassment and increasing violence, no one was surprised by these events. The routines of daily life within the high-rise, the visits to the supermarket, liquor store and hair-dressing salon continued as before. In some way the high-rise was able to accommodate this double logic. Even the tone of voice of his neighbours as they described these outbreaks of hostility was calm and matter-of-fact, like that of civilians in a war-torn city dealing with yet another air-raid. For the first time it occurred to Wilder that the residents enjoyed this breakdown of its services, and the growing confrontation between themselves. All this brought them together, and ended the frigid isolation of the previous months.

During the afternoon Wilder played with his sons and waited for the evening to come. Helen moved silently around the apartment, barely aware of her husband. After the fit of compulsive laughter the previous evening, her face was waxy and expressionless. Now and then a tic flickered in the right apex of her mouth, as if reflecting a tremor deep within her mind. She sat at the dining-table, mechanically straightening the boys' hair. Watching her, and unable to think of what he could do to help her, Wilder almost believed that it was she who was leaving him, rather than the contrary.

As the light began to fade, Wilder watched the first of the residents return from their offices. Among them, stepping from her car, was Jane Sheridan. Six months earlier, Wilder had broken off a brief affair with the actress, ironically enough because of the effort involved in reaching the 37th floor. He had found it difficult to be himself in her apartment. All the time he was conscious of the distance to the ground, and of his wife and children far below him, deep in the lowest seams of the building like the exploited women and child labourers of the nineteenth century. Watching television during their sexual acts in her chintz-lined bedroom, he felt as if he were high over the city in a lavish executive airliner fitted with boudoir and cocktail bar. Their conversations, even their diction and vocabulary, had become as stylized as those of strangers in adjacent aircraft seats.

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