J.G. Ballard - Super-Cannes

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Super-Cannes – a Sunday Times bestseller in hardback – was the winner of the 2001 Commonwealth Writers Prize for the Eurasian region.
'Sublime: an elegant, elaborate trap of a novel, which reads as a companion piece to Cocaine Nights but takes ideas from that novel and runs further. The first essential novel of the 21st century.'
– Nicholas Royle, Independent
'Possibly his greatest book. Super-Cannes is both a novel of ideas and a compelling thriller that will keep you turning the pages to the shocking denouement. Only Ballard could have produced it.'
– Simon Hinde, Sunday Express
'In this tautly paced thriller he brilliantly details how man's darker side derails a vast experiment in living, and shows the dangers of a near-future in which going mad is the only way of staying sane.'
– Charlotte Mosley, Daily Mail
'Vintage Ballard, a gripping blend of stylised thriller and fantastic imaginings.'
– Alex Clark, Guardian
'Ballard at his best. Truly superb: the best book he has written. The story achieves the optimum balance of perfectly wrought lucid thriller-writing with formidable and pervasive intelligence.'
– Edward Docx, Daily Express
'Like watching a slow-motion action replay of a spectacular collision, you can't take your eyes away from Super-Cannes.'
– Mike Pattenden, The Times
'Super-Cannes is one of those novels whose last 100 pages you turn over faster and faster, wanting hundreds more: One peels this novel like an onion. Halfway through, I thought I could see the denouement. Three-quarters of the way through, something quite different seemed to be looming up. I have to say that the ending eluded and amazed me. As Ballard always amazes.'
– John Sutherland, Sunday Times
'Ballard's extraordinary new novel reads like a survival manual for the new century: There is a peculiar Englishness that manifests itself in exploration of the exotic, and J. G. Ballard is the most exotic author of all. Super-Cannes is a gleaming, tooled-up taste of tomorrow, beguiling, subversive and so appropriate to the mood of the new century that it feels like a survival handbook; it might just save your life.'
– Christopher Fowler, Independent on Sunday
'A magical hybrid that belongs to no known genre, a masterpiece of the surrealist imagination, Super-Cannes is another triumph by Britain 's most uncompromisingly contemporary novelist.'
John Gray, New Statesman
'J. G. Ballard is the Dr Moreau of British fiction, creator of controlled environments and out-of-control dystopias: More than any other writer Ballard understands the transformation technology may effect on human desire. This is his most potent statement yet of the outcome of that transformation, an elegant nightmare with all the internal coherence of an Escher engraving or a Calvino fable: Ballard unravels the secrets of his post-industrial Elysium with panache, leading us into a society which is both an exaggerated parable for our times and a chill piece of futurology: compelling.'
– Tim Adams, Observer
'With this sharply focused novel, Ballard takes a long sniper's look at the mirror-walled corporate dream, and then shatters it.'
– Helen Brown, Daily Telegraph
'Ballard remains that very rare thing, an original. He is undoubtedly the most exciting of contemporary novelists.
His genius lies in the mood he creates and his often dazzlingly surreal images. Super-Cannes possesses a relentless energy and an atmosphere of calculated corruption: the chilling narrative succeeds as an apocalyptic comment on modern society's inhuman dance of death.'
– Eileen Battersby, Irish Times
'Tainted idylls have always been J. G. Ballard's fictional speciality. With Super-Cannes, he dreams up one of his most memorable. Electrifyingly vivid prose and a storyline alive with shocks power a novel that casts lurid light on an exclusive Riviera enclave of the technological ©lite.'
– Peter Kemp, Sunday Times
'For those who know his work, the familiar pleasures are all present: fecund ideas, the disquieting poetry of his imagery and a strong spine of narrative. For first-timers, the ride begins here. Much writing is touted as essential; little, however, can claim any such distillation of its times. Ballard's is the real thing.'
– Gareth Evans, Time Out
'A dark and incendiary thriller, doing to the gated community and business park what Bram Stoker did for the Transylvanian castle.'
– S. B. Kelly, Scotland on Sunday
'He continues to produce the most trenchant and effective critique of the era and remains the most important contemporary British writer.' Will Self, Independent 'The storyline of intrigue and manipulation sees Ballard's devious imagination on tiptop form. Pacy, intelligent and accessible – one of his most enjoyable books ever, a pageturner that is also a novel of ideas.'
– David Profumo, Literary Review
'One of our strangest and most brilliant novelists. A new novel from Ballard is a literary event to make the heart jolt with uneasy expectation. Super-Cannes, super-saturated with Ballard iconography, is one of the first novels to gaze unflinchingly at the new millennium.'
– Catherine Lockerbie, Scotsman
'Super-Cannes is prime Ballard – weighty, potent and extraordinary.'
– John Preston, Evening Standard
'Ballard just gets hipper and hipper.'
– Guardian

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Yet, despite myself, I still admired Penrose, and the core truth of his bold but deranged vision. I hated the violence but remembered the brutal hazings at the RAF flight school, and how they had energized us all. Those fraternal beatings had been the closest we would ever come to tormenting our prisoners, part of the cruel but necessary pleasures of war. At Eden-Olympia, psychopathy was being rehabilitated, returned like a socialized criminal to everyday life.

For all his success, Penrose had been on edge in the two months since Zander's death. Often he knocked over his chesspieces as we played beside the pool. In the middle of a move he would leave the table and pace alone around the tennis court, then walk to his car without a word. At times he seemed to doubt that he was equal to the huge test of his talents posed by Eden II, and was searching for an even more radical leap of faith.

As we climbed the mountains above Grasse he patted my arm, treating me to the conspiratorial smile he turned upon waitresses and filling-station personnel who met his approval. He pointed to the rev counter, trembling in the red zone. 'Feel the power, Paul? When I'm bored you can take over.'

'As long as you're in control.'

'Who wants to be in control? Haven't I taught you anything?' He drummed a hand on the wheel. 'Those publicity planes – they spoilt the show.'

'No one noticed. They were glad to get back to the office. A kitchenware sale, some clapped-out cars…'

'You're wrong, Paul.' Penrose pointed to a billboard advertising a new hair spray. 'That's just the point. Reality is always a threat. I'm not worried by any rival ideology – there isn't one. But all these ads for aquaparks and swimming pools… they're the real enemy. They subvert everything. Frances probably arranged it deliberately.'

'Why should she?'

'To unsettle me. She's restless. You know that, Paul. She thinks she's a rebel, but doesn't realize that Eden-Olympia is the biggest rebellion of all.'

Frances would disapprove of my accepting a lift in Penrose's car. We met rarely now, and she said nothing of her plans to expose Eden-Olympia. Our hour together near the lighthouse at La Garoupe had been a closing of accounts. She had tried to use me again, hoping to trigger an outburst against Eden-Olympia, but I was too uncommitted for her. We met for dinner at the Vieux Port, and I told her that I was working my way into Penrose's confidence. She nodded, lit a cigarette and stared at the Arab yachts.

Meanwhile, the first graffiti and damaged surveillance cameras at Eden-Olympia seemed too feeble a protest to be her handiwork. The cryptic signs aerosolled across windscreens resembled teenage graffiti tags, and were soon scrubbed away by teams of maintenance men, but the stains of rebellion remained.

Curiously, I had become one of the first victims. Three days before the ground-breaking ceremony at Eden II, the Jaguar was brutally savaged. Vandals slashed the tyres and engine hoses, and wrenched the gear lever from its housing. Mr Yasuda was so impressed that he formally congratulated me, his wife bowing three paces behind him, under the impression that the Jaguar had served heroically in a ratissage of Pearl Harbor proportions.

But I no longer joined the bowling clubs on their outings, and distanced myself from the secret life of the business park. I moved from my Alice bed to a maid's room overlooking the tennis court.

I said nothing to Jane about Greenwood's tragic end, and how her sometime lover had died in a paroxysm of self-disgust. At night, when I woke, I would step into Jane's bedroom and watch her as she slept, Simone's lipstick smudged across her mouth, the young woman I had loved, and one day, perhaps, would love again.

At the Col du Pilon, a few miles above Grasse, we parked by the observation point with its devil's view over the Var plain. Penrose filled his huge chest with the cold air, holding his breath as if only an over-oxygenated brain could envisage all the possibilities of his new kingdom.

'Spectacular, Paul? There are times when you feel the wind of history under your wings. You've watched the future break out of its egg. The Greenwich line of this millennium runs through Eden-Olympia.'

'All the same, it's time to go back to London. I have to persuade Jane.'

'But why?' Penrose turned his back to the sun, and concentrated all his professional sympathy on me, as if I had admitted to bedwetting or shoplifting. 'Eden II is the only future we have.'

'Not for me.'

'We'll find you a job. You can start a publishing house for us, edit a monthly magazine.'

'Thanks, but everything looks less certain now. I couldn't take the risk.'

'You won't have to. You and Jane are safe, you're with us.'

'Along with those hundreds of senior executives arriving soon at Eden II? You're about to create a major crime wave.'

'Paul… the crime wave is already there. It's called consumer capitalism. Dear chap, I haven't asked you to defecate on the tricolour. A small social cost has to be borne, but we compensate the victims.'

'People like Zander?'

'That was an accident.'

'Wilder, I was there. It was an execution.' I lowered my voice as two elderly Chinese walked from their car and stood beside us at the observation rail. 'He knew about the paedophile ring and the jewellery raids, the strangled streetwalkers… I should have gone to the police.'

'They came to you. Sensibly, you said nothing.' Penrose raised his strong chin to the sun, inhaling the cool air. 'Who told you about the paedophile ring – Halder?'

'Not Halder.'

'I'm glad. He's too ambitious to be disloyal. We think very highly of Halder.'

'Good. Alain Delage shouldn't play games with him.'

'Does he? That's unpleasant. I'll tell him to pick another deprived group – English tourists, say. If Halder didn't talk to you, who did? Frances Baring?'

'She's said nothing.'

'You spend a lot of time with her. She must talk about something. She's always had friends outside Eden-Olympia – an attractive woman in the property office, who visits a lot of very rich people. Some of them have axes to grind, and carry weight in Paris and Brussels.'

'She's never talked to me. Besides, she knows nothing.'

'She knows more than you think. I worry about Frances. For her, the clocks stopped on May 28…'

He broke off as the drone of a publicity plane rose from the valley below. He snatched at the air, trying to seize the miniature aircraft, no larger than a gnat against his outstretched hand. 'Those planes. Paul, don't you find them annoying? Like all the graffiti at Eden-Olympia – a fifty-million-dollar office building and a few francs' worth of paint turn it into something from the Third World.'

'When Eden II opens you'll have larger problems on your mind.'

'You're right, Paul. It's an enormous challenge. Still, we have to press on. The therapy classes unsettle you, but they've proved their worth.'

'For the moment. Too many people know that something nasty happens after dark at Eden-Olympia. Sooner or later, the authorities will act.'

'Of course they will. It's a gamble we had to take.' Penrose took my arm, moving me closer to the observation rail. He had perspired heavily during the aerial protest at Eden II, and the wind lifted a stale scent of unease and frustration from his damp shirt. 'I don't want you to worry, Paul. Forget about going back to London. I need you here – you're one of the few people I can trust. You've seen the truth of what we're doing, and that's why you've never betrayed the therapy programme.'

'I'm an observer. Frances tells me I'm too dull and normal for Eden-Olympia.'

'Normal? Careers have foundered trying to define what that means. Be careful, we've moved into a world where it's dangerous to be normal. Extreme problems call for extreme solutions. As it happens, the therapy programmes aren't needed now. We're scaling them back.'

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