J.G. Ballard - Cocaine Nights

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Cocaine Nights: краткое содержание, описание и аннотация

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There’s something wrong with Estrella Del Mar, the lazy, sun-drenched retirement haven on Spain’s Costa Del Sol. Lately this sleepy hamlet, home to hordes of well-heeled, well-fattened British and French expatriates, has come alive with activity and culture; the previously passive, isolated residents have begun staging boat races, tennis competitions, revivals of Harold Pinter plays, and lavish parties. At night the once vacant streets are now teeming with activity, bars and cafes packed with revelers, the sidewalks crowded with people en route from one event to the next.
Outward appearances suggest the wholesale adoption of a new ethos of high-spirited, well-controlled collective exuberance. But there’s the matter of the fire: The house and household of an aged, wealthy industrialist has gone up in flames, claiming five lives, while virtually the entire town stood and watched. There’s the matter of the petty crime, the burglaries, muggings, and auto thefts which have begun to nibble away at the edges of Estrella Del Mar’s security despite the guardhouses and surveillance cameras. There’s the matter of the new, flourishing trade in drugs and pornography. And there’s the matter of Frank Prentice, who sits in Marbella jail awaiting trial for arson and five counts of murder, and who, despite being clearly innocent, has happily confessed.
It is up to Charles Prentice, Frank’s brother, to peel away the onionlike layers of denial and deceit which hide the rather ugly truth about this seaside idyll, its residents, and the horrific crime which brought him here. But as is usually the case in a J.G. Ballard book, the truth comes with a price tag attached, and likely without any easing of discomfort for his principal characters.
Cocaine Nights marks a partial return on Ballard’s part to the provocative, highly-successful mid-career methodology employed in novels such as Crash and High Rise: after establishing himself as a science fiction guru in the 1960s, Ballard stylistically shifted gears towards an unnerving, futuristic variant on social realism in the 1970s. Both Crash and High Rise were what-if novels, posing questions as to what the likely results would be if our collective fascination with such things as speed, violence, status, power, and sex were carried just a little bit further: How insane, how brutal could our world become if we really cut loose?
Cocaine Nights asks a question better suited to the ’90s, the age of gated communities and infrared home security systems: Does absolute security guarantee isolation and cultural death? Conversely, is a measure of crime an essential ingredient in a vibrant, living, properly functioning social system? Is it true, as a character asserts, that “Crime and creativity go together, always have done,” and that “total security is a disease of deprivation”? Suffice to say that the answers presented in Nights will be anathema to moral absolutists; the world of Ballard’s fiction, like life in the hyperkinetic, relativistic 1990s, abounds with uncomfortable grey areas.
On the surface, Cocaine Nights is a whodunit and a race against time, but as it proceeds – and as preconceived conceptions of good and evil begin to dissolve – it evolves into a thoughtful, faintly frightening look at under-examined aspects of 1990s western society. As is his wont, Ballard confronts his readers with some faintly outlandish hypotheses unlikely to be embraced by many, but which nonetheless serve to provoke both thought and a bit of paranoia; it’s a method that Ballard has developed and refined on his own, and as usual, it propels his novel along marvellously.
Cocaine Nights doesn’t have either the broad sweep or brute impact of the landmark Crash, but it retains enough social relevance and low-key creepiness to more than satisfy Ballardphiles. As is often the case in Ballard’s alternate reality, it’s a given that his most appealing, human characters turn out to be the most twisted, and that even the most normal of events turn out to be governed by a perverse, malformed logic; that this logic turns out to be grounded in sound sociological and psychological principles is its most horrific feature.
David B. Livingstone

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The policeman waited for me to leave, carrying my chair to the wall. Frank embraced me and stood back, still smiling his quirky smile. He picked up his cigarettes and nodded to me.

'Believe me, Charles, I belong here.'

3 The Tennis Machine

But frank did not belong there. As I left the driveway of the Los Monteros Hotel, joining the coast road to Malaga, I drummed the steering wheel so fiercely that I drew blood from a thumbnail. Neon signs lined the verge, advertising the beach bars, fish restaurants and nightclubs under the pine trees, a barrage of signals that almost drowned the shrill tocsin sounding from the magistrates' court in Marbella.

Frank was innocent, as virtually everyone involved in the murder investigation accepted. His plea of guilty was a charade, part of some bizarre game he was playing against himself, in which even the police were reluctant to join. They had held Frank for a week before bringing their charges, a sure sign that they were suspicious of the confession, as Inspector Cabrera revealed after my meeting with Frank.

If Senor Danvila was the old Spain -measured, courtly and reflective – Cabrera was the new. A product of the Madrid police academy, he seemed more like a young college professor than a detective, a hundred seminars on the psychology of crime still fresh in his mind. At ease with himself in his business suit, he contrived to be tough and likeable, without ever lowering his guard. He welcomed me to his office and then came straight to the point. He asked me about Frank's childhood, and whether he had shown an overlit imagination as a boy.

'Perhaps a special talent for fantasy? Often a troubled childhood can lead to the creation of imaginary worlds. Was your brother a lonely child, Mr Prentice, left by himself while you played with the older boys?'

'No, he was never lonely. In fact, he had more friends than I did. He was always good at games, very practical and down-to-earth. I was the one with the imagination.'

'A useful gift for a travel writer,' Cabrera commented as he flicked through my passport. 'Perhaps as a boy your brother displayed a strain of would-be sainthood, taking the blame for you and his friends?'

'No, there was nothing saintly about him, not remotely. When he played tennis he was fast on his feet and always wanted to win.' Sensing that Cabrera was more thoughtful than most of the policemen I had met, I decided to speak my mind. 'Inspector, can we be open with each other? Frank is innocent, you and I both know that he never committed these murders. I've no idea why he confessed, but he must be under some secret pressure. Or be covering up for someone. If we don't find the truth the Spanish courts will be responsible for a tragic miscarriage of justice.'

Cabrera watched me, waiting silently for my moral indignation to disperse with the rising smoke of his cigarette. He waved one hand, clearing the air between us.

'Mr Prentice, the Spanish judges, like their English colleagues, are not concerned with truth – they leave that to a far higher court. They deal with the balance of probabilities on the basis of available evidence. The case will be investigated most carefully, and in due course your brother will be brought to trial. All you can do is wait for the verdict.'

'Inspector…' I made an effort to restrain myself. 'Frank may have pleaded guilty, but that doesn't mean he actually committed these appalling crimes. This whole thing is a farce, of a very sinister kind.'

'Mr Prentice…' Cabrera stood up and moved away from his desk, gesturing at the wall as if outlining a proposition on a blackboard before a slow-witted class. 'Let me remind you that five people were burned to death, killed by the most cruel means. Your brother insists he is responsible. Some, like yourself and the English newspapers, think that he insists too loudly, and must therefore be innocent. In fact, his plea of guilty may be a clever device, an attempt to unfoot us all, like a…

'Drop-shot at the net?'

'Exactly. A clever stratagem. At first, I also had certain doubts, but I have to tell you that I'm now inclined to think of your brother and guilt in the same context.' Cabrera gazed wanly at my passport photograph, as if trying to read some guilt of my own into the garish photo-booth snapshot. 'Meanwhile, the investigation proceeds. You have been more helpful than you know.'

After leaving the magistrates' court Senor Danvila and I walked down the hill towards the old town. This small enclave behind the beachfront hotels was a lavishly restored theme village with mock-Andalucian streets, antique shops and café tables set out under the orange trees. Surrounded by a stage set, we silently sipped our iced coffees and watched the proprietor scatter a kettle of boiling water over the feral cats that plagued his customers.

This scalding douche, another stroke of cruel injustice, promptly set me off again. Senor Danvila heard me out, nodding mournfully at the oranges above my head as I repeated my arguments. I sensed that he wanted to take my hand, concerned as much for me as he was for Frank, aware that my brother's plea of guilty also involved me in some obscure way.

He agreed, almost casually, that Frank was innocent, as the police's delay in charging him tacitly admitted.

'But now the momentum for conviction will increase,' he warned me. 'The courts and police have good reason not to challenge a guilty plea – it saves them work.'

'Even though they know they have the wrong man?'

Senor Danvila raised his eyes to the sky. 'They may know it now, but in three or four months, when your brother comes to trial? Self-admitted guilt is a concept they find very easy to live with. Files can be closed, men reassigned. I extend my sympathies to you, Mr Prentice.'

'But Frank may go to prison for the next twenty years. Surely the police will go on looking for the real culprit?'

'What could they find? Remember, the conviction of a British expatriate avoids the possibility of a Spaniard being accused. Tourism is vital for Andalucia – this is one of Spain 's poorest regions. Inward investors are less concerned by crimes among tourists.'

I pushed away my coffee glass. 'Frank is still your client, Senor Danvila. Who did kill those five people? We know Frank wasn't responsible. Someone must have started the fire.'

But Danvila made no reply. With his gentle hands he broke his tapas and threw the pieces to the waiting cats.

If not Frank, then who? Given that the police had ended their investigation, it fell to me to recruit a more aggressive Spanish lawyer than the depressed and ineffective Danvila, and perhaps hire a firm of British private detectives to root out the truth. I drove along the coast road to Malaga, past the white-walled retirement complexes marooned like icebergs among the golf courses, and reminded myself that I knew almost nothing about Estrella de Mar, the resort where the deaths had occurred. Frank had sent me a series of postcards from the Club, which portrayed a familiar world of squash courts, jacuzzis and plunge-pools, but I had only the haziest notions of day-to-day life among the British who had settled the coast.

Five people had died in the catastrophic fire that had gutted the Hollinger house. The fierce blaze had erupted without warning about seven o'clock in the evening of 15 June, by coincidence the Queen's official birthday. Clutching at straws, I remembered the disagreeable Guardia Civil at Gibraltar and speculated that the fire had been started by a deranged Spanish policeman protesting at Britain 's occupation of the Rock. I imagined a burning taper hurled over the high walls on to the tinder-dry roof of the villa…

But in fact the fire had been ignited by an arsonist who had entered the mansion and begun his murderous work on the staircase. Three empty bottles containing residues of ether and gasoline were found in the kitchen. A fourth, half-empty, was in my brother's hands while he waited to surrender to the police. A fifth, filled to the brim and plugged with one of Frank's tennis club ties, lay on the rear seat of his car in a side-street a hundred yards from the house.

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