J.G. Ballard - Super-Cannes

Здесь есть возможность читать онлайн «J.G. Ballard - Super-Cannes» — ознакомительный отрывок электронной книги совершенно бесплатно, а после прочтения отрывка купить полную версию. В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

Super-Cannes: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Super-Cannes»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Super-Cannes – a Sunday Times bestseller in hardback – was the winner of the 2001 Commonwealth Writers Prize for the Eurasian region.
'Sublime: an elegant, elaborate trap of a novel, which reads as a companion piece to Cocaine Nights but takes ideas from that novel and runs further. The first essential novel of the 21st century.'
– Nicholas Royle, Independent
'Possibly his greatest book. Super-Cannes is both a novel of ideas and a compelling thriller that will keep you turning the pages to the shocking denouement. Only Ballard could have produced it.'
– Simon Hinde, Sunday Express
'In this tautly paced thriller he brilliantly details how man's darker side derails a vast experiment in living, and shows the dangers of a near-future in which going mad is the only way of staying sane.'
– Charlotte Mosley, Daily Mail
'Vintage Ballard, a gripping blend of stylised thriller and fantastic imaginings.'
– Alex Clark, Guardian
'Ballard at his best. Truly superb: the best book he has written. The story achieves the optimum balance of perfectly wrought lucid thriller-writing with formidable and pervasive intelligence.'
– Edward Docx, Daily Express
'Like watching a slow-motion action replay of a spectacular collision, you can't take your eyes away from Super-Cannes.'
– Mike Pattenden, The Times
'Super-Cannes is one of those novels whose last 100 pages you turn over faster and faster, wanting hundreds more: One peels this novel like an onion. Halfway through, I thought I could see the denouement. Three-quarters of the way through, something quite different seemed to be looming up. I have to say that the ending eluded and amazed me. As Ballard always amazes.'
– John Sutherland, Sunday Times
'Ballard's extraordinary new novel reads like a survival manual for the new century: There is a peculiar Englishness that manifests itself in exploration of the exotic, and J. G. Ballard is the most exotic author of all. Super-Cannes is a gleaming, tooled-up taste of tomorrow, beguiling, subversive and so appropriate to the mood of the new century that it feels like a survival handbook; it might just save your life.'
– Christopher Fowler, Independent on Sunday
'A magical hybrid that belongs to no known genre, a masterpiece of the surrealist imagination, Super-Cannes is another triumph by Britain 's most uncompromisingly contemporary novelist.'
John Gray, New Statesman
'J. G. Ballard is the Dr Moreau of British fiction, creator of controlled environments and out-of-control dystopias: More than any other writer Ballard understands the transformation technology may effect on human desire. This is his most potent statement yet of the outcome of that transformation, an elegant nightmare with all the internal coherence of an Escher engraving or a Calvino fable: Ballard unravels the secrets of his post-industrial Elysium with panache, leading us into a society which is both an exaggerated parable for our times and a chill piece of futurology: compelling.'
– Tim Adams, Observer
'With this sharply focused novel, Ballard takes a long sniper's look at the mirror-walled corporate dream, and then shatters it.'
– Helen Brown, Daily Telegraph
'Ballard remains that very rare thing, an original. He is undoubtedly the most exciting of contemporary novelists.
His genius lies in the mood he creates and his often dazzlingly surreal images. Super-Cannes possesses a relentless energy and an atmosphere of calculated corruption: the chilling narrative succeeds as an apocalyptic comment on modern society's inhuman dance of death.'
– Eileen Battersby, Irish Times
'Tainted idylls have always been J. G. Ballard's fictional speciality. With Super-Cannes, he dreams up one of his most memorable. Electrifyingly vivid prose and a storyline alive with shocks power a novel that casts lurid light on an exclusive Riviera enclave of the technological ©lite.'
– Peter Kemp, Sunday Times
'For those who know his work, the familiar pleasures are all present: fecund ideas, the disquieting poetry of his imagery and a strong spine of narrative. For first-timers, the ride begins here. Much writing is touted as essential; little, however, can claim any such distillation of its times. Ballard's is the real thing.'
– Gareth Evans, Time Out
'A dark and incendiary thriller, doing to the gated community and business park what Bram Stoker did for the Transylvanian castle.'
– S. B. Kelly, Scotland on Sunday
'He continues to produce the most trenchant and effective critique of the era and remains the most important contemporary British writer.' Will Self, Independent 'The storyline of intrigue and manipulation sees Ballard's devious imagination on tiptop form. Pacy, intelligent and accessible – one of his most enjoyable books ever, a pageturner that is also a novel of ideas.'
– David Profumo, Literary Review
'One of our strangest and most brilliant novelists. A new novel from Ballard is a literary event to make the heart jolt with uneasy expectation. Super-Cannes, super-saturated with Ballard iconography, is one of the first novels to gaze unflinchingly at the new millennium.'
– Catherine Lockerbie, Scotsman
'Super-Cannes is prime Ballard – weighty, potent and extraordinary.'
– John Preston, Evening Standard
'Ballard just gets hipper and hipper.'
– Guardian

Super-Cannes — читать онлайн ознакомительный отрывок

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «Super-Cannes», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

'Frances… try to relax. No one followed me.' I wanted to embrace her, but she stepped away from me and clasped the telescope with her hand. I knew that she was thinking of everything except myself. Tapping the telescope, she watched the taxi leave with the two widows.

'The chauffeurs' wives?' I asked. 'What were they doing here?'

'They wanted to see the chapel – it's dedicated to the souls of travellers. I collected them from the station at Antibes.'

'Did I spoil it for them?'

'I doubt it – why?'

'They looked at me…'

'They're very suspicious. Word gets around. You've been seen at some of the ratissages. They think you're part of Eden-Olympia.'

'I am.'

'That's why I'm here.' She managed a strained smile, reassuring herself that we were still close friends. 'Paul, I had to get away. That dreadful business with Zander. I ran to the nearest exit.'

'I felt the same.' I tried to find her eyes under the dipping brim of the straw hat. 'Where did you go?'

'Menton. A small hotel near the old town. There's a friend I had to see, a retired judge. I needed his advice.'

'I hope you take it. Everything at Eden-Olympia is starting to slide off the table.'

'Only now?' She studied me in a distracted way. 'You've had a long time to accept that.'

'Not true. I've been waiting for the right moment.'

'Waiting? That's too easy. You can wait for ever.'

We walked through the trees to the slip road beside the lighthouse, where I had parked the BMW. When she took the keys from me I noticed her frayed nails and raw fingertips.

'You're sure no one followed you?' she asked. 'The man outside the cyber-café?'

'Meldrum? No. He was keeping an eye out for the Jag. Journalists don't like to pay parking charges.'

We sat in the car, in the shadowy space under the roof, and Frances gripped the steering wheel as if to brace herself before a collision. Trying to calm her, I moved her hands to her lap.

'Frances, why would Meldrum want to follow me?'

'He probably smells a story. Someone at Antibes-les-Pins might have seen the accident. The apartments are close to the beach.'

'No one there ever looks at the sea. Besides, Meldrum works for Eden-Olympia. They own a large piece of the radio station.'

'Even so. If it pays him enough, he'll play both ends against each other. He wants a really big story he can sell to the news agencies. I think I can give him one…'

She nodded to herself and stared up at the lighthouse, patiently waiting for it to come to her aid and bathe the darkness of the Côte d'Azur in its searching rays. The weeks she had spent in Menton had made her both insecure and more resolute. I thought of the elegant but unconfident woman I had met at the orthopaedic conference, and realized that nothing had changed. We had started an affair, but our time together had been stolen from Eden-Olympia and would have to be returned.

I said: 'If Meldrum trailed me to Antibes-les-Pins he was very professional. I didn't see him.'

'You weren't looking. Some concierge will have tipped him off. A lot of high-powered people keep their girlfriends at Antibes-les- Pins.'

'But why were you there?'

'Isabel Duval told me she was seeing you. She didn't say why.'

'You're in touch with her?'

'I always have been. There are still one or two people I can trust.' She raised her chin, showing something of her old determination. 'I needed to see you, and I didn't want to use the phone or e-mail. Jane might have mentioned it to Wilder Penrose. Anyway, that old Jag is an easy car to trail. I had to meet the widows so I parked in the garage and used the spare keys to leave a message.'

'You were following me…? For some reason, it feels odd.'

'Poor man. You're so naive, I think it's why you've survived.' A shadow of affection crossed her face. 'People have been following you since you came to Eden-Olympia. Once in a while try looking in the rear-view mirror.'

'I will. My mind's been rather foggy – too many painkillers. You'll be glad to hear I've given them up.'

'Good. You look a lot sharper. Who prescribed the painkillers?'

'Jane. Her own special cocktail. Isabel Duval had them analysed for me. Mostly a strong tranquillizer.'

'She's keeping you sedated, so you won't ask too many questions. I like Jane, but… think about it, Paul.'

'I have.' I turned to face Frances. She had relaxed a little, no longer unsettled by my presence, and I guessed that she was ready to speak frankly to me. 'All right, Frances. Why are we here? It's an odd place to meet.'

'I wanted to see you. I even missed you. La Garoupe is far away from Eden-Olympia and all those big Mercs and gangster drivers. Besides, I was taking the widows here.'

'But why La Garoupe? Their husbands were shot dead in my garden, along with Jacques Bourget – not one of them, I'm ready to bet, by David Greenwood.'

'The widows know that. They wanted to see the shrine to Bourget's friend, a junior manager at Eden-Olympia.'

'The man who died in a hit-and-run accident? David was passing by and looked after him. It was quite a coincidence.'

'It wasn't an accident. Or a coincidence. David wouldn't talk about it but he felt very guilty. It was the early days of the ratissages and he hadn't realized what was happening. The chauffeurs were assigned to drive the cars and they didn't like what they saw. That's why they joined David, along with Jacques Bourget. They'd all seen men run down for fun, and wanted to expose what was going on.'

'By taking over a private TV station?'

'A lot of important conferences are held at Eden-Olympia. There's a direct link to TF1 and CNN. They were going to broadcast a complete exposé and force the Interior Minister to act.'

'So you knew about the killings in advance?'

'No.' Frances took my hand and pressed it to her throat, as if to prevent herself from gagging. I could feel her larynx trembling, a sub-vocal rosary. 'I didn't know, believe me. But I guessed something was going to happen when David said he'd stored his rifle and ammunition with Philippe Bourget. I told him not to hurt anyone, but he wanted revenge.'

'For what they'd done to Bourget's friend?'

'No. He wanted revenge for what Eden-Olympia had done to him.'

Frances rapped the steering wheel with her fist, rousing herself to action. Chin raised, she stared through the windscreen at the Riviera coastline, a battle commander about to launch a beachhead but unsure of the underwater defences.

'Frances… what did Eden-Olympia do to David? He was happy here, running the refuge, lending his Alice library to the teenagers.'

'Alice? That's ironic.' Frances pushed up the brim of her hat. 'David wasn't happy. He hated himself, so much that it spilled over and he started to hate me.'

'Why did he kill all those people – Dr Serrou, Bachelet, Olga Carlotti? Frances, you know why.'

'Yes, I do.' She sounded almost offhand. 'I'm the only one who does. No one else is sure. Not even Wilder Penrose. That's why they used you.'

'They used me?'

'Yes, you. Paul Sinclair, the bored ex-pilot who'd lost his flying licence and was looking for a new way up into the clouds. Married to an oddball young doctor. The ultimate marital hot mix.'

'They knew nothing about me when they recruited Jane. I published aviation books.'

'But the headhunters passed on your background details, and Eden-Olympia seized its chance. Penrose and Professor Kalman and Zander decided to conduct an experiment. They ran a special trial designed to explain what went wrong with David. You were their laboratory rat.'

'All I did was lie around the pool and smoke a little pot with Jane.'

'Just what they wanted. You had time on your hands, and they knew you'd soon be bored. Bored enough to take part in their weekend games. Why did they put you in David's house? Didn't that strike you as odd?'

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «Super-Cannes»

Представляем Вашему вниманию похожие книги на «Super-Cannes» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «Super-Cannes»

Обсуждение, отзывы о книге «Super-Cannes» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x