I felt great compassion for the trees because we were the same thing; I petted the dogs who didn't argue with me ever. All dogs love God.
They're wiser than their masters. I told that to the dogs, too, they listened to me perking up their ears and licking my face. They didn't care one way or the other as long as I was there. St. Raymond of the Dogs is who I was that year, if no one or nothing else.
Sometimes in the woods I'd just sit and stare at things themselves, trying to divine the secret of existence anyway. I'd stare at the holy yellow long bowing weeds that faced my grass sitmat of Tathagata Seat of Purity as they pointed in all directions and hairily conversed as the winds dictated Ta Ta Ta, in gossip groups with some lone weeds proud to show off on the side, or sick ones and half-dead falling ones, the whole congregation of living weedhood in the wind suddenly ringing like bells and jumping to get excited and all made of yellow stuff and sticking to the ground and I'd think /This is it. /"Rop rop rop," I'd yell at the weeds, and triey'd show windward pointing intelligent reachers to indicate and flail and finagle, some rooted in blossom imagination earth moist perturbation idea that had karmacized their very root-and-stem… It was eerie. I'd fall asleep and dream the words "By this teaching the earth came to an end," and I'd dream of my Ma nodding solemnly with her whole head, umph, and eyes closed. What did I care about all the irking hurts and tedious wronks of the world, the human bones are but vain lines dawdling, the whole universe a blank mold of stars. "I am Bhikku Blank Rat!" I dreamed.
What did I care about the squawk of the little very self which wanders everywhere? I was dealing in outblownness, cut-off-ness, snipped, blownoutness, putoutness, turned-off-ness, nothing-happens-ness, gone-ness, gone-out-ness, the snapped link, nir, link, vana, snap! "The dust of my thoughts collected into a globe," I thought, "in this ageless solitude," I thought, and really smiled, because I was seeing the white light everywhere everything at last.
The warm wind made the pines talk deep one night when I began to experience what is called "Samapatti," which in Sanskrit means Transcendental Visits. I'd got a little drowsy in the mind but was somehow physically wide awake sitting erect under my tree when suddenly I saw flowers, pink worlds of walls of them, salmon pink, in the /Shh /of silent woods (obtaining nirvana is like locating silence) and I saw an ancient vision of Dipankara Buddha who was the Buddha who never said anything, Dipankara as a vast snowy Pyramid Buddha with bushy wild black eyebrows like John L. Lewis and a terrible stare, all in an old location, an ancient snowy field like Alban ("A /new /field!" had yelled the Negro preacherwoman), the whole vision making my hair rise. I remember the strange magic final cry that it evoked in me, whatever it means: /Coly-//alcolor. /It, the vision, was devoid of any sensation of I being myself, it was pure egolessness, just simply wild ethereal activities devoid of any wrong predicates… devoid of effort, devoid of mistake. "Everything's all right," I thought. "Form is emptiness and emptiness is form and we're here forever in one form or another which is empty. What the dead have accomplished, this rich silent hush of the Pure Awakened Land." I felt like crying out over the woods and rooftops of North Carolina announcing the glorious and simple truth. Then I said "I've got my full rucksack pack and it's spring, I'm going to go southwest to the dry land, to the long lone land of Texas and Chihuahua and the gay streets of Mexico night, music coming out of doors, girls, wine, weed, wild hats, viva! What does it matter? Like the ants that have nothing to do but dig all day, I have nothing to do but do what I want and be kind and remain nevertheless uninfluenced by imaginary judgments and pray for the light." Sitting in my Buddha-arbor, therefore, in that "colyalcolor" wall of flowers pink and red and ivory white, among aviaries of magic transcendent birds recognizing my awakening mind with sweet weird cries (the pathless lark), in the ethereal perfume, mysteriously ancient, the bliss of the Buddha-fields, I saw that my life was a vast glowing empty page and I could do anything I wanted.
A strange thing happened the next day, to illustrate the true power I had gained from these magic visions. My mother had been coughing for five days and her nose was running and now her throat was beginning to hurt so much that her coughs were painful and sounded dangerous to me. I decided to go into a deep trance and hypnotize myself, reminding myself "All is empty and awake," to investigate the cause and cure of my mother's illness. Instantly, in my closed eyes, I saw a vision of a brandy bottle which then I saw to be "Heet" rubbing medicine and on top of that, superimposed like a movie fade-in, I saw a distinct picture of little white flowers, round, with small petals. I instantly got up, it was midnight, my mother was coughing in her bed, and I went and took several bowls of bachelor's buttons my sister had arranged around the house the week before and I set them outside. Then I took some "Heet" out of the medicine cabinet and told my mother to rub it on her neck.
The next day her cough was gone. Later on, after I was gone hitchhiking west, a nurse friend of ours heard the story and said "Yes, it sounds like an allergy to the flowers." During this vision and this action I knew perfectly clearly that people get sick by utilizing physical opportunities to punish themselves because of their self-regulating God nature, or Buddha nature, or Allah nature, or any name you want to give God, and everything worked automatically that way. This was my first and last "miracle" because I was afraid of getting too interested in this and becoming vain. I was a little scared too, of all the responsibility.
Everybody in the family heard of my vision and what I did but they didn't seem to think much of it: in fact I didn't, either. And that was right. I was very rich now, a super myriad trillionaire in Samapatti transcendental graces, because of good humble karma, maybe because I had pitied the dog and forgiven men. But I knew now that I was a bliss heir, and that the final sin, the worst, is righteousness. So I would shut up and just hit the road and go see Japhy. "Don't let the blues make you bad," sings Frank Sinatra. On my final night in the woods, the eve of my departure by thumb, I heard the word "star-body" concerning how things don't have to be made to disappear but to awake, to their supremely pure truebody and star-body. I saw there was nothing to do because nothing ever happened, nothing ever would happen, all things were empty light. So I took off well fortified, with my pack, kissing my mother goodbye. She had paid five dollars to have brand new thick rubber soles with cleats put on the bottom of my old boots and now I was all set for a summer working in the mountains. Our old country-store friend, Buddhy Tom, a character in his own right, took me in his vehicle out to Highway 64 and there we waved goodbye and I started hitching three thousand miles back to California. I would be home again the next Christmas.
Meanwhile Japhy was waiting for me in his nice little shack in Corte Madera California. He was settled in Sean Monahan's hermitage, a wooden cabin built behind a cypress windrow on a steep little grassy hill also covered with eucalyptus and pine, behind Sean's main house. The shack had been built by an old man to die in, years ago. It was well built. I was invited to go live there as long as I wanted, rent free. The shack had been made habitable after years as a wreck, by Sean Monahan's brother-in-law Whitey Jones, a good young carpenter, who had put in burlap over the wood walls and a good woodstove and a kerosene lamp and then never lived in it, having to go to work out of town. So Japhy'd moved in to finish his studies and live the good solitary life. If anybody wanted to go see him it was a steep climb. On the floor were woven grass mats and Japhy said in a letter "I sit and smoke a pipe and drink tea and hear the wind beat the slender eucalyptus limbs like whips and the cypress windrow roars." He'd stay there until May 15, his sailing date for Japan, where he had been invited by an American foundation to stay in a monastery and study under a Master.
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