Kenzaburo Oe - Somersault

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Somersault: краткое содержание, описание и аннотация

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Writing a novel after having won a Nobel Prize for Literature must be even more daunting than trying to follow a brilliant, bestselling debut. In Somersault (the title refers to an abrupt, public renunciation of the past), Kenzaburo Oe has himself leapt in a new direction, rolling away from the slim, semi-autobiographical novel that garnered the 1994 Nobel Prize (A Personal Matter) and toward this lengthy, involved account of a Japanese religious movement. Although it opens with the perky and almost picaresque accidental deflowering of a young ballerina with an architectural model, Somersault is no laugh riot. Oe's slow, deliberate pace sets the tone for an unusual exploration of faith, spiritual searching, group dynamics, and exploitation. His lavish, sometimes indiscriminate use of detail can be maddening, but it also lends itself to his sobering subject matter, as well as to some of the most beautiful, realistic sex scenes a reader is likely to encounter. – Regina Marler
From Publishers Weekly
Nobelist Oe's giant new novel is inspired by the Aum Shinrikyo cult, which released sarin gas in Tokyo 's subway system in 1995. Ten years before the novel begins, Patron and Guide, the elderly leaders of Oe's fictional cult, discover, to their horror, that a militant faction of the organization is planning to seize a nuclear power plant. They dissolve the cult very publicly, on TV, in an act known as the Somersault. Ten years later, Patron decides to restart the fragmented movement, after the militant wing kidnaps and murders Guide, moving the headquarters of the church from Tokyo to the country town of Shikoku. Patron's idea is that he is really a fool Christ; in the end, however, he can't escape his followers' more violent expectations. Oe divides the story between Patron and his inner circle, which consists of his public relations man, Ogi, who is not a believer; his secretary, Dancer, an assertive, desirable young woman; his chauffeur, Ikuo; and Ikuo's lover, Kizu, who replaces Guide as co-leader of the cult. Kizu is a middle-aged artist, troubled by the reoccurrence of colon cancer. Like a Thomas Mann character, he discovers homoerotic passion in the throes of illness. Oe's Dostoyevskian themes should fill his story with thunder, but the pace is slow, and Patron doesn't have the depth of a Myshkin or a Karamazov-he seems anything but charismatic. It is Kizu and Ikuo's story that rises above room temperature, Kizu's sharp, painterly intelligence contrasting with Ikuo's rather sinister ardor. Oe has attempted to create a sprawling masterpiece, but American readers might decide there's more sprawl than masterpiece here.

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"I think it's important for the former radical faction members, as well as everyone who plans to join this new movement of Patron's, to remember his argument in the Somersault. Even now, as an antichrist, if Patron once again declares that the end oí the world is near, can you go along with this?"

Dancer responded. "It's true that in the past Patron predicted the end of the world in two or three years and called for repentance. At the time of the Somersault he said this was a joke, that the end was greatly delayed. Does starting the new movement mean he's once again setting back the timetable for the end of the world? That's what you're laughing at, right? But is that what he preached at today's memorial service?

"After all that time he spent in hell, I don't think he's saying there should be another Somersault and we should all pretend the earlier one never took place. He was talking about a much more important problem than the amount of time that will elapse before the end of the world. We found his ideas quite moving, and we've recommitted ourselves to following him. And not just those of us who work with him every day. That's essentially what the women's group said as well."

"We'll have to wait to see what your new movement is all about before we can give an objective opinion about whether this is another Somersault or not," the reporter said. "I'd like to ask one more brief question, if you don't mind, and I'd appreciate it if you'd respond briefly so we can quote it in the newspaper: Why now-after Aum Shinrikyo-has Patron returned?"

Dancer motioned for Ogi to answer.

"Patron believes that if there hadn't been a Somersault ten years ago,"

Ogi said, "the church, with the radical faction leading it, would have ended up just like Aum. And if that happened our church, again like Aum, would have been attacked and destroyed. Patron needed to send out a message of healing for his followers. Also, he wants to put into practice a teaching that will soothe all the young people hurt by Aum Shinrikyo. That's one reason why now, after the Aum affair, Patron has revived his movement."

"Do you plan to reach out directly to people belonging to Aum?"

"No. When I say young people hurt by Aum, I'm not just referring to members of the cult. Our movement will have a broader appeal."

"Logically, then," the reporter persisted, "your broad appeal would allow former Aum members to join. And if that happens, wouldn't they be involved in a joint struggle with former radical-faction members who've helped Patron restart his movement, which would only put the authorities on edge?"

Dr. Koga fielded this one. "Maybe I shouldn't poke my nose into this, but since you said former radical-faction members are helping Patron and I'm one of them, I'll try to respond. I have no way of knowing how the authori- ties or the police feel. But the Aum Shinrikyo's understanding of Armaged- don and our own concept of armed struggle are completely different. We were calling on society-the country-the world-to repent. One step in doing this was to occupy a nuclear power plant and get the attention of those who weren't listening.

"One clear difference between us and Aum was that, as our movement calling for repentance progressed and we blew up a nuclear plant, it would be very obvious that those participating in the operation did not intend to survive. Even if young people from Aum had participated, as long as they still accepted the teaching that they would survive Armageddon, I doubt they'd have gone along with our ideas. Because we put our own lives on the line."

"If the plan by the radical faction to occupy a nuclear power plant had been realized, wouldn't this have been even more dangerous than the Aum sarin gas attack?" This was asked, in a fit of indignation, by another reporter who up till then had remained silent. "If neither side takes a good hard look at their past, and the radical faction takes part in Patron's new movement, people won't stand for it. Haven't we learned anything from Aum? There's no way this should be allowed."

"Who won't stand for it? And what are they going to do?" Ikuo declared.

Ogi could feel the mood of the gathering change. Ikuo didn't speak rudely or in a loud voice, but there was something in the way he delivered these ques- tions that flouted the basic rules of this gathering.

Ikuo fell silent, his strong neck thrust out as he awaited a reply. As if he'd been treated in a violent, outrageous manner, the reporter turned bright red behind his oval-framed glasses. He may also have been feeling some pres- sure from the room next door, separated from this lounge by only a thin ply- wood wall, for at the same time as this press conference was going on there was a banquet in the dining room for those who'd helped prepare and run the memorial service, one that included many members of the security squad.

At times Ogi felt Dancer's plans were overly clever, but he had to admit that using the two rooms in this way was a stroke of genius. Actually he found it strange that after the memorial service, when the reporters were dissatisfied-in a fighting mood, even-about having their question-and-an- swer session attenuated, things had proceeded so peacefully that a question like Ikuo's stood out. The reporters' reticence might very well have been affected by the knowledge that among the people next door, who were trying to keep their voices down and not laugh, were those whose intimate com- panions had murdered the very man they were gathered to commemorate.

3

After a period of silence, Ogi was surprised again when Ms. Tachibana stood up, showing what must have been unusual fortitude on her part. Her younger brother, the one with mental disabilities, sat next to her, his face as tense as if he were the one about to speak.

"My brother and I were not followers of the church," Ms. Tachibana began. "At the time of Patron and Guide's Somersault we merely watched from outside with great concern. Still, we were surprised by what they said.

In the Somersault, Patron said he wasn't serious about the world ending in two or three years. Are you saying, then, it'll come sooner? someone asked, making fun of him. For me it's rather that question itself which I found unexpected.

"With Patron in the lead, we're facing the end of the world and doing all we can to repent. Even now I am constantly thinking of my soul and my brother's. The timing of when the end comes isn't as important as the fact that we are-right now-repenting as the world draws to an end.

"Before a chance meeting opened my eyes to Patron's teachings, my brother and I went to a different church, a church founded on Saint Peter's having seen and talked to the resurrected Jesus. After we attended this church for several years I began to feel that the people there didn't have a genuine sense of repentance. My brother and I-I understand very well what my brother is thinking, by the way-sought a deeper level of repentance and found we couldn't stand being there, because people didn't see repentance as a pressing concern.

"After a time something happened that led us to distance ourselves from the church. A Bible study class for beginners started and I asked spe- cial permission for my brother and me to attend. My brother couldn't re- ally understand how, three days after his crucifixion, Christ rose again.

When he stubbornly persisted in this, he was scolded by the priest.

"I gathered my courage and told the priest that I believe it's true that on a certain day in history Jesus rose again, but also in myself, right now, I feel he's arisen. That's what I feel as I pray. My brother can't put this into words, I went on, and perhaps doesn't even think in terms of words, but every time I have a friend play the music he's composed, I can see Jesus risen right now in his heart.

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