J.G. Ballard - Super-Cannes

Jane patted my cheek. 'Too bad, Paul. So the brainstorm theory is right after all. You'll have to go back to the sun-lounger, and all that deprivation…'

Waving to the night staff, I walked through the foyer of the clinic to the car-park entrance. As the lift carried me to the top floor I stared at my dishevelled reflection in the mirror, part amateur detective with scarred forehead and swollen ear – the price of too much keyhole work – and part eccentric rider of hobby-horses.

As always, Jane was right. I had read too much into the three bullets and the intact garage. A nervy gendarme searching the garden might have fired into the pumphouse when the engine switched to detergent mode, startling him with its subterranean grumblings. The rifle round in the pool could have richocheted off the rose pergola and been kicked into the water by a passing combat boot. The hostages had probably died in the avenue, shot down by Greenwood as they made a run for it. Wilder Penrose's description of events, the official story released to the world by the press office at Eden-Olympia, was not to be taken literally.

The lift doors opened onto the roof, empty except for the Jaguar. The medical staff and visiting senior executives left their cars on the lower floors, but I always enjoyed the clear view over La Napoule Bay, and the gentle, lazy sea that lay like a docile lover against the curved arm of the Esterel.

I leaned on the parapet, inhaling the scent of pines and the medley of pharmaceutical odours that emerged from a ventilation shaft. I was thinking of Jane and her new office when I heard a shout from the floors below, a muffled cry of protest followed by the sound of a blow struck against human bone. A second voice bellowed abuse in a pidgin of Russian and Arabic.

I stepped to the inner balustrade and peered into the central well, ready to shout for help. Two Eden-Olympia limousines were making their way down the circular ramp. The chauffeurs stopped their vehicles on the third level, slipped from their driving seats and opened the rear doors, giving their passengers a ringside view of the ugly tableau being staged in an empty parking space.

A Senegalese trinket salesman knelt on the concrete floor in his flowered robes, beads and bangles scattered around him. Despite the dim light, I could see the streaming bruises on his face, and the blood dripping onto a plastic wallet filled with cheap watches and fountain pens. A dignified man with a small beard, he tried to gather together his modest wares, as if knowing that he would have little to show for the day's work. Patiently he retrieved a tasselled mask that lay between the booted heels of the security guards who were beating a thickset European in a cheap cream suit. The victim was still on his feet, protesting in Russian-accented French as he warded off the truncheon blows with his bloodied hands. Their blue shirts black with sweat, the three guards manoeuvred him into the corner and then released a flurry of blows that sank him to his knees.

I turned away, dazed by the violence, and then shouted to the executives watching from their cars. But they were too engrossed to notice me. Sitting by the open doors of the limousines, they were almost Roman in their steely-eyed calm, as if watching the punishment of a slacking gladiator. I recognized Alain Delage, the bespectacled accountant who gave Jane a lift to the clinic. He and the other executives were dressed in leather jackets zipped to the neck, like members of an Eden-Olympia bowling club.

The beatings ended. I listened to the Russian coughing as he leaned against the wall, trying to wipe the blood from his suit. Satisfied, the security men holstered their truncheons and stepped back into the darkness. Starter-motors churned and the limousines swung towards the exit, carrying away the audience from this impromptu piece of garage theatre.

I gripped the balustrade and limped down the ramp, searching the lift alcoves for a telephone that would put me through to the emergency medical team. The African was now on his feet, straightening his torn robes, but the Russian sat in his corner, head swaying as he gasped for air.

I circled the ramp above them, trying to attract their attention, but a uniformed figure stepped from behind a pillar and barred my way.

'Mr Sinclair… be careful. The floors are hard. You'll hurt yourself.'

'Halder?' I recognized his slate-pale face. 'Did you see all that…?'

Halder's strong hand gripped my elbow and steadied me when I slipped on the oily deck. His aloof eyes took in my lumbering gait, assessing whether I was drunk or on drugs, but his face was without expression, any hint of judgement erased from its refined features.

'Halder – your men were there. What exactly is going on?'

'Nothing, Mr Sinclair.' Halder spoke soothingly. 'A small security matter.'

'Small? They were beating the balls off those men. They need medical help. Call Dr Jane on your radio.'

'Mr Sinclair…' Halder gave up his attempt to calm me. 'It was a disciplinary incident, nothing to concern you. I'll help you to your car.'

'Hold on…' I pushed him away from me. 'I know how to walk. You made a mistake – that wasn't the Russian I saw this morning.'

Halder nodded sagely, humouring me as he tapped the elevator button. 'One Russian, another Russian… examples have to be made. We can't be everywhere. This is the dark side of Eden-Olympia. We work hard so you and Dr Jane can enjoy the sun.'

'The dark side?' I propped the door open with my foot and waited for Halder to meet my eyes. 'Away from the tennis courts and the swimming pools you hate so much? I wouldn't want to spend too much time there.'

'You don't need to, Mr Sinclair. We do that for you.'

'Halder…' I lowered my voice, which I could hear echoing around the dark galleries. 'That was a hell of a beating your men handed out.'

'The Cannes police would be a lot harder on them. We were doing them a favour.'

'And the parked limousines? Alain Delage and the other bigwigs were watching the whole thing. Wasn't that just a little over the top? It looked as if it was staged for them.'

Halder nodded in his over-polite way, waiting patiently to send me and the lift towards the roof. 'Maybe it was. Some of your neighbours at Eden-Olympia have… advanced tastes.'

'So… it was arranged? Carefully set up so you could have your fun?'

'Not us, Mr Sinclair. And definitely not me.' He stepped away from the lift, saluted and strode down the ramp, heels ringing on the concrete.

I settled myself in the Jaguar and inhaled the evening air. The scent of disinfectant and air-conditioning suddenly seemed more real than the sweet tang of pine trees. I felt angry but curiously elated, as if I had stepped unharmed from an aircraft accident that had injured my fellow-passengers. The sweat and stench of violence quickened the air and refocused the world.

Without starting the engine, I released the hand-brake and freewheeled the Jaguar along the ramp. I was tempted to run Halder down, but by the time I passed him the Russian and the Senegalese had gone, and the scattered beads lay blinking among the pools of blood.

8 The Alice Library

As stoical as the wife of a kamikaze pilot protecting the wreckage of his plane, Mrs Yasuda stood on the pavement outside the house and waited as her husband's damaged Porsche was hoisted onto the removal truck. The winch moaned and sighed, sharing all the pain inflicted on the car. An oblique front-end collision had torn the right fender from its frame, crushed the headlight and frosted the windscreen, through which Mr Yasuda had punched an observation space.

Staring at this hole, Mrs Yasuda's face was without emotion, her cheeks drained of colour, as if the accident to her husband's sports car had stopped the clocks of human response. When the removal driver asked for her signature she wrote her name in a large cursive script and closed the door before he could doff his cap.