Toni Morrison - Beloved

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Beloved: краткое содержание, описание и аннотация

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"DAZZLING… MAGICAL… AN EXTRAORDINARY WORK!" -New York Times
"BRILLIANT… RESONATES FROM PAST TO PRESENT." – San Francisco Chronicle
"A MAGNIFICENT HEROINE… A GLORIOUS BOOK!" – Baltimore Sun
"BEAUTIFULLY WRITTEN… POWERFUL…
TONI MORRISON HAS BECOME ONE OF AMERICA 'S FINEST NOVELISTS." -Cleveland Plain Dealer
"THERE IS SOMETHING GREAT IN BELOVED: A PLAY OF HUMAN VOICES, CONSCIOUSLY EXALTED, PERVERSELY STRESSED, YET HOLDING TRUE. IT GETS YOU." – The New Yorker
"A STUNNING BOOK… A LASTING ACHIEVEMENT!" -Christian Science Monitor
"Magical… rich, provocative, extremely satisfying!" – Milwaukee Journal
"Superb… a profound and shattering story that carries the weight of history… exquisitely told." -Cosmopolitan
"Compelling… Morrison shakes that brilliant kaleidoscope of hers again, and the story of pain, endurance, poetry, and power she is born to tell comes out right." -Village Voice
"In her most probing novel, Toni Morrison has demonstrated once again the stunning powers that place her in the first ranks of our living novelists." – St. Louis Post-Dispatch
"Shattering emotional power and impact!" -New York Daily News
"A book worth many rereadings." – Glamour
"Astonishing… a triumph!"-New Woman
"A work of genuine force… beautifully written." -Washington Post
"Written with a force rarely seen in contemporary fiction… One feels deep admiration." -USA Today
"Toni Morrison is not just an important contemporary novelist but a major figure of our national literature."-New York Review of Books
"Heart-wrenching… mesmerizing!" – Atlanta Journal-Constitution
"Powerful is too tame a word to describe Toni Morrison's searing new novel." -Library Journal
"Shatteringly eloquent."-Booklist
"A rich, mythical novel… a triumph!"- St. Petersburg Times
"Powerful… voluptuous!" – New York Magazine

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She didn't know to this day what their permanent teeth looked like; or how they held their heads when they walked. Did Patty lose her lisp? What color did Famous' skin finally take? Was that a cleft in Johnny's chin or just a dimple that would disappear soon's his jawbone changed? Four girls, and the last time she saw them there was no hair under their arms. Does Ardelia still love the burned bottom of bread? All seven were gone or dead. What would be the point of looking too hard at that youngest one? But for some reason they let her keep him. He was with her-everywhere.

When she hurt her hip in Carolina she was a real bargain (costing less than Halle, who was ten then) for Mr. Garner, who took them both to Kentucky to a farm he called Sweet Home. Because of the hip she jerked like a three-legged dog when she walked. But at Sweet Home there wasn't a rice field or tobacco patch in sight, and nobody, but nobody, knocked her down. Not once. Lillian Garner called her Jenny for some reason but she never pushed, hit or called her mean names. Even when she slipped in cow dung and broke every egg in her apron, nobody said you-blackbitchwhat'sthematterwith-you and nobody knocked her down.

Sweet Home was tiny compared to the places she had been. Mr.

Garner, Mrs. Garner, herself, Halle, and four boys, over half named Paul, made up the entire population. Mrs. Garner hummed when she worked; Mr. Garner acted like the world was a toy he was supposed to have fun with. Neither wanted her in the field-Mr.

Garner's boys, including Halle, did all of that-which was a blessing since she could not have managed it anyway. What she did was stand beside the humming Lillian Garner while the two of them cooked, preserved, washed, ironed, made candles, clothes, soap and cider; fed chickens, pigs, dogs and geese; milked cows, churned butter, rendered fat, laid fires… Nothing to it. And nobody knocked her down.

Her hip hurt every single day-but she never spoke of it. Only Halle, who had watched her movements closely for the last four years, knew that to get in and out of bed she had to lift her thigh with both hands, which was why he spoke to Mr. Garner about buying her out of there so she could sit down for a change. Sweet boy. The one person who did something hard for her: gave her his work, his life and now his children, whose voices she could just make out as she stood in the garden wondering what was the dark and coming thing behind the scent of disapproval. Sweet Home was a marked improvement. No question. And no matter, for the sadness was at her center, the desolated center where the self that was no self made its home. Sad as it was that she did not know where her children were buried or what they looked like if alive, fact was she knew more about them than she knew about herself, having never had the map to discover what she was like.

Could she sing? (Was it nice to hear when she did?) Was she pretty? Was she a good friend? Could she have been a loving mother?

A faithful wife? Have I got a sister and does she favor me? If my mother knew me would she like me?

In Lillian Garner's house, exempted from the field work that broke her hip and the exhaustion that drugged her mind; in Lillian Garner's house where nobody knocked her down (or up), she listened to the whitewoman humming at her work; watched her face light up when Mr. Garner came in and thought, It's better here, but I'm not. The Garners, it seemed to her, ran a special kind of slavery, treating them like paid labor, listening to what they said, teaching what they wanted known. And he didn't stud his boys. Never brought them to her cabin with directions to "lay down with her," like they did in Carolina, or rented their sex out on other farms. It surprised and pleased her, but worried her too. Would he pick women for them or what did he think was going to happen when those boys ran smack into their nature? Some danger he was courting and he surely knew it. In fact, his order for them not to leave Sweet Home, except in his company, was not so much because of the law, but the danger of men-bred slaves on the loose.

Baby Suggs talked as little as she could get away with because what was there to say that the roots of her tongue could manage?

So the whitewoman, finding her new slave excellent if silent help, hummed to herself while she worked.

When Mr. Garner agreed to the arrangements with Halle, and when Halle looked like it meant more to him that she go free than anything in the world, she let herself be taken 'cross the river. Of the two hard thingsstanding on her feet till she dropped or leaving her last and probably only living child-she chose the hard thing that made him happy, and never put to him the question she put to herself: What for? What does a sixty-odd-year-old slavewoman who walks like a three-legged dog need freedom for? And when she stepped foot on free ground she could not believe that Halle knew what she didn't; that Halle, who had never drawn one free breath, knew that there was nothing like it in this world. It scared her.

Something's the matter. What's the matter? What's the matter? she asked herself. She didn't know what she looked like and was not curious. But suddenly she saw her hands and thought with a clarity as simple as it was dazzling, "These hands belong to me. These my hands." Next she felt a knocking in her chest and discovered something else new: her own heartbeat. Had it been there all along? This pounding thing? She felt like a fool and began to laugh out loud.

Mr. Garner looked over his shoulder at her with wide brown eyes and smiled himself. "What's funny, Jenny?"

She couldn't stop laughing. "My heart's beating," she said.

And it was true.

Mr. Garner laughed. "Nothing to be scared of, Jenny. Just keep your same ways, you'll be all right."

She covered her mouth to keep from laughing too loud.

"These people I'm taking you to will give you what help you need. Name of Bodwin. A brother and a sister. Scots. I been knowing them for twenty years or more."

Baby Suggs thought it was a good time to ask him something she had long wanted to know.

"Mr. Garner," she said, "why you all call me Jenny?"

'"Cause that what's on your sales ticket, gal. Ain't that your name? What you call yourself?"

"Nothings" she said. "I don't call myself nothing."

Mr. Garner went red with laughter. "When I took you out of Carolina, Whitlow called you Jenny and Jenny Whitlow is what his bill said. Didn't he call you Jenny?"

"No, sir. If he did I didn't hear it."

"What did you answer to?"

"Anything, but Suggs is what my husband name."

"You got married, Jenny? I didn't know it."

"Manner of speaking."

"You know where he is, this husband?"

"No, sir."

"Is that Halle's daddy?"

"No, sir."

"why you call him Suggs, then? His bill of sale says Whitlow too, just like yours."

"Suggs is my name, sir. From my husband. He didn't call me Jenny."

"What he call you?"

"Baby."

"Well," said Mr. Garner, going pink again, "if I was you I'd stick to Jenny Whitlow. Mrs. Baby Suggs ain't no name for a freed Negro."

Maybe not, she thought, but Baby Suggs was all she had left of the "husband" she claimed. A serious, melancholy man who taught her how to make shoes. The two of them made a pact: whichever one got a chance to run would take it; together if possible, alone if not, and no looking back. He got his chance, and since she never heard otherwise she believed he made it. Now how could he find or hear tell of her if she was calling herself some bill-of-sale name?

She couldn't get over the city. More people than Carolina and enough whitefolks to stop the breath. Two-story buildings everywhere, and walkways made of perfectly cut slats of wood. Roads wide as Garner's whole house.

"This is a city of water," said Mr. Garner. "Everything travels by water and what the rivers can't carry the canals take. A queen of a city, Jenny. Everything you ever dreamed of, they make it right here. Iron stoves, buttons, ships, shirts, hairbrushes, paint, steam engines, books. A sewer system make your eyes bug out. Oh, this is a city, all right. If you have to live in a city-this is it."

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