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Mark Winegardner: The Godfather returns

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Even before you open the book, the stark red, white and black cover sparks the strains of Nino Rota's "The Godfather Waltz" begin playing in your mind. Mark Winegardner has been granted to task of writing a sequel to Mario Puzo's essential 1969 novel The Godfather, a novel which not only must pick up the story of that book, but must also fit the characters and situations Puzo, Francis Ford Coppola, Al Pacino, and others traced through three epic films. The result in The Godfather Returns. Perhaps most of Winegardner's readers will be more familiar with the films than with the novel, which followed several different characters, many of whom, such as Johnny Fontane or Lucy Mancini, are only peripheral to the films. Winegardner returns to Puzo's novel to follow several different characters. Taking a technique for the second film, however, he also moves through time to present Michael Corleone's story before the first film, between the first two films, and between the second and third films. Winegardner's decisions to fill in the blanks between the films is one of the weaknesses of The Godfather Returns. The films left out much of the empire building Michael had to do between them in his attempt to go legitimate. While Winegardner manages to add interesting layers of intrigue to Michaels' quest, and to the characters who surround him, the novel really works best when the characters are engaging in mafioso wheeling and dealing. One of the strengths of Puzo's work was the characters he made come to life, and Winegardner does an excellent job not only with the lives of Puzo's characters, but with his own. Just as Puzo eventually picked up the story of Santino's son, Vincent, in "The Godfather, Part III," Winegardner also elects to follow Santino's offspring, in this case his twin daughters, as they take their first steps at breaking from the family business. Fredo, a pivotal character in the first two films, is actually fleshed out in The Godfather Returns, in which Winegardner adds to the appetites he exhibits in the first films and gives a deeper look into his need to become his own man and gain his older brother's approval. The central character to the novel, however, is Nick Geraci, a member of the Corleone family who, Winegardner reveals, becomes the button man who killed Sal Tessio, his mentor. After proving his loyalty to the Corleones, it is clear that Geraci will eventually turn on the family as he tries to strike out on his own, setting up an eventual confrontation with Michael. Although it is clear Michael will be victorious, the cost of his victory helps build tension. In many ways, Winegardner manages to recapture the style and spirit of Puzo's original novel. Nevertheless, there is the feeling that something is missing from The Godfather Returns. Winegardner successfully captures every individual aspect of Puzo's work, whether in the original novel or the films, but there is a magic beneath it that is missing. Despite missing the Puzo magic, The Godfather Returns is a welcome reintroduction to the Corleone clan. Steven H Silver

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“Hello, Fausto.” The only other person who called Nick Geraci by his given name was Vincent Forlenza, who’d stood as Geraci’s godfather in Cleveland. “I’d like you to be a part of this thing Tessio arranged. Seven o’clock at this place called Two Toms, do you know it?”

The sky was blue and cloudless, but anyone watching Charlotte rush to herd the girls inside might have thought she’d learned that a hurricane was bearing down on Long Island.

“Sure,” Geraci said. “I eat there all the time.” It was a test. He was either supposed to ask about this thing Tessio arranged or he wasn’t. Geraci had always been good at tests. His gut feeling was to be honest. “But I have no idea what you’re talking about. What thing?”

“Some important people are coming from Staten Island to sort things out.”

Staten Island meant the Barzinis, who had that place sewn up. But if Tessio had set up peace talks with Michael and Don Barzini, why was Geraci hearing it from Michael and not Tessio? Geraci stared at the flames in his barbecue pit. Then it came to him what must have happened. He jerked his head and silently cursed.

Tessio was dead. Probably among many others.

The meeting place was the tip-off. Tessio loved that place. Which meant that most likely he’d contacted Barzini himself and that either he or Barzini had set up a hit on Michael, which Michael had somehow anticipated.

Geraci poked the T-bones with a long steel spatula. “You want me there for protection,” he said, “or at the table or what?”

“That was a hell of a long pause.”

“Sorry. Had to get some steaks off the grill here.”

“I know what you’re worried about, Fausto, but not why.”

Did he mean Geraci had nothing to worry about? Or that he was trying to figure out what if any role Geraci had played in Tessio’s betrayal? “Well, pilgrim,” Geraci answered, in his best John Wayne, “I ain’t so much worried as I am saddle sore and plum tuckered out.”

“Excuse me?”

Geraci sighed. “Even in the best of times I’m a worrier.” He felt a tide of gallows humor rise in him, though he spoke flatly: “So shoot me.”

“That’s why you’re so good,” Michael said. “The worrying. It’s why I like you.”

“Then you’ll forgive me if I point out the obvious,” Geraci said, “and tell you to take a route there you’d never ordinarily take. And also to avoid Flatbush.”

Now it was Michael’s turn for a long pause. “Flatbush, huh? How do you figure that?”

“Bums’re home.”

“Of course,” Michael said.

“The Dodgers. Second game of a twin bill with Philadelphia.”

“Right,” Michael said.

Geraci lit a cigarette. “Not a baseball fan, eh?”

“Used to be.”

Geraci wasn’t surprised. Seeing the business side of gambling ruined sports for a lot of the smarter guys. “This could be the Bums’ year,” Geraci said.

“That’s what I keep hearing,” Michael said. “And of course you’re forgiven.”

“For what?”

“For pointing out the obvious.”

Geraci lifted the steaks off the grill and onto a platter. “It’s a gift I have,” he said.

An hour later, Geraci arrived at Two Toms with four of his men and positioned them outside. He took a seat alone and sipped an espresso. He wasn’t afraid. Michael Corleone, unlike his brothers-the brutish Sonny and the pathetic Fredo-had inherited the old man’s deliberate nature. He wouldn’t order a hit on a hunch. He’d make sure, no matter how long it took. Whatever test was coming, however galling it was to be tested by the likes of Michael Corleone, Nick Geraci would respond with honor. He was confident he’d emerge unscathed.

Though he’d never heard Salvatore Tessio say a bad word about Michael, Geraci didn’t doubt that Sally had thrown in with Barzini. He had to be angry about the nepotism that made a Don out of a greenhorn like Michael. He had to see the folly of cutting the organization off from its neighborhood roots to move west and become-what? Geraci had taken over countless once-thriving neighborhood businesses built by industrious, illiterate immigrant fathers and ruined by American-born sons with business degrees and dreams of expansion.

Geraci checked his watch, a college graduation gift from Tessio. Michael certainly hadn’t inherited the late Don’s legendary punctuality. Geraci ordered a second espresso.

Time and time again, Geraci had proven himself a loyal member of the Corleone organization and, still shy of his fortieth birthday, maybe its best earner. Once he’d been a boxer, a heavyweight, both as Ace Geraci (a boyhood nickname that he let stick, even though it mocked him for acceding to the American pronunciation of his name: Juh-RAY-see instead of Jair-AH-chee ) and under numerous aliases (he was Sicilian but fair-haired, able to pass as Irish or German). He’d kept his feet for six rounds against a man who, a few years later, knocked the heavyweight champion of the world on his ass. But Geraci had hung around gyms since he was a little kid. He’d vowed never to become one of those punch-drunk geezers shuffling around smelling of camphor and clutching a little bag of yesterday’s doughnuts. He fought for money, not glory. His godfather in Cleveland (who was also, Geraci gradually learned, the Godfather of Cleveland) had connected him with Tessio, who ran the biggest sports gambling operation in New York. Fixed fights meant fewer blows to the head. Soon Geraci was called on to give out back-alley beatings (beginning with two kids who’d assaulted the daughter of Amerigo Bonasera, an undertaker friendly with Vito Corleone). The beatings punished deadbeats and loudmouths who had it coming, and earned Geraci enough money to go to college. Before he was twenty-five, he’d finished his degree, left the enforcer racket, and was a rising man of promise in Tessio’s regime. He’d started out with some dubious qualities-he was the only guy hanging out at the Patrick Henry Social Club who hadn’t been born in Brooklyn or Sicily; the only one with a college degree; one of the few who didn’t want to carry guns or visit whores-but the best way to get ahead was to make money for the people above him, and Geraci was such a gifted earner that soon his exotic flaws were forgotten. His most brilliant tactic was to exaggerate his take on every job. He handed over sixty or seventy percent of everything instead of the required fifty. Even if he had been caught, what were they going to do, whack him? It was foolproof. His overpayments were an investment with jackpot-level payouts. The more he made for the men above him, the safer he was and the faster he rose. The higher he rose, the more men there were underneath him paying him fifty percent. And if the greedy morons held out on him, he was smart enough to catch it. It became clear all over New York that there was a difference between getting hit by the toughest guy you ever fought and having your eye socket flattened into a bloody paste by a blow from a former heavyweight prizefighter. The threat of what Geraci could do became a part of the mythology of the street. Soon he rarely needed to do anything to get his money but ask for it. If that. Intimidation is a better weapon than a fist or a gun.

During the war, Geraci mastered the ration-stamp black market and held a draft-exempt civilian position as a loading-dock inspector. Tessio proposed him for membership in the Corleone Family, and at the ceremony his finger was cut by Vito himself. After the war, Geraci started his own shylock operation. He specialized in contractors, who at first never realized how front-loaded their expenses were and underestimated how tough it was, at the end of jobs, to get everyone who owes you money to pay (here, too, Geraci could be of service). He also targeted business owners who were degenerate gamblers or had any other weakness that made them seek quick cash. Before long, Geraci was able to use those businesses to launder money and give wiseguys something to put on their tax returns-at least until the time came to bust the place out. For thirty days, deliveries would stream through the front door and go straight out the back: presents for wives and girlfriends, gestures of friendship to cops, but otherwise sold to bargain hunters from the neighborhood. Once the bills came, so, too, would a mysterious fire -dago lightning. Geraci hated both the term and the crude endgame strategy, and he put it to rest by working on a night school law degree and supplanting the fires with perfectly legal bankruptcy proceedings. He incorporated every business in question (Geraci had a guy in Delaware), sheltering the owner’s personal assets. If the owner was a good sport, Geraci tossed in a thousand bucks and some land in Florida or Nevada. When Michael Corleone took advantage of his father’s semiretirement and covertly got involved with prostitution and narcotics, the businesses Vito had refused to enter, he’d put Geraci in charge of narcotics and let him hand-pick several men from Tessio’s regime and what was left of Sonny’s. Within months, Geraci worked some things-with the great Sicilian Don Cesare Indelicato, with the powers-that-be on the docks in New Jersey and Jacksonville, and with airports in New York and the Midwest, where he operated several small planes owned by companies the Corleones controlled but did not on paper own. The Corleones, unbeknown to most of the men in their organization, were making as much from narcotics as anybody in America. Without that money, they could never have amassed a war chest big enough to go after the Barzinis and the Tattaglias.

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