J.G. Ballard - Super-Cannes

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Super-Cannes – a Sunday Times bestseller in hardback – was the winner of the 2001 Commonwealth Writers Prize for the Eurasian region.
'Sublime: an elegant, elaborate trap of a novel, which reads as a companion piece to Cocaine Nights but takes ideas from that novel and runs further. The first essential novel of the 21st century.'
– Nicholas Royle, Independent
'Possibly his greatest book. Super-Cannes is both a novel of ideas and a compelling thriller that will keep you turning the pages to the shocking denouement. Only Ballard could have produced it.'
– Simon Hinde, Sunday Express
'In this tautly paced thriller he brilliantly details how man's darker side derails a vast experiment in living, and shows the dangers of a near-future in which going mad is the only way of staying sane.'
– Charlotte Mosley, Daily Mail
'Vintage Ballard, a gripping blend of stylised thriller and fantastic imaginings.'
– Alex Clark, Guardian
'Ballard at his best. Truly superb: the best book he has written. The story achieves the optimum balance of perfectly wrought lucid thriller-writing with formidable and pervasive intelligence.'
– Edward Docx, Daily Express
'Like watching a slow-motion action replay of a spectacular collision, you can't take your eyes away from Super-Cannes.'
– Mike Pattenden, The Times
'Super-Cannes is one of those novels whose last 100 pages you turn over faster and faster, wanting hundreds more: One peels this novel like an onion. Halfway through, I thought I could see the denouement. Three-quarters of the way through, something quite different seemed to be looming up. I have to say that the ending eluded and amazed me. As Ballard always amazes.'
– John Sutherland, Sunday Times
'Ballard's extraordinary new novel reads like a survival manual for the new century: There is a peculiar Englishness that manifests itself in exploration of the exotic, and J. G. Ballard is the most exotic author of all. Super-Cannes is a gleaming, tooled-up taste of tomorrow, beguiling, subversive and so appropriate to the mood of the new century that it feels like a survival handbook; it might just save your life.'
– Christopher Fowler, Independent on Sunday
'A magical hybrid that belongs to no known genre, a masterpiece of the surrealist imagination, Super-Cannes is another triumph by Britain 's most uncompromisingly contemporary novelist.'
John Gray, New Statesman
'J. G. Ballard is the Dr Moreau of British fiction, creator of controlled environments and out-of-control dystopias: More than any other writer Ballard understands the transformation technology may effect on human desire. This is his most potent statement yet of the outcome of that transformation, an elegant nightmare with all the internal coherence of an Escher engraving or a Calvino fable: Ballard unravels the secrets of his post-industrial Elysium with panache, leading us into a society which is both an exaggerated parable for our times and a chill piece of futurology: compelling.'
– Tim Adams, Observer
'With this sharply focused novel, Ballard takes a long sniper's look at the mirror-walled corporate dream, and then shatters it.'
– Helen Brown, Daily Telegraph
'Ballard remains that very rare thing, an original. He is undoubtedly the most exciting of contemporary novelists.
His genius lies in the mood he creates and his often dazzlingly surreal images. Super-Cannes possesses a relentless energy and an atmosphere of calculated corruption: the chilling narrative succeeds as an apocalyptic comment on modern society's inhuman dance of death.'
– Eileen Battersby, Irish Times
'Tainted idylls have always been J. G. Ballard's fictional speciality. With Super-Cannes, he dreams up one of his most memorable. Electrifyingly vivid prose and a storyline alive with shocks power a novel that casts lurid light on an exclusive Riviera enclave of the technological ©lite.'
– Peter Kemp, Sunday Times
'For those who know his work, the familiar pleasures are all present: fecund ideas, the disquieting poetry of his imagery and a strong spine of narrative. For first-timers, the ride begins here. Much writing is touted as essential; little, however, can claim any such distillation of its times. Ballard's is the real thing.'
– Gareth Evans, Time Out
'A dark and incendiary thriller, doing to the gated community and business park what Bram Stoker did for the Transylvanian castle.'
– S. B. Kelly, Scotland on Sunday
'He continues to produce the most trenchant and effective critique of the era and remains the most important contemporary British writer.' Will Self, Independent 'The storyline of intrigue and manipulation sees Ballard's devious imagination on tiptop form. Pacy, intelligent and accessible – one of his most enjoyable books ever, a pageturner that is also a novel of ideas.'
– David Profumo, Literary Review
'One of our strangest and most brilliant novelists. A new novel from Ballard is a literary event to make the heart jolt with uneasy expectation. Super-Cannes, super-saturated with Ballard iconography, is one of the first novels to gaze unflinchingly at the new millennium.'
– Catherine Lockerbie, Scotsman
'Super-Cannes is prime Ballard – weighty, potent and extraordinary.'
– John Preston, Evening Standard
'Ballard just gets hipper and hipper.'
– Guardian

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'Until Jane and I arrived?'

She opened my hand and studied my palm line, then closed it like a book she had decided not to read. 'Sorry, Paul, but that's true. They were using you, so I thought I'd do the same. I decided to build a maze of my own. Their maze was Eden-Olympia. Mine was the inside of your head.'

'And I was happy to play there?'

'You were a small boy again. Then I started to like you, which I hadn't bargained on. But that didn't affect my real goal.'

'Which was?'

'The same as Penrose's. I wanted to provoke you, to test you to destruction. I wanted to find your dirtiest little secret, and then work on it until you became disgusted with yourself and needed to explode. You'd go to the British Consul, talk to your MEP, take the story to Fleet Street.'

'It almost worked.'

'At first you were really coming along. You found those orthopaedic harnesses very perverse.'

'What man doesn't?'

'So true. There's nothing too weird to switch a man on sexually. You'd worn a surgical harness when Jane first got you excited. But then you threw everyone. You followed a child whore to the Rue Valentin. Penrose and Zander couldn't believe their luck. You looked like you wanted to fuck her.'

'No. Not in the sense you mean.'

'Don't worry, I understand.' Frances patted my head, as if I were an elderly spaniel who had given dumb but loyal service. 'You were starting to miss Jane, and little Natasha reminded you of your first love, the doctor's daughter in Maida Vale. Penrose thought you were a full-blown paedophile, just waiting to climb into the toy cupboard.'

'I let him down. How sad.'

'Never mind. You like girlish young women, that's all. The paedo line didn't lead anywhere. I had a last go at the film festival, hoping those Thai mammasans would stir you up with some juicy kiddy-porn. But I could see it in their eyes – they knew you weren't interested.'

'Sorry, Frances. I was looking for Jane.'

'You missed her, and being a voyeur was the next best thing. You're curious to see Jane with other lovers – it liberates you from all that old-fashioned jealousy you felt when your mother was fondled by her men-friends. I'm only surprised you drew the line at Zander.'

'A police chief? One has to have a few principles. He wanted to fuck my wife so that Alain and Simone could watch.'

'I'm shocked. That is going too far.'

'Don't laugh. It was a close thing. Still, I didn't want him dead. Frances…?' She had turned away, covering her face as a tourist coach turned into the car park. 'Has someone seen us? Meldrum…?'

'No. I was thinking of Zander and that terrible road… the water burning around the car.' Her voice fell away, and she turned almost searchingly towards me, as if I could reassemble her memories. 'Those nightmare headlights before the accident…'

' Frances, it wasn't an accident. They killed him.'

'Yes…' Blood flushed her cheeks, and she stared at herself in the driving mirror. Embarrassed, she opened the door and stepped out, then bent down and said to me: 'Yes, they killed him. But I helped them, Paul. I set it up for them…'

37 A Plan of Action

I found frances by the telescope, pacing to and fro under the trees, fingers tearing a pine cone she had picked from a branch. The black-clad women were walking towards the church, bereaved wives and mothers making their annual visit to the Virgin of La Garoupe.

Frances stared irritably at the women, unable to face this chorus of the undead. Aware of her blonde hair and tailored trouser-suit, she pulled at her buttons and scuffed through the gravel to the telescope. Leaning against the brass barrel, she stared across the bay to Golfe-Juan, searching for Zander's overturned car. I realized that she had chosen La Garoupe as our meeting place in order to punish herself.

' Frances, come on. Be honest, you loathed Zander…'

'Where is it?' She pushed me away, and tossed the pine cone from one hand to the other. 'A grey Audi – I can't see it.'

'It's in a police lab – they must be checking the brakes and steering.'

'Why? We can tell them all they need to know. Or will we, Paul? Somehow I doubt it…' She slapped the telescope, and her rings sent out a sharp metal cry that drew the eyes of the widows.

'Give me a coin – ten francs. The car must be there…'

I held her shoulders and steered her to the wooden bench on the observation platform. 'Let's rest here. There's nothing on the beach: I went back to have a look. Frances, we were two hundred yards away when it happened.'

'It was a set-up. Didn't you guess?' Her moment of panic had passed, and she spoke calmly. 'I was the decoy. While you were looking for Jane, I played the vamp with Zander. I told him to follow me back to Marina Baie des Anges.'

'And that's why he trailed us? He must have seen me in the passenger seat.'

'He didn't mind. I said you were a great fan of threesomes.'

'So all that roaming around Super-Cannes in the dark? The back streets near the Vallauris road…?'

'I was giving everyone time to catch up. Alain Delage told me to take the coast road to Juan-les-Pins. Drink-drivers are always ending up in the sea.' She raised her arm and threw the pine cone down the slope, watching it bounce into the deep ferns. 'Believe me, I didn't think they planned to kill him.'

'So you knew nothing – don't blame yourself.'

'I should have known!' Disgusted with herself, she turned her eyes from the beach. 'Until then I could cope with Eden-Olympia. But the waves were on fire. Paul, that was a warning – these people have to be stopped, or others are going to die.'

'They'll pull back now. Delage took a risk in killing Zander. He was head of security.'

'Acting head. He knew too much, and that made him greedy. He had all the videotapes, and he'd started to put pressure on the smaller companies. He wanted huge share options built into his salary package. Besides, there was one other mark against him.'

'He was just another Arab? Still, Yasuda is Japanese. There are Hong Kong and Singapore Chinese in every boardroom. A Mexican CEO lives on my avenue.'

'But they're paid-up members of the new elite. They're the corporate chosen people. Zander ran a security firm in Piraeus before he came here. He was technical services, one up from the janitors. The top managements at Eden-Olympia are deeply racist, but in a new way. The corporate pecking order is all that counts. They know the world would collapse without them, and think they can get away with anything.'

'They probably can.'

'No!' Frances pulled at my shirt. 'Listen to me. Some of the therapy groups are starting to stockpile weapons. They're setting up "hunting lodges" near the immigrant housing estates in La Bocca and Mandelieu. Technically, they'll be safe depositories for pharmaceuticals and industrial diamonds, and the guards will be heavily armed.'

'But their real role will be to provoke the local criminals and layabouts?'

'And then take on the immigrant population as a whole. We're back in Weimar Germany, with a weekend Freikorps fighting the Reds. Sooner or later some corporate raider with a messianic streak will turn up, backed by all the natural gas in Yakut, and decide that social Darwinism deserves another go. Listen to Alain Delage and Penrose talking together and you know they're just waiting for him to arrive.'

'Dictators always step into an open jackboot. How many executives are involved in the therapy classes?'

'Something like three hundred. A lot are off on overseas trips, but most weekends at least a hundred take part. They're operating as far away as Nice and St-Raphaël. There's some grim stuff going on – nasty child porn, rapes of young Arab wives…'

'The police will step in.'

'They're looking the other way. Eden-Olympia is expanding. Destivelle and the holding company are buying thousands or hectares to the west of the D103, right up to the edge of Sophia-Antipolis.' Grimly, Frances gestured towards the open hinterland beyond the coast. 'The taxes paid by Eden-Olympia amount to billions of francs. They pay for new schools and colleges and sports stadia. That's why we're so popular. Wilder Penrose and Delage have to be stopped, along with their lunatic scheme. Not because it's crazy, but because it's going to work. The whole world will soon be a business-park colony, run by a lot of tight-lipped men who pretend to be weekend psychos.'

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