J.G. Ballard - Cocaine Nights

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Cocaine Nights: краткое содержание, описание и аннотация

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There’s something wrong with Estrella Del Mar, the lazy, sun-drenched retirement haven on Spain’s Costa Del Sol. Lately this sleepy hamlet, home to hordes of well-heeled, well-fattened British and French expatriates, has come alive with activity and culture; the previously passive, isolated residents have begun staging boat races, tennis competitions, revivals of Harold Pinter plays, and lavish parties. At night the once vacant streets are now teeming with activity, bars and cafes packed with revelers, the sidewalks crowded with people en route from one event to the next.
Outward appearances suggest the wholesale adoption of a new ethos of high-spirited, well-controlled collective exuberance. But there’s the matter of the fire: The house and household of an aged, wealthy industrialist has gone up in flames, claiming five lives, while virtually the entire town stood and watched. There’s the matter of the petty crime, the burglaries, muggings, and auto thefts which have begun to nibble away at the edges of Estrella Del Mar’s security despite the guardhouses and surveillance cameras. There’s the matter of the new, flourishing trade in drugs and pornography. And there’s the matter of Frank Prentice, who sits in Marbella jail awaiting trial for arson and five counts of murder, and who, despite being clearly innocent, has happily confessed.
It is up to Charles Prentice, Frank’s brother, to peel away the onionlike layers of denial and deceit which hide the rather ugly truth about this seaside idyll, its residents, and the horrific crime which brought him here. But as is usually the case in a J.G. Ballard book, the truth comes with a price tag attached, and likely without any easing of discomfort for his principal characters.
Cocaine Nights marks a partial return on Ballard’s part to the provocative, highly-successful mid-career methodology employed in novels such as Crash and High Rise: after establishing himself as a science fiction guru in the 1960s, Ballard stylistically shifted gears towards an unnerving, futuristic variant on social realism in the 1970s. Both Crash and High Rise were what-if novels, posing questions as to what the likely results would be if our collective fascination with such things as speed, violence, status, power, and sex were carried just a little bit further: How insane, how brutal could our world become if we really cut loose?
Cocaine Nights asks a question better suited to the ’90s, the age of gated communities and infrared home security systems: Does absolute security guarantee isolation and cultural death? Conversely, is a measure of crime an essential ingredient in a vibrant, living, properly functioning social system? Is it true, as a character asserts, that “Crime and creativity go together, always have done,” and that “total security is a disease of deprivation”? Suffice to say that the answers presented in Nights will be anathema to moral absolutists; the world of Ballard’s fiction, like life in the hyperkinetic, relativistic 1990s, abounds with uncomfortable grey areas.
On the surface, Cocaine Nights is a whodunit and a race against time, but as it proceeds – and as preconceived conceptions of good and evil begin to dissolve – it evolves into a thoughtful, faintly frightening look at under-examined aspects of 1990s western society. As is his wont, Ballard confronts his readers with some faintly outlandish hypotheses unlikely to be embraced by many, but which nonetheless serve to provoke both thought and a bit of paranoia; it’s a method that Ballard has developed and refined on his own, and as usual, it propels his novel along marvellously.
Cocaine Nights doesn’t have either the broad sweep or brute impact of the landmark Crash, but it retains enough social relevance and low-key creepiness to more than satisfy Ballardphiles. As is often the case in Ballard’s alternate reality, it’s a given that his most appealing, human characters turn out to be the most twisted, and that even the most normal of events turn out to be governed by a perverse, malformed logic; that this logic turns out to be grounded in sound sociological and psychological principles is its most horrific feature.
David B. Livingstone

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The women beside me bounded like cheerleaders on their tennis pumps, rackets whirling above my head, and Crawford good-naturedly unbuttoned his shirt and exposed his hairless chest, striking a Byronic pose for the sculptor. A news agency photographer ran beside the float, and Crawford peeled off his shirt and hurled it to the crowd. When they reached the shopping mall he leapt from the float and ran bare-chested past the café tables, pursued by a squealing posse of teenage girls in carnival hats.

Exhausted by the noise and relentless good humour, I left the tennis ladies and took refuge in my office. Yet another tableau had reached the plaza, an amateurish effort by the Olde-Tyme Dancing Club, but the elderly couples trying to waltz on the swaying platform received as big a cheer as Lady Godiva.

The Residencia Costasol was happy with itself, and for good reason. During the past two months-the legal documents from Senor Danvila on my desk reminded me that Frank's trial began the next day – the explosion of civic activity had astonished even Bobby Crawford. At dinner with Elizabeth Shand the previous evening he had laughed and shaken his head over what I termed 'a fast-forward renaissance', all too embarrassed by the genie that had sprung from the bottle.

The somnolent township with its empty shopping mall and deserted sports club had transformed itself into another Estrella de Mar, as if an infectious but benevolent virus had floated along the coast, invading the sluggish nervous system of the Residencia and galvanizing it into life. An intact and self-sufficient community had sprung into being. Half a dozen new restaurants thrived around the plaza, all but one financed by Betty Shand and managed by the Keswick sisters. Two nightclubs had opened near the marina, the Milroy for the older set and Bliss's for the younger. The town council met weekly at the Anglican church, whose Sunday congregations packed its pews. Meanwhile, the volunteer security patrols kept the sun-coast riff-raff from any access to the complex. A host of societies pursued every pastime from origami to hydrotherapy, the tango to t'ai chi. And all this, whatever my doubts, seemed to have been conjured into existence by the dedication of one man.

'Bobby, you're a new kind of Messiah,' I often told him. 'The Imam of the marina, the Zoroaster of the beach umbrella 'No, Charles – I'm a facilitator.'

'I'm still not sure that it isn't a huge coincidence, but I take off my hat to you.'

'Put it back on. They did it, not me. I was just the donkey-engine…'

With his unfeigned modesty, Crawford was quick to pass any credit to the people of the Residencia. As I had learned for myself, an immense reservoir of unused talent had lain dormant beneath the shaded awnings. The middle-class professionals who had dozed by their swimming pools were sometime lawyers and musicians, advertising and television executives, management consultants and local government officers. The skills base of the Residencia Costasol might not equal that of the Medicis' Florence, but it was far wider than most comparable towns in Europe or North America.

Even I had been touched by this infection of optimism and creativity. Resting by the pool in the evenings, I had sketched the outline of a book – 'Marco Polo: the World's First Tourist?' – that would be a history of tourism and its eclipse of the age of travel. After despairing of me for so many months, my London agent was now bombarding me with faxes, urging me to provide him with a detailed synopsis. I frequently played bridge with Betty Shand and the Hennessys, reluctant though I was to leave the Residencia for Estrella de Mar and its baleful memories of the Hollinger fire, and had even been tempted to play a small part in a forthcoming production of Orton's What the Butler Saw.

From my office I looked down at the crowded swimming pool, at the busy restaurant and tennis courts, glad that I had played my role in bringing the Residencia back to life. Below me, Betty Shand was holding court at the open-air bar, keeping a motherly, if steely eye on a handsome young Russian, Yuri Mirikov; she had just recruited him as a special 'aerobics' coach. As she gazed at the scene around her, like a silken cobra sated after digesting a succulent goat, I could almost see the accumulating cash totals flicker past her eyes.

The Residencia was booming in every sense, an economy of cash, talent and civic pride that showed no signs of overheating. Newly refurbished yachts and power-cruisers crowded the marina, and Gunnar Andersson had recruited a full-time staff of mechanics to maintain the engines and navigation gear. The waterlogged hulk of the Halcyon still lay against its lighter, like the carcass of a forgotten whale lashed to the tender of a factory ship, but was scarcely visible through the forest of gleaming masts.

Members crowded the balcony outside my office, cheering on another carnival float, a presentation by the rapid response group of the Residencia's security service. Together they enacted the arrest of two car thieves who had strayed down the coast from Fuengirola, expertly pinioning and handcuffing the startled youths. Yet among all this good humour one long face remained, its severe expression unmoved by the festive air. As the thieves' fates were decided in a loudspeaker-borne crackle of walkie-talkies and mobile phones, I noticed Paula Hamilton step on to the balcony. She wore a dark suit and white blouse, and carried her doctor's valise. Glad to see her, I waved through my office windows, though with her disapproving and hangdog look she more and more resembled a mendicant physician wandering through the kingdom of health in search of a single sick patient.

At my urging she had joined the sports club, and would often swim in the early morning, slipping into the water as the last of the night's revellers drove from the car park. She practised with Helmut at the tennis courts, trying to control her unwieldy, big-elbowed game. Once I knocked up with her, but she played in such a lacklustre way that I assumed she had joined the club for reasons of her own, perhaps keeping an eye open for any rival doctors on her turf.

She watched from the balcony as the security tableau passed the café crowds, and smiled briefly when Bobby Crawford, in a borrowed Hawaiian shirt, sprang on to the float and mimed a drunken British lager lout. Within seconds he turned the security exercise into a Keystone Kops routine, with the guards tripping over their own feet and scrabbling for the scattered mobile phones as the earpieces squawked their manic orders.

She turned away, clearly troubled by something, and noticed me watching her from my office. With a shy smile she opened the door and leaned against the glass panel.

'Paula… you look tired.' I offered her my chair. 'All this noise – you probably need a drink.'

'Thanks, I do. Why is other people's happiness so exhausting?'

'They've a lot to celebrate. Sit down, I'll ring for whatever you want. You do the prescribing.'

'Nothing. Just some mineral water.' She smiled brightly, showing her strong teeth, and tossed her black hair over her shoulders. She watched Crawford playing the fool, juggling with three mobile phones in a shower of petals and confetti. 'Bobby Crawford… he's popular, isn't he? Your saintly psychopath. Everyone adores him.'

'Don't you, Paula?'

'No.' She bit her lip, as if trying to erase the memory of a kiss. 'I don't think I do.'

'He meant a lot to you once.'

'Not now. I've seen his other sides.'

'They're well under control. I don't know why you're so obsessed by him.' I gestured to the crowds in the plaza, the hooting sirens and clouds of petals. 'Look at what he's done. Do you remember the Residencia three months ago?'

'Of course. I came here a lot.'

'Exactly. The place was filled with your patients. Not so many now, I dare say.'

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