Henry Green - Loving

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Green remains a dim figure for many Americans. He stopped writing in 1952, at age 47, with just nine novels and a memoir behind him. In the last years of his life-he died in 1973-he became a kind of British Thomas Pynchon, agreeing to be photographed only from behind. But those who knew him often revered him. W. H. Auden called him the finest living English novelist. His real name was Henry Vincent Yorke. The son of a wealthy Birmingham industrialist, he was educated at Eton and Oxford but never completed his degree. He became managing director of the family factory, which made beer-bottling machines. But first he spent a year on the factory floor with the ordinary workers, and his fiction is forever marked by an understanding of the English at all levels of society, something rare in class-bound British literature. Loving is a classic upstairs-downstairs story, with the emphasis on downstairs. You see the life of a great Irish country house during World War II through the eyes of its mostly British servants, who make a world of their own during a period when their masters are away. Green's generosity towards even the most scheming and rascally of them offers a lesson you never forget.
One of his most admired works, Loving describes life above and below stairs in an Irish country house during the Second World War. In the absence of their employers the Tennants, the servants enact their own battles and conflict amid rumours about the war in Europe; invading one another's provinces of authority to create an anarchic environment of self-seeking behaviour, pilfering, gossip and love.
"Loving stands, together with Living, as the masterpiece of this disciplined, poetic and grimly realistic, witty and melancholy, amorous and austere voluptuary-comic, richly entertaining-haunting and poetic-writer." – TLS
"Green's works live with ever-brightening intensity-it's like dancing with Nijinsky or Astaire, who lead you effortlessly on." – The Wall Street Journal
"Green's novels- have become, with time, photographs of a vanished England -Green's human qualities – his love of work and laughter; his absolute empathy; his sense of splendour amid loss – make him a precious witness to any age." – John Updike
"Green's books are solid and glittering as gems." – Anthony Burgess

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'And where would the little chap be this afternoon?'

'My Albert? Oh I sent 'im up to Miss Swift to get 'is run out.'

'That's right,' Miss Burch said. 'It's not right for them to be all day inside. Like Raunce is for instance.'

'Gawd 'elp us with the man when they do go over the other side for Mr Jack.' As she spoke Mrs Welch started to look wild again.

'You think so?' Miss Burch asked seeming at once to dread.

'It's not thinking, I'm certain sure. Well there's just the one thing for it,' Mrs Welch cried suddenly frantic, 'every mortal object must be under lock and key. There maun't be a drawer can be opened or a door they shall get in by. And as for my pots and pans I'll get me a padlock and chains and stake 'em down to me dresser,' she almost shouted pointing to the vast array of burnished copper and aluminium. 'And if I can't get a chain will go through them 'oles in the 'andles so 'elp me God I'll send to Berlin if I shouldn't find what'll suit in this poor law island.'

'To Berlin?' Miss Burch asked with a gasp.

'That's right,' Mrs Welch answered and seemed gratified. 'We're in a nootral country aren't we?'

'Bless me but I can't stay sitting here,' Miss Burch said getting up, 'I must do a bit more I suppose. I'm obliged to you for the cup of tea I was parched,' she added.

'You're welcome,' Mrs Welch replied as she reopened her black notebook.

Agatha walked stiffly through the back premises towards Mrs Tennant's bedroom which was being given a thorough turnout by her girls. She had made the loss of this ring an excuse to favour the room with a proper doing. But unusual sounds of activity in the pantry made her choose to go through this on the way upstairs. She found Raunce hard at it with silver out over green baize cloths across every table he could lay hands on and even into his bedroom. Saucers filled with a violet coloured polish, old toothbrushes, shammy leather and the long white soft-haired brushes were laid out for use among sauceboats, salvers, rose bowls and the silver candlesticks of all shapes and sizes. She passed Raunce and his lad in a silence which seemed to grant gracious approval.

'The old cow,' Charley remarked once she was out of earshot.

'You've said it,' the boy replied.

'You know Bert I sometimes marvel women can go sour like that. When you think of them young, soft and tender it doesn't 'ardly seem possible now the way they turn so that you would never hold a crab apple up to them they're so acid.'

'That's right,' the boy said as he worked.

'And what Mr Eldon could see in her is a mystery but then he was deep,' Raunce commented with admiration in his voice. 'He was deep if ever there was one.' At any pause in what he was saying he whistled between his teeth like a groom while he rubbed and polished. He was apparently in fine fettle.

'What day is it?' he asked.

'Why Saturday,' the boy answered.

'Holy smoke if we was to creep upstairs tomorrow after dinner and find those two slaves of hers laid out on their little beds where they'll be of a Sunday afternoon. What would you do eh?'

Albert stopped work and stared. He seemed astonished.

'After cleaning your teeth of course,' Charley added.

'Why what d'you mean?' Albert asked.

'What would you say to Kate? A lovely blonde? Now then take your hands out of those pockets and get on with the work or we'll be here all night. Have you ever had anything to do with a woman?'

The habitual look of obstinacy appeared on Albert's face. He did not answer.

'There's no call to be bashful,' Raunce said. 'Everyone's got to make a start one time or another. Have you or have you not? You won't answer. I don't blame you neither. Broadminded Charley that's what I'm known as. But one thing you can get into that thick skull of yours. You lay off Edith, understand. You can muck about with Kate all you please but Edith's close season, get me?'

'Yes Mr Raunce, whatever you say.'

'What d'you mean whatever I say? You be careful my lad else you'll be getting me upset in another minute. Strike me blind I don't for the life of me know why I'm talking to you. But I lie awake at night moithering about that lass. Have you ever lain awake at night?'

'No Mr Raunce.'

'Don't. It's not worth it. Tell me something. D'you shave?'

The boy's left hand went to his chin.

'Not yet I don't.'

"Then put it out of mind, she wouldn't think of you. Kate might now. She's different. What say we go to their room to-morrow eh?'

'You wouldn't dare.'

'I wouldn't dare! Who d'you take me for? Let me tell you there was many an occasion I went up to Mamselle's boudoir to give her a long bongjour before she went back to France.'

'That's different,' the boy said and said under his breath, 'oh Christ help me.'

'What d'you mean that's different? They're all made the same aren't they an' that means they're built different from you and me doesn't it? What are you gettin' at talking so soft?'

'Then why ask me then?'

'Because you're sweet on 'er, that's why,' Raunce said in a sort of shout. 'Holy Moses I don't know why I allow myself to get put out,' he went on calmer. 'But there's a certain way you have of looking down that dam delicate snotty nose you sniff with that gets my goat. Gets my goat see?' he added in rising tones.

'Yes Mr Raunce.'

That's all right then. Don't pay attention to uncle, at least not on every occasion. No you're going the wrong way about it with that toast rack,' he said as helpful as you please. 'Hand over and I'll show you.' And he proceeded to demonstrate.

Meantime Mrs Tennant and her daughter-in-law were making their way as usual to the ruined temple.

'Violet,' she said, 'Mrs Manton, poor Mother's old friend, has asked me to stay with her at Belchester on my way over.'

'Yes dear.'

'I thought I might. It would be a change.'

'Yes dear.'

'When did you say Jack was definitely getting his leave? The twenty-first isn't it? Well if I crossed over on the eighteenth that would give me three days with Hermione at Belchester before coming up to London. You wouldn't mind just forty-eight hours down here alone?'

Every part of the young woman's body except her Adam's apple was crying out the one word Dermot. She could not trust herself to speak.

'Because if you did,' Mrs Tennant went on in a doubtful voice, 'I could visit Hermione after Jack had gone back to his unit. Because I expect you will be staying on in London for a few days.'

'Don't you bother about little me,' Mrs Jack brought out at last. 'I shall be all right.'

'Are you sure? Really I feel I would rather get away from this place for a bit. The servants are being so truly beastly. And then there was my lovely cluster ring Jack's Aunt Emily gave me. D'you know I haven't had a word of sympathy yet from one of them about it.'

'Darling it is a shame,' Mrs Jack said. 'Badger come here. Come here when I tell you.'

'I know it's an absurd thing to expect,' Mrs Tennant went on looking up into the sky, 'but Eldon with all his faults always had a word of comfort when there was a disaster. Oh isn't it really too dreadful? Violet dear what d'you think?'

'I think it'll turn up. I know they haven't found anything in your bedroom but it can't simply have disappeared.'

'That's why I think if I went away somehow the luck might change,' Mrs Tennant said. 'I know there's a voice tells me the minute I turn my back they'll find my ring.'

'But Raunce is a bit of a wet rag isn't he?' her daughter-in-law remarked.

'Wet blanket you mean,' Mrs Tennant said. 'Oh well what can you expect with servants nowadays.' She spoke much more cheerfully. Then that's settled,' she went on, 'I'll go over a day or two ahead and we'll all meet in London to try and give the dear boy a good time. But talking of Raunce,' she went on and Mrs Jack could have had no suspicion of what was coming, 'he brought me his book this morning. You know I hardly ever look at it but well this was the first time he'd presented the thing himself and I don't know why, I suppose it's the war, but four pounds seven and six for a new arm to the map in the study why I could hardly believe my eyes. Why darling whatever's the matter?' Because Mrs Jack was leaning helpless against a tree with her face averted.

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