J.G. Ballard - Super-Cannes

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Super-Cannes – a Sunday Times bestseller in hardback – was the winner of the 2001 Commonwealth Writers Prize for the Eurasian region.
'Sublime: an elegant, elaborate trap of a novel, which reads as a companion piece to Cocaine Nights but takes ideas from that novel and runs further. The first essential novel of the 21st century.'
– Nicholas Royle, Independent
'Possibly his greatest book. Super-Cannes is both a novel of ideas and a compelling thriller that will keep you turning the pages to the shocking denouement. Only Ballard could have produced it.'
– Simon Hinde, Sunday Express
'In this tautly paced thriller he brilliantly details how man's darker side derails a vast experiment in living, and shows the dangers of a near-future in which going mad is the only way of staying sane.'
– Charlotte Mosley, Daily Mail
'Vintage Ballard, a gripping blend of stylised thriller and fantastic imaginings.'
– Alex Clark, Guardian
'Ballard at his best. Truly superb: the best book he has written. The story achieves the optimum balance of perfectly wrought lucid thriller-writing with formidable and pervasive intelligence.'
– Edward Docx, Daily Express
'Like watching a slow-motion action replay of a spectacular collision, you can't take your eyes away from Super-Cannes.'
– Mike Pattenden, The Times
'Super-Cannes is one of those novels whose last 100 pages you turn over faster and faster, wanting hundreds more: One peels this novel like an onion. Halfway through, I thought I could see the denouement. Three-quarters of the way through, something quite different seemed to be looming up. I have to say that the ending eluded and amazed me. As Ballard always amazes.'
– John Sutherland, Sunday Times
'Ballard's extraordinary new novel reads like a survival manual for the new century: There is a peculiar Englishness that manifests itself in exploration of the exotic, and J. G. Ballard is the most exotic author of all. Super-Cannes is a gleaming, tooled-up taste of tomorrow, beguiling, subversive and so appropriate to the mood of the new century that it feels like a survival handbook; it might just save your life.'
– Christopher Fowler, Independent on Sunday
'A magical hybrid that belongs to no known genre, a masterpiece of the surrealist imagination, Super-Cannes is another triumph by Britain 's most uncompromisingly contemporary novelist.'
John Gray, New Statesman
'J. G. Ballard is the Dr Moreau of British fiction, creator of controlled environments and out-of-control dystopias: More than any other writer Ballard understands the transformation technology may effect on human desire. This is his most potent statement yet of the outcome of that transformation, an elegant nightmare with all the internal coherence of an Escher engraving or a Calvino fable: Ballard unravels the secrets of his post-industrial Elysium with panache, leading us into a society which is both an exaggerated parable for our times and a chill piece of futurology: compelling.'
– Tim Adams, Observer
'With this sharply focused novel, Ballard takes a long sniper's look at the mirror-walled corporate dream, and then shatters it.'
– Helen Brown, Daily Telegraph
'Ballard remains that very rare thing, an original. He is undoubtedly the most exciting of contemporary novelists.
His genius lies in the mood he creates and his often dazzlingly surreal images. Super-Cannes possesses a relentless energy and an atmosphere of calculated corruption: the chilling narrative succeeds as an apocalyptic comment on modern society's inhuman dance of death.'
– Eileen Battersby, Irish Times
'Tainted idylls have always been J. G. Ballard's fictional speciality. With Super-Cannes, he dreams up one of his most memorable. Electrifyingly vivid prose and a storyline alive with shocks power a novel that casts lurid light on an exclusive Riviera enclave of the technological ©lite.'
– Peter Kemp, Sunday Times
'For those who know his work, the familiar pleasures are all present: fecund ideas, the disquieting poetry of his imagery and a strong spine of narrative. For first-timers, the ride begins here. Much writing is touted as essential; little, however, can claim any such distillation of its times. Ballard's is the real thing.'
– Gareth Evans, Time Out
'A dark and incendiary thriller, doing to the gated community and business park what Bram Stoker did for the Transylvanian castle.'
– S. B. Kelly, Scotland on Sunday
'He continues to produce the most trenchant and effective critique of the era and remains the most important contemporary British writer.' Will Self, Independent 'The storyline of intrigue and manipulation sees Ballard's devious imagination on tiptop form. Pacy, intelligent and accessible – one of his most enjoyable books ever, a pageturner that is also a novel of ideas.'
– David Profumo, Literary Review
'One of our strangest and most brilliant novelists. A new novel from Ballard is a literary event to make the heart jolt with uneasy expectation. Super-Cannes, super-saturated with Ballard iconography, is one of the first novels to gaze unflinchingly at the new millennium.'
– Catherine Lockerbie, Scotsman
'Super-Cannes is prime Ballard – weighty, potent and extraordinary.'
– John Preston, Evening Standard
'Ballard just gets hipper and hipper.'
– Guardian

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'That doesn't sound like Eden-Olympia.' Jane pressed my head against her breast and began to explore my scalp. 'Awful man – I can see he upset you. He might have been lost.'

'He was looking for something. He thought I was David Greenwood.'

'Why? There's no resemblance. David was fifteen years younger…' She broke off. 'He can't have met David.'

I rotated my chair to face Jane. 'That's the point. Why would David have any contact with a small-time Russian crook?'

Jane leaned against the desk, watching me in a way I had never seen before, less the tired house-doctor of old and more the busy consultant with an eye on her watch. 'Who knows? Perhaps he was hoping to sell David a used car. Someone from the rehab clinic might have mentioned his name.'

'It's possible. Doctors doing charity work have to mix with a lot of riffraff.'

'Apart from their husbands? Paul, these bullets – don't get too involved with them.'

'I won't…'

I listened to the lift doors in the corridor as Jane's colleagues left the clinic after their day's work. Somewhere a dialysis machine moved through its cleaning cycle, emitting a series of soft grunts and rumbles, like a discreet indigestion. The clinic was a palace of calm, far away from the pumphouse and its bullet-riddled sack. I gazed through the cruise-liner windows at the open expanse of the lake. A deep shift in the subsoil sent a brief tremor across the surface, as a pressure surge moved through a ring main. Proud of Jane, I said: 'What an office – they obviously like you. Now I see why you want to spend your time here.'

'It was David's office.'

'Doesn't that feel…?'

'Strange? I can cope with it. We sleep in his bed.'

'Almost grounds for divorce. They should have moved you. Living in the same villa is weird enough.' I gestured at the filing cabinets. 'You've been through his stuff? Any hints of what went wrong?'

'The files are empty, but some of his records are still on computer.' Jane tapped a screen with her pencil. 'The La Bocca case histories would make your hair curl. A lot of those Arab girls were fearfully abused.'

'Thanks, I'd rather not see them. What about the children here? Is there a lot of work for you?'

'Very little. There aren't many children at Eden-Olympia. I don't know why they needed a paediatrician. Still, it gives me a chance to work on something else. There's a new project using the modem links to all the villas and apartments. Professor Kalman is keen that I get involved.'

'Fine, as long as they don't exploit you. Is it interesting?'

'In an Eden-Olympia kind of way.' Jane played distractedly with the bullets, as if they were executive worry-beads supplied to all the offices. 'Every morning when they get up people will dial the clinic and log in their health data: pulse, blood-pressure, weight and so on. One prick of the finger on a small scanner and the computers here will analyse everything: liver enzymes, cholesterol, prostate markers, the lot.'

'Alcohol levels, recreational drugs…?'

'Everything. It's so totalitarian only Eden-Olympia could even think about it and not realize what it means. But it might work. Professor Kalman is very keen on faecal smears, but I suspect that's one test too far. He hates the idea of all that used toilet paper going to waste. The greatest diagnostic tool in the world is literally being flushed down the lavatory. How does it strike you?'

'Mad. Utterly bonkers.'

'You're right. But the basic idea is sound. We'll be able to see anything suspicious well in advance.'

'So no one will ever get ill?'

'Something like that.' She turned and stared at the lake. 'It's a pity about the paediatrics. At times I feel all the children in the world have grown up and left me behind.'

'Only at Eden-Olympia.' I reached out and held her waist. 'Jane, that's sad.'

'I know.' Jane looked down at the bullets in her palm, seeing them clearly for the first time. She pressed them against her heart, as if calculating the effect on her anatomy, and with a grimace dropped them into the ashtray. 'Nasty. Are you going to hand them in?'

'To the security people? Later, when I've had time to think. Say nothing to Penrose.'

'Why not? He ought to know.' Jane held my wrist as I reached for the bullets. 'Paul, stand back for a moment. You'd expect to find a few bullets in the garden. Seven people were killed. The guards must have been in a total panic, shooting at anything that moved. Stop putting yourself in David's shoes.'

'I'm trying not to. It's difficult, I don't know why. By the way, I'm sure David didn't shoot the hostages in the garage. I had a careful look inside.'

'But Penrose told us the garage had been rebuilt.'

'It wasn't. I'll show you around.'

'No thanks. I'll stay with Professor Kalman at the colorectal end of things. So where did David shoot the hostages?'

'In the garden. One probably died against the pumphouse doors. A second was shot in the pool.'

'Bizarre. What was the poor man doing – swimming for help?'

Tired of talking to me, Jane rested her face in her hands. She tapped a computer keyboard, and a stream of numerals glimmered against her pale skin.

'Jane…' I held her shoulders, watching the screen as it threw up a list of anaesthetics. 'I'm badgering you. Let's forget about David.'

Jane smiled at this. 'Dear Paul, you're so wired up. You're like a gun dog waiting for the beaters.'

'There's nothing else to think about. Lying by a swimming pool all day is a new kind of social deprivation. Let's drive down to Cannes and have an evening on the town. Champagne cocktails at the Blue Bar, then an aïoli at Mère Besson. Afterwards we'll go to the Casino and watch the rich Arabs pick out their girls.'

'I like rich Arabs. They're extremely placid. All right – but I have to go back and change.'

'No. Come as you are. White coat and stethoscope. They'll think I'm a patient having an affair with his glamorous young doctor.'

'You are.' Jane held my hands to her shoulders and rocked against me. 'I need time to freshen up.'

'Fine. I'll get some air on the roof and bring the car round to the entrance in twenty minutes.' I leaned across her and pointed to the computer screen. 'What's all this? I saw David's initials.'

'Eerie, isn't it? You're not the only one finding traces of the dead.'

'"May 22"…' I touched the screen. 'That was a week before the murders. "Dr Pearlman, Professor Louit, Mr Richard Lancaster… 2.30, 3, 4 o'clock." Who are these people?'

'Patients David was seeing. Pearlman is chief executive of Ciba-Geigy. Lancaster is president of Motorola's local subsidiary. Don't think about shooting them – they're watched over like royalty.'

'They are royalty. There's a second list here. But no times are given. When was it typed in?'

'May 26. It's a list of appointments waiting to be scheduled.'

'But David was a paediatrician. Do all these people have children?'

'I doubt if any of them do. David spent most of his time on general duties. Paul, let's go. You've seen enough.'

'Hold on.' I worked the mouse, pushing the list up the page.

'"Robert Fontaine… Guy Bachelet." They were two of the victims.'

'Poor bastards. I think Fontaine died in the main administration building. Alain Delage took over from him. Does it matter?'

'It slightly changes things. Only two days beforehand David was reminding himself to arrange their appointments. A strange thing to do if he planned to kill them. Jane…?'

'Sorry, Paul.' Jane switched off the screen. 'So much for the conspiracy theory.'

I turned away and stared across the lake, expecting another seismic shudder. 'He was still booking them in for their check-ups. All that cholesterol to be tested, all those urinalyses. Instead, he gets up early in the morning, and decides to shoot them dead…'

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