The singing women recognized Sethe at once and surprised themselves by their absence of fear when they saw what stood next to her. The devil-child was clever, they thought. And beautiful. It had taken the shape of a pregnant woman, naked and smiling in the heat of the afternoon sun. Thunderblack and glistening, she stood on long straight legs, her belly big and tight. Vines of hair twisted all over her head. Jesus. Her smile was dazzling.
Sethe feels her eyes burn and it may have been to keep them clear that she looks up. The sky is blue and clear. Not one touch of death in the definite green of the leaves. It is when she lowers her eyes to look again at the loving faces before her that she sees him. Guiding the mare, slowing down, his black hat wide-brimmed enough to hide his face but not his purpose. He is coming into her yard and he is coming for her best thing. She hears wings. Little hummingbirds stick needle beaks right through her headcloth into her hair and beat their wings. And if she thinks anything, it is no. No no. Nonono. She flies.
The ice pick is not in her hand; it is her hand.
Standing alone on the porch, Beloved is smiling. But now her hand is empty. Sethe is running away from her, running, and she feels the emptiness in the hand Sethe has been holding. Now she is running into the faces of the people out there, joining them and leaving Beloved behind. Alone. Again. Then Denver, running too.
Away from her to the pile of people out there. They make a hill. A hill of black people, falling. And above them all, rising from his place with a whip in his hand, the man without skin, looking. He is looking at her.
Bare feet and chamomile sap.
Took off my shoes; took off my hat.
Bare feet and chamomile sap
Gimme back my shoes; gimme back my hat.
Lay my head on a potato sack,
Devil sneak up behind my back.
Steam engine got a lonesome whine;
Love that woman till you go stone blind.
Stone blind; stone blind.
Sweet Home gal make you lose your mind.
HIS COMING is the reverse route of his going. First the cold house, the storeroom, then the kitchen before he tackles the beds. Here Boy, feeble and shedding his coat in patches, is asleep by the pump, so Paul D knows Beloved is truly gone. Disappeared, some say, exploded right before their eyes. Ella is not so sure. "Maybe," she says, "maybe not. Could be hiding in the trees waiting for another chance." But when Paul D sees the ancient dog, eighteen years if a day, he is certain 124 is clear of her. But he opens the door to the cold house halfway expecting to hear her. "Touch me. Touch me. On the inside part and call me my name."
There is the pallet spread with old newspapers gnawed at the edges by mice. The lard can. The potato sacks too, but empty now, they lie on the dirt floor in heaps. In daylight he can't imagine it in darkness with moonlight seeping through the cracks. Nor the desire that drowned him there and forced him to struggle up, up into that girl like she was the clear air at the top of the sea. Coupling with her wasn't even fun. It was more like a brainless urge to stay alive.
Each time she came, pulled up her skirts, a life hunger overwhelmed him and he had no more control over it than over his lungs. And afterward, beached and gobbling air, in the midst of repulsion and personal shame, he was thankful too for having been escorted to some ocean-deep place he once belonged to.
Sifting daylight dissolves the memory, turns it into dust motes floating in light. Paul D shuts the door. He looks toward the house and, surprisingly, it does not look back at him. Unloaded, 124 is just another weathered house needing repair. Quiet, just as Stamp Paid said.
"Used to be voices all round that place. Quiet, now," Stamp said.
"I been past it a few times and I can't hear a thing. Chastened, I reckon, 'cause Mr. Bodwin say he selling it soon's he can."
"That the name of the one she tried to stab? That one?"
"Yep. His sister say it's full of trouble. Told Janey she was going to get rid of it."
"And him?" asked Paul D.
"Janey say he against it but won't stop it."
"Who they think want a house out there? Anybody got the money don't want to live out there."
"Beats me," Stamp answered. "It'll be a spell, I guess, before it get took off his hands."
"He don't plan on taking her to the law?"
"Don't seem like it. Janey say all he wants to know is who was the naked blackwoman standing on the porch. He was looking at her so hard he didn't notice what Sethe was up to. All he saw was some coloredwomen fighting. He thought Sethe was after one of them, Janey say."
"Janey tell him any different?"
"No. She say she so glad her boss ain't dead. If Ella hadn't clipped her, she say she would have. Scared her to death have that woman kill her boss. She and Denver be looking for a job."
"Who Janey tell him the naked woman was?"
"Told him she didn't see none."
"You believe they saw it?"
"Well, they saw something. I trust Ella anyway, and she say she looked it in the eye. It was standing right next to Sethe. But from the way they describe it, don't seem like it was the girl I saw in there.
The girl I saw was narrow. This one was big. She say they was holding hands and Sethe looked like a little girl beside it."
"Little girl with a ice pick. How close she get to him?"
"Right up on him, they say. Before Denver and them grabbed her and Ella put her fist in her jaw."
"He got to know Sethe was after him. He got to."
"Maybe. I don't know. If he did think it, I reckon he decided not to. That be just like him, too. He's somebody never turned us down.
Steady as a rock. I tell you something, if she had got to him, it'd be the worst thing in the world for us. You know, don't you, he's the main one kept Sethe from the gallows in the first place."
"Yeah. Damn. That woman is crazy. Crazy."
"Yeah, well, ain't we all?"
They laughed then. A rusty chuckle at first and then more, louder and louder until Stamp took out his pocket handkerchief and wiped his eyes while Paul D pressed the heel of his hand in his own. As the scene neither one had witnessed took shape before them, its seriousness and its embarrassment made them shake with laughter.
"Every time a whiteman come to the door she got to kill somebody?"
"For all she know, the man could be coming for the rent."
"Good thing they don't deliver mail out that way."
"Wouldn't nobody get no letter."
"Except the postman."
"Be a mighty hard message."
"And his last."
When their laughter was spent, they took deep breaths and shook their heads.
"And he still going to let Denver spend the night in his house?
Ha!"
"Aw no. Hey. Lay off Denver, Paul D. That's my heart. I'm proud of that girl. She was the first one wrestle her mother down. Before anybody knew what the devil was going on."
"She saved his life then, you could say."
"You could. You could," said Stamp, thinking suddenly of the leap, the wide swing and snatch of his arm as he rescued the little curly-headed baby from within inches of a split skull. "I'm proud of her. She turning out fine. Fine."
It was true. Paul D saw her the next morning when he was on his way to work and she was leaving hers. Thinner, steady in the eyes, she looked more like Halle than ever.
She was the first to smile. "Good morning, Mr. D."
"Well, it is now." Her smile, no longer the sneer he remembered, had welcome in it and strong traces of Sethe's mouth. Paul D touched his cap. "How you getting along?"
"Don't pay to complain."
"You on your way home?"
She said no. She had heard about an afternoon job at the shirt factory. She hoped that with her night work at the Bodwins' and another one, she could put away something and help her mother too.
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