Mark Winegardner - The Godfather returns

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The Godfather returns: краткое содержание, описание и аннотация

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Even before you open the book, the stark red, white and black cover sparks the strains of Nino Rota's "The Godfather Waltz" begin playing in your mind. Mark Winegardner has been granted to task of writing a sequel to Mario Puzo's essential 1969 novel The Godfather, a novel which not only must pick up the story of that book, but must also fit the characters and situations Puzo, Francis Ford Coppola, Al Pacino, and others traced through three epic films. The result in The Godfather Returns.
Perhaps most of Winegardner's readers will be more familiar with the films than with the novel, which followed several different characters, many of whom, such as Johnny Fontane or Lucy Mancini, are only peripheral to the films. Winegardner returns to Puzo's novel to follow several different characters. Taking a technique for the second film, however, he also moves through time to present Michael Corleone's story before the first film, between the first two films, and between the second and third films.
Winegardner's decisions to fill in the blanks between the films is one of the weaknesses of The Godfather Returns. The films left out much of the empire building Michael had to do between them in his attempt to go legitimate. While Winegardner manages to add interesting layers of intrigue to Michaels' quest, and to the characters who surround him, the novel really works best when the characters are engaging in mafioso wheeling and dealing.
One of the strengths of Puzo's work was the characters he made come to life, and Winegardner does an excellent job not only with the lives of Puzo's characters, but with his own. Just as Puzo eventually picked up the story of Santino's son, Vincent, in "The Godfather, Part III," Winegardner also elects to follow Santino's offspring, in this case his twin daughters, as they take their first steps at breaking from the family business. Fredo, a pivotal character in the first two films, is actually fleshed out in The Godfather Returns, in which Winegardner adds to the appetites he exhibits in the first films and gives a deeper look into his need to become his own man and gain his older brother's approval.
The central character to the novel, however, is Nick Geraci, a member of the Corleone family who, Winegardner reveals, becomes the button man who killed Sal Tessio, his mentor. After proving his loyalty to the Corleones, it is clear that Geraci will eventually turn on the family as he tries to strike out on his own, setting up an eventual confrontation with Michael. Although it is clear Michael will be victorious, the cost of his victory helps build tension.
In many ways, Winegardner manages to recapture the style and spirit of Puzo's original novel. Nevertheless, there is the feeling that something is missing from The Godfather Returns. Winegardner successfully captures every individual aspect of Puzo's work, whether in the original novel or the films, but there is a magic beneath it that is missing. Despite missing the Puzo magic, The Godfather Returns is a welcome reintroduction to the Corleone clan.
Steven H Silver

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“You bought tickets?”

“A bargain at any price, if you sound half as good as today.”

“I catch you on anything but a comp list for any show I ever do, it’s your ass, pally.”

There was a crowd, maybe twenty people, all different ages. He told the skycaps he didn’t have any bags except just this little one here, but he duked them anyway, twenty apiece. Two men in sky blue sport coats rushed to meet him and help him through the crowd, which caught everyone’s attention, even in a place like L.A. The crowd snowballed, surging behind him all the way to the gate. Against his better judgment, Johnny handed the satchel to one of the airline guys so that he could sign quick, illegible autographs, including one some dame wanted right on her face. He duked the two airline guys fifty.

When he boarded the plane, there was applause. He waved and smiled but did not remove his sunglasses. He took his seat. He put the bag on the floor between his legs. Under different circumstances he’d have been after that redheaded stewardess with the big tits, but all he asked her for was a pillow, a bourbon rocks, and a hot tea with honey. He looked at the satchel. Another sort of guy would open it now. Johnny couldn’t have given a shit.

It took her forever to bring the drinks. “We don’t have honey,” she said.

“No tea, either, looks like.”

“I’m heating the water right now.”

She turned around. He looked down at the satchel. He opened it.

It was jammed with cash, of course. On top was an unsigned, typewritten note that said, “Told you not to look.” The o ’s in look had dots inside; underneath was an upside-down smile.

Johnny wadded the note up. He saw the redhead coming with the tea and downed half his bourbon. He chewed ice as she set the tea down. He made his left hand into a pistol, pointed it at her, winked, and made a little clucking sound. She blushed.

By the time the redhead passed through the cabin getting everything squared away for takeoff, he’d finished the bourbon and the tea and was sound asleep.

Chapter 8

Y OU WERE at the Tri Delt ice cream social, right?” said the honey-voiced blonde in line in front of Francesca Corleone as she took her food: cling peaches on cottage cheese and a wilted leaf of iceberg lettuce. This, plus sweet tea, was the entirety of the girl’s dinner.

Behind Francesca, Suzy Kimball kept her eyes on her tray and hummed.

“That wasn’t me,” Francesca said. “I’m sorry.”

“Oh.” This was where a normal person would introduce herself. Instead, the girl turned around and went back to her chirpy giggling with the girls she’d come with.

There were many other girls in line at the dining hall who did not have Greek letters on their clothing, other girls who weren’t whispering among themselves, who weren’t cowering underneath their raincoats as upperclassmen came in. These girls existed, but Francesca didn’t see them. What she noticed was Suzy, the quiet dark-skinned girl behind her, choosing the food Francesca chose, following Francesca to a table by the window.

“You know,” said a deep voice behind Francesca, “this used to be a girls’ school.”

Francesca turned around. At the next table was a tanned young man in a seersucker suit. He clutched a wooden replica of a rocket ship. Pushed up in his curly blond hair was a pair of sunglasses, the kind pilots wore.

“Excuse me?” she said.

“ Florida College for Women.” His white teeth revealed a crooked smile. “Until right after the war. Sorry for eavesdropping. I was just there helping my little brother move in. It’s good that your mother’s protective. She really loves you. You’re lucky.”

His own mother couldn’t wait to get him and his brother out of the house, he said. He finally set the rocket ship down.

Francesca felt dizzy, awash in the smell of blooming tea olive bushes.

He’d turned away from a group of people-upperclassmen, from the looks of them, including the blonde with the peaches-to talk to her. There was something about this boy, both awkward and smooth, in the way he couldn’t stop talking. Finally he apologized for not introducing himself. “I’m Billy Van Arsdale.” He extended his hand.

This was her big chance. Fran Collins. Franny Taylor. Frances Wilson. Francie Roberts. As she reached out her hand, she realized her palms were sweaty. Not just sweaty: drenched. But she was committed. No stopping now. In a panic, she took Billy’s hand in her somewhat less damp fingertips, turned it, and kissed it on the knuckles.

Billy’s dinner companions broke out laughing.

“Francesca Corleone,” she said, barely in a whisper and, despite herself, pronouncing all four syllables of her last name, in her best Italian. She tried to smile, as if she’d meant the kiss as a joke. “So, um. What’s the story with the spaceship?”

“That,” Billy said, “is a really lovely name.”

“She’s Italian,” blurted Suzy Kimball, bright-eyed, as if she were in class and it was the first time all term she’d known the right answer. She was saying it to Billy’s whole table. “They’re big kissers, the Italian people. I thought it was Corle -own, not Corle -oney. Which is it?”

Francesca couldn’t bear to say anything, couldn’t take her eyes off Billy.

Someone at the other table said, “Mamma mia, where’s-a da mozzarella?” which inspired more laughter. Billy ignored them. “Welcome to FSU. If I can ever do anything-”

“Here it goes,” said one of the men at his table.

“Honey,” said the girl with the cling peaches, “you are in cor rigible.”

“-don’t hesitate to ask.”

“Corleone, huh?” said the mozzarella boy. He held up an invisible tommy gun and made ack-ack sounds. “You any relation?” someone said.

“You guys are jerks,” Billy said. “Don’t be ridiculous. They’re jerks,” Billy said to Francesca. “Anyway, I have to run, but if you need anything, I’m in the book. Under ‘W.B.’ ”

“Yes, dahling,” Cling Peaches said, “William Brewster Van Ahhhsdale the Third.”

Billy rolled his eyes, gave Francesca’s shoulder a gentle squeeze, grabbed his wooden rocket, flicked his sunglasses into place, and left. Francesca expected the people at the other table to keep needling her, but they lost interest and went back to talking to one another.

“I’m sorry,” Suzy mumbled. She was quivering like an abused house pet.

What could Francesca say? “You’re right. I am.” Italian. “We are.” Big kissers. There were worse things to be, no? “Forget it. Say my name any way you want.”

Suzy looked up, then covered her mouth. “You should see yourself.”

“See myself why?” Francesca said.

A thunderclap sounded.

Suzy shook her head, but Francesca knew. She could still feel Billy’s touch.

After dinner, they worked on their room. Suzy’s clothes were more like uniforms: nearly identical skirts and blouses, utterly identical bras, socks, and underpants. They agreed to make more room by bunking their beds, and Francesca said Suzy could pick. She picked the bottom. Who picks the bottom? The rain stopped. The dorm mother herded everyone out, handed them small white candles, and marched them across campus to freshman convocation. The marching band played as they entered the football stadium. A misty rain began. There were rows and rows of white wooden folding chairs. Suzy and Francesca sat near the back. The swarthy ones. She had to find a way to distance herself from this girl and not be a bad person.

On a platform at the fifty-yard line, some dean welcomed them. Then he introduced the university president, a lugubrious man in a black robe. The dean sat down, and only then did Francesca notice, in the seat beside the dean, that blue seersucker suit, that blond hair, and even from across the field those white teeth. For a moment, she thought it must be a delusion. The heat. Then Suzy dug her elbow into Francesca’s side and pointed.

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