Henry Green - Loving

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Green remains a dim figure for many Americans. He stopped writing in 1952, at age 47, with just nine novels and a memoir behind him. In the last years of his life-he died in 1973-he became a kind of British Thomas Pynchon, agreeing to be photographed only from behind. But those who knew him often revered him. W. H. Auden called him the finest living English novelist. His real name was Henry Vincent Yorke. The son of a wealthy Birmingham industrialist, he was educated at Eton and Oxford but never completed his degree. He became managing director of the family factory, which made beer-bottling machines. But first he spent a year on the factory floor with the ordinary workers, and his fiction is forever marked by an understanding of the English at all levels of society, something rare in class-bound British literature. Loving is a classic upstairs-downstairs story, with the emphasis on downstairs. You see the life of a great Irish country house during World War II through the eyes of its mostly British servants, who make a world of their own during a period when their masters are away. Green's generosity towards even the most scheming and rascally of them offers a lesson you never forget.
One of his most admired works, Loving describes life above and below stairs in an Irish country house during the Second World War. In the absence of their employers the Tennants, the servants enact their own battles and conflict amid rumours about the war in Europe; invading one another's provinces of authority to create an anarchic environment of self-seeking behaviour, pilfering, gossip and love.
"Loving stands, together with Living, as the masterpiece of this disciplined, poetic and grimly realistic, witty and melancholy, amorous and austere voluptuary-comic, richly entertaining-haunting and poetic-writer." – TLS
"Green's works live with ever-brightening intensity-it's like dancing with Nijinsky or Astaire, who lead you effortlessly on." – The Wall Street Journal
"Green's novels- have become, with time, photographs of a vanished England -Green's human qualities – his love of work and laughter; his absolute empathy; his sense of splendour amid loss – make him a precious witness to any age." – John Updike
"Green's books are solid and glittering as gems." – Anthony Burgess

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'Nothing,' she murmured weak voiced.

Mrs Tennant asked herself under her breath if the child was going to have another baby, and counted up the months from when the darling had seen her husband last.

'Sit down. No it's damp. Lean on my arm,' she said, and then her lips shaped March April May.

'I shall be all right in a minute.'

'I should never have dragged you out like this you poor child,' Mrs Tennant said. 'You should have said you didn't feel quite the thing.'

'What did he say?' Mrs Jack enquired as though in spite of herself.

'What did who say? Here sit here. At least it's dry.'

'That man Raunce,' the younger woman answered.

'My dear really I shall always repeat what you've just asked as the most wonderful example of self possession that's ever come my way. I must say your generation's too extraordinary. Here you are you poor child nearly in a faint and yet you remember I was talking about the compass arm over the map in the study. Lean back against me now. And keep your head down.'

Her daughter-in-law made a great effort.

'Well you wouldn't want me to go on about my silly old tummy, would you?' she asked in stronger tones.

'Why my darling,' Mrs Tennant exclaimed in what was almost a fruity voice, obviously visualizing a third grandchild. 'Why darling…'

'No, it isn't that,' Mrs Jack said and the searing rage, which that very moment swept over her as she realized, showed in how loudly she spoke. 'I expect it's something I had for lunch,' she added subsiding, guilty.

'I'll speak to Mrs Welch.'

'Oh no don't, please don't,' her daughter-in-law implored. Mrs Tennant said no more but she had made up her mind. The pots and pans were not being kept clean. That was all, or was it?

Raunce also became the subject in Mrs Tennant's bedroom. Miss Burch had not stayed long. When they were alone, turning the place upside down, Edith tried without success to get Kate to talk. They took the covers off all the armchairs, removed every rug and stripped the bed but to each comment Edith made such as 'well it's not here,' or 'I can't see it love can you?' Kate made answer with a silence that might have begun to work on Edith. For at last this girl said, 'D'you think I did ought to have told Mr Raunce about that waterglass?'

'Ah you're a deep one you are,' Kate immediately replied.

'I'm not and I don't know what you're after,' Edith protested beating a monogrammed pillow edged with lace between the palms of her two hands. But Kate made no reply and Edith apparently did not want to leave the matter for she tried again.

'When all's said and done love it's not as if Albert was suspected. That's just Mr Raunce's way,' she said.

'What makes you give him a Mr?' Kate asked.

'Why he's got the position now surely?'

'But he's no different to what he was,' Kate objected.

'According to one way of takin' it he's not,' Edith said, 'but whichever way we regard him he sees himself the butler.'

'O. K. if that's how you look at it.'

'Now Kate what's come over you? You wouldn't wish to spite him surely?'

'Listen,' Kate said, 'it don't matter to me what he thinks we think. All he'll be to me is Charley same as he always has been,'

'All right,' said Edith, 'I'll call him Charley and drop the mister.'

'And blush right in 'is face?'

'Kate Armstrong I'm surprised.'

'You can be surprised all right. I should worry. No I'm disappointed in you Edie, I am that.'

They stood on either side of the bed looking at each other.

'Then you do think I should never have kept silent. What you say is I should have talked up at the first go off when Mrs Welch came in at teatime?' Edith spoke as though she had been running but Kate only smiled. Kate said, 'I wouldn't play the innocent if I was you, not with me. It don't come off and that's a fact.'

'Then what you're gettin' at, without you're having what it takes to tell, what you're tryin' to say is you think I'm after 'im when he's something to you? Is that right?'

'Christ 'e's nothing to me. Charley Raunce? I'd sooner be dead.'

'I'll bet you'd sooner be dead.'

'What d'you insinuate by that Edie? I don't have to tell you you can go so far and no farther where I'm concerned thank you.'

'All right then I'll learn you something,' Edith said and she panted and panted. 'I love Charley Raunce I love 'im I love 'im so there. I could open the veins of my right arm for that man,' she said, turned her back on Kate, walked out and left her.

'You needn't have told me. I knew, don't worry,' Kate said to the now empty room, but with a sort of satisfaction as it seemed'in pain.

On the 18th Mrs Tennant left for England and Belchester. That same evening Captain Davenport dined at the Castle alone with Mrs Jack who had instructed Raunce that he need not wait up to see the Captain out.

There was nothing unusual in this to draw comment, and next morning Edith was rubbing her face, yawning like a child when it was time to call the lady. She gently knocked. She got no reply but then she never did. When she went in after knocking a second time the curtains which Miss Burch had already drawn back in the passage outside let sufficient light for Edith to see her way across the room. But she went soft, cautious so as not to stumble against the gold oar that stood out from the bed. Then she drew those curtains. She folded the shutters back into the wall. And Edith looked out on the morning, the soft bright morning that struck her dazzled dazzling eyes.

A movement over in the bed attracted her attention. She turned slow. She saw a quick stir beside the curls under which Mrs Jack's head lay asleep, she caught sight of someone else's hair as well, and it was retreating beneath silk sheets. A man. Her heart hammered fit to burst her veins. She gave a little gasp.

Then the dark head was altogether gone. But there were two humps of body, turf over graves under those pink bedclothes. And it was at this moment Mrs Jack jumped as if she had been pinched. Not properly awake she sat straight up. She was nude. Then no doubt remembering she said very quick, 'Oh Edith it's you it's quite all right I'll ring.' On which she must have recognized that she was naked. With a sort of cry and crossing her lovely arms over that great brilliant upper part of her on which, wayward, were two dark upraised dry wounds shaking on her, she also slid entirely underneath.

When Edith came to herself she found she was outside in the Long Passage, that bedroom door shut after her and with Miss Burch halted staring at her face. She said, all come over faint, 'I don't know how I was able to find me way out.'

'How d'you mean Edith?'

'An' if I'd been a'carryin' her early tea I'd 'a' dropped it.'

'And so you might dashing into me as you did.'

'In there,' Edith added. She seemed at her last gasp.

'In where?' Miss Burch asked grim.

For two moments Edith struggled to get breath.

'A man,' she said at last.

'God save us a man,' Miss Burch muttered, knocked and went straight through, shutting the door after. Edith leant against the table, the one that had naked cupids inlaid with precious woods on its top. She bent her head. She seemed afraid she might be sick. But when Miss Burch came out again as she did at once Edith drew herself straight to hear the verdict.

'E's puttin'

'is shirt on,' was all Miss Burch said, shocked into dropping her aitches. Then she added as though truly brokenhearted, 'Come on away my girl. Let 'im get off h'out.'

Edith made no move, stayed gazing at her.

'Come will you,' Miss Burch repeated gentle, 'this is no place for us my dear,' she said drawing a hand across her mouth.

At that Edith took to her heels and ran. She ran. She went straight up the back stairs. And along their passage into the deep room she shared with Kate. This girl was doing her hair before she went down to breakfast. She was at variance with Edith yet, which may have been why she did not turn round at first. But Edith's panting made her look.

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