J.G. Ballard - Super-Cannes

Здесь есть возможность читать онлайн «J.G. Ballard - Super-Cannes» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Super-Cannes: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Super-Cannes»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Super-Cannes – a Sunday Times bestseller in hardback – was the winner of the 2001 Commonwealth Writers Prize for the Eurasian region.
'Sublime: an elegant, elaborate trap of a novel, which reads as a companion piece to Cocaine Nights but takes ideas from that novel and runs further. The first essential novel of the 21st century.'
– Nicholas Royle, Independent
'Possibly his greatest book. Super-Cannes is both a novel of ideas and a compelling thriller that will keep you turning the pages to the shocking denouement. Only Ballard could have produced it.'
– Simon Hinde, Sunday Express
'In this tautly paced thriller he brilliantly details how man's darker side derails a vast experiment in living, and shows the dangers of a near-future in which going mad is the only way of staying sane.'
– Charlotte Mosley, Daily Mail
'Vintage Ballard, a gripping blend of stylised thriller and fantastic imaginings.'
– Alex Clark, Guardian
'Ballard at his best. Truly superb: the best book he has written. The story achieves the optimum balance of perfectly wrought lucid thriller-writing with formidable and pervasive intelligence.'
– Edward Docx, Daily Express
'Like watching a slow-motion action replay of a spectacular collision, you can't take your eyes away from Super-Cannes.'
– Mike Pattenden, The Times
'Super-Cannes is one of those novels whose last 100 pages you turn over faster and faster, wanting hundreds more: One peels this novel like an onion. Halfway through, I thought I could see the denouement. Three-quarters of the way through, something quite different seemed to be looming up. I have to say that the ending eluded and amazed me. As Ballard always amazes.'
– John Sutherland, Sunday Times
'Ballard's extraordinary new novel reads like a survival manual for the new century: There is a peculiar Englishness that manifests itself in exploration of the exotic, and J. G. Ballard is the most exotic author of all. Super-Cannes is a gleaming, tooled-up taste of tomorrow, beguiling, subversive and so appropriate to the mood of the new century that it feels like a survival handbook; it might just save your life.'
– Christopher Fowler, Independent on Sunday
'A magical hybrid that belongs to no known genre, a masterpiece of the surrealist imagination, Super-Cannes is another triumph by Britain 's most uncompromisingly contemporary novelist.'
John Gray, New Statesman
'J. G. Ballard is the Dr Moreau of British fiction, creator of controlled environments and out-of-control dystopias: More than any other writer Ballard understands the transformation technology may effect on human desire. This is his most potent statement yet of the outcome of that transformation, an elegant nightmare with all the internal coherence of an Escher engraving or a Calvino fable: Ballard unravels the secrets of his post-industrial Elysium with panache, leading us into a society which is both an exaggerated parable for our times and a chill piece of futurology: compelling.'
– Tim Adams, Observer
'With this sharply focused novel, Ballard takes a long sniper's look at the mirror-walled corporate dream, and then shatters it.'
– Helen Brown, Daily Telegraph
'Ballard remains that very rare thing, an original. He is undoubtedly the most exciting of contemporary novelists.
His genius lies in the mood he creates and his often dazzlingly surreal images. Super-Cannes possesses a relentless energy and an atmosphere of calculated corruption: the chilling narrative succeeds as an apocalyptic comment on modern society's inhuman dance of death.'
– Eileen Battersby, Irish Times
'Tainted idylls have always been J. G. Ballard's fictional speciality. With Super-Cannes, he dreams up one of his most memorable. Electrifyingly vivid prose and a storyline alive with shocks power a novel that casts lurid light on an exclusive Riviera enclave of the technological ©lite.'
– Peter Kemp, Sunday Times
'For those who know his work, the familiar pleasures are all present: fecund ideas, the disquieting poetry of his imagery and a strong spine of narrative. For first-timers, the ride begins here. Much writing is touted as essential; little, however, can claim any such distillation of its times. Ballard's is the real thing.'
– Gareth Evans, Time Out
'A dark and incendiary thriller, doing to the gated community and business park what Bram Stoker did for the Transylvanian castle.'
– S. B. Kelly, Scotland on Sunday
'He continues to produce the most trenchant and effective critique of the era and remains the most important contemporary British writer.' Will Self, Independent 'The storyline of intrigue and manipulation sees Ballard's devious imagination on tiptop form. Pacy, intelligent and accessible – one of his most enjoyable books ever, a pageturner that is also a novel of ideas.'
– David Profumo, Literary Review
'One of our strangest and most brilliant novelists. A new novel from Ballard is a literary event to make the heart jolt with uneasy expectation. Super-Cannes, super-saturated with Ballard iconography, is one of the first novels to gaze unflinchingly at the new millennium.'
– Catherine Lockerbie, Scotsman
'Super-Cannes is prime Ballard – weighty, potent and extraordinary.'
– John Preston, Evening Standard
'Ballard just gets hipper and hipper.'
– Guardian

Super-Cannes — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Super-Cannes», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

'Are you sure?' Penrose's offhand tone surprised me. 'Why? Are they getting out of control?'

'No, but Eden II changes everything. What worked so well for a small group of elite professionals can't be applied to a huge population. Eden II will employ 20,000 people. I don't want to start a race war – or not yet. That Green pilot was a warning. Besides, we have to look ahead. A titanic battle is about to begin, a Darwinian struggle between competing psychopathies. Everything is for sale now – even the human soul has a barcode. We're driven by bizarre consumer trends, weird surges in the entertainment culture, mass paranoias about new diseases that are really religious eruptions. How to get a grip on all this? We may need to play on deep-rooted masochistic needs built into the human sense of hierarchy. Nazi Germany and the old Soviet Union were Sadeian societies of torturers and willing victims. People no longer need enemies – in this millennium their great dream is to become victims. Only their psychopathies can set them free…'

He drove cautiously down the hillside towards Grasse, allowing other cars to overtake us, waving them on with a large hand.

He seemed tired but at peace. I realized that he had conducted a private experiment, taking himself up to a high place and offering himself the kingdoms of the new earth. He had accepted the offer, and was already working out his strategy for dealing with the huge possibilities that Eden II brought with it.

When we reached Eden-Olympia he scarcely noticed the fresh graffiti aerosolled across the glass doors of the administration building.

He dropped me at the house, gripping my arm as I stepped from the car. 'I'm glad you came, Paul. You've helped me a great deal.'

'I hope not.'

'There's a small thing you can do. I'm worried about Frances. Some of my medical records have gone missing.'

'The videotapes?'

'Exactly. They're highly confidential; we wouldn't want them in the wrong hands. Do tell Frances that the therapy programmes are coming to an end.'

'She'll be glad to hear it.'

'Good. When are you next seeing her?'

'Tonight. I'm picking her up at Marina Baie des Anges. She'll be impressed.'

'Invite her out to dinner. Explain that it may take a little time. She's obsessed with David Greenwood, and nothing else matters to her. That's dangerous for us.'

'It makes sense. She loved the man.'

'So did I.' Penrose's smile slipped from his face. He stared at his hands, then pulled back his sleeves and exposed the scars on his forearms. 'It's true, Paul. I owe him my life.'

'You were on the target list, along with Berthoud. If he'd seen you he would have killed you.'

'He did see me. I never told you.' Penrose nodded to himself. 'He shot Berthoud through the glass door, stepped forward and saw me bleeding on the floor in the corridor. I can still remember his eyes. He wasn't in the least mad, you know.'

'Then why didn't he kill you? He certainly planned to. You were the architect of everything he hated.'

'I know.' Penrose gripped the steering wheel, listening to the throaty quaver of the sports car's engine. 'I've thought about it ever since. He wanted me to face what I'd done. For a few moments he was completely sane…'

39 A New Folklore

Kurt Weill's ' Surabaya johnny' boomed from the CD player propped against the pillows. Jane swayed around the bedroom, a lurid figure in a spangled crimson minidress and stiletto heels.

A frizz of lacquered black hair rose in a retro-punk blaze from her forehead, above kohled eyes and a lipsticked mouth like a wound.

I sat among the debris of discarded underwear, admiring Jane's stamina and panache. Overwork and pethidine had coarsened her face, and she seemed a decade older than the young woman who had driven me down to Cannes.

'Jane, I love the costume. You look wonderfully… I'd say decadent, if that wasn't so passé.'

'Tarty.' She cocked a hip and pointed a carmined fingernail at my eyes. 'Miss Weimar, 1927.'

'The Delages will love it. You're going out with them?'

'On the town.' She began to bump and grind, and tripped over a pair of thigh-length boots. 'Hell, too many feet in this room. Where's my gin?'

'By the phone.' A full tumbler stood on the bedside table. 'Save it for later.'

'I'm the doctor here.' She swayed and smiled, as if recognizing me across a noisy room. 'Stop worrying, Paul. The human body's capacity for painkillers is almost unlimited.'

'How much pain are you in?'

'None. Wonderful, isn't it? Dr Jane is in control.'

'I hope Dr Jane isn't driving. Where are the Delages taking you?'

'Dinner at… somewhere terribly smart. They'll pretend I'm a poule they picked up in the street. Then an open-air costume party.'

'And you're going as…?'

'Can't you guess?'

She vamped around me, sitting on my lap and moving away before I could embrace her, a dizzying slide of silk and flesh. 'How was the ground-breaking ceremony?'

'Impressive. All the top brass were there. A plane pulling a Green banner dropped a small bomb on us.'

'How funny. And how sad. Nothing can stop Eden-Olympia. Wilder must have been thrilled.'

'A bit subdued. The Wild West phase is over. Life will be a lot quieter here. Any chance of you taking a long break?'

'Paul…' Jane glanced at me through the mirror, sympathetic but distant, like a mother watching a handicapped child. 'Go back to London? For what? Some health centre in Clapham?'

'Why put it like that? We'd be together again.'

'They need me here. The project is expanding.'

'Good. But they need you for other things.'

'Such as?' Jane switched off the CD player. 'Selling stolen pharmaceuticals? Doing female circumcisions for rich Sudanese?'

'It doesn't work like that. They're more subtle.'

'Paul… where drugs and sex are concerned, no one is that subtle.' She walked over to me and placed her hands on my cheeks. 'You've spent too long here. Take Frances to London with you. Now it's my turn to fly…'

I watched her hunt through a drawer and pick out her most garish handbag. She embraced me fiercely before she left. When I winced, uneasy with this bogus affection, she looked at me with sudden concern. 'Paul? Is your knee acting up? Start taking your shots again. You were happier then.'

'That was the problem.'

'Are you seeing Frances tonight?'

'We're having dinner at Tétou. There's some good news to celebrate.'

'Give her my love. And use my car. Sorry about the Jag. All this graffiti everywhere. Alain thinks the wrong people are getting into Eden-Olympia.'

Later, as I drove the Peugeot along the RN7 to Villeneuve-Loubet, I listened to the echoes of Lotte Lenya inside my head and remembered Jane's advice. With or without Frances Baring, I would soon be back in London. As Eden II spread its parks and artificial lakes across the Var plain a more workaday future would arrive. The winding-down of Penrose's therapeutic programme marked a defeat for him and the triumph of the contingent world, the inescapable reality of corridor rivalries and executive washrooms, the relativities of status and success. After a long day at Eden II, the notion of psychopathy would seem almost folkloric in its quaintness.

40 The Bedroom Camera

' Frances, there's good news…'

Using the spare key, I let myself into her apartment at Marina Baie des Anges. The standard lamp in the hall shone onto a clutch of financial journals, but the other rooms were in darkness. Her car keys lay in the silver tray on the hall stand. I opened the door into the kitchen, and caught an odd odour in the air, a medley of cheap aftershaves that were almost familiar.

' Frances…? I've booked Tétou.'

Was she in bed with another man, perhaps the pilot of the Green protest plane? An image formed in my mind of her lying naked beside her lover, both frozen with embarrassment, the man reaching for his shoes beneath the bed and coming up with one of my lost sandals…

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Super-Cannes»

Представляем Вашему вниманию похожие книги на «Super-Cannes» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Super-Cannes»

Обсуждение, отзывы о книге «Super-Cannes» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x