Paul Theroux - The Great Railway Bazaar

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Paul Theroux is a vocal proponent of rail travel over air travel, which he likens to traveling by submarine for all that goes unseen and not experienced by its adherents. The Great Railway Bazaar, his 1975 account of a four month railroad journey through Europe and Asia begins, "I sought trains, I found passengers." It is certainly the individuals that Theroux meets along the way, rather than the cities, buildings, or sites of touristic import, to which he devotes his most generous descriptions.
Beginning in Victoria Station with Duffill, an older man with a tweed cap, ill-fitting clothes, and mysterious business in Istanbul (Duffill's name later becomes synonymous with being left behind at a railway station), Theroux's journeys brim with a huge cast of colorful characters. From ashram-bound hippies to devout Kali-worshiping Tamils to Vassily Prokofyevich, the drunken Russian dining car manager on the Trans-Siberian Express, Theroux richly details his varied encounters, paying particular attention to the bizarre along the bazaar.
In Calcutta, "a city of mutilated people (where) only the truly monstrous looked odd," the author encounters "the hopping man," who with only one muscular leg, hops himself through the urban detritus; on the Saigon to Bien Hoa train, a Vietnamese woman thrusts an American baby upon him, expecting Theroux to keep and raise the child; and in Japan, where the cleanliness, efficiency, and quiet of the passenger trains provide striking contrast to what the author had up until that point become accustomed to, he finds the cultural undercurrent of sadistic pornography disturbingly unquestioned.
Paul Theroux had already established himself as a novelist at the time of his four month journey; The Great Railway Bazaar, today a travel writing classic, was preceded by ten books, six of which were novels. In fact, his four month long excursion seems to have been funded or at least justified, by the lecture engagements the author had arranged all along his route.
The first of many in this genre from Theroux, including Dark Star Safari (2002) and Ghost Train to the Eastern Star (2008), The Great Railway Bazaar is at once a timeless narrative of humans and travel and a distinctly historical slice of global affairs as viewed by one decidedly motion-bound writer.
The journey however is a long one and while masterfully wrought, it is often the incidental passage of time in a railway compartment that is thus rendered, and by the end of it even Theroux has tired of his travels. Snippets of brilliance exist throughout, but they are intermittent as you might expect, as when viewed from a passing train.

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At the station ('Proper name is Tikhookeanskaya Station' – Intourist brochure), a building with the stucco and proportions of the Kabul madhouse, I paid six rubles to change from Hard Class to Soft. The clerk said this was highly irregular, but I insisted. There were two berths in the Soft-Class compartments, four in Hard, and I had found the cabin in the Khabarovsk a salutary lesson in overcrowding. Russian travel had already made me class-conscious; I demanded luxury. And the demand, which would have got me nowhere in Japan, where not even the prime minister has his own railway compartment (though the emperor has eleven carriages), got me a plush berth in Car Five of the Vostok.

'Yes, you have question please?' said a lady in a fur hat. The platform was freezing, crisscrossed with the moulds of footprints in ice. The woman breathed clouds of vapour.

'I'm looking for Car Number Five.'

'Car Number Five is now Car Number Four. Please go to Car Number Four and show voucher. Thank you.' She strode away.

A chilly group of complaining people stood at the entrance to the car the lady had indicated. I asked if it was Car Number Four.

'This is it,' said the American occultist.

'But they won't let us in,' said his wife. 'The guy told us to wait.'

A workman came, dressed like a grizzly bear. He set up a ladder with the meaningless mechanical care of an actor in an experimental play whose purpose is to baffle a bored audience. My feet had turned to ice, my Japanese gloves admitted the wind, my nose burned with frostbite – even my knees were cold. The man's paws fumbled with metal plates.

'Jeepers, I'm cold!' said the woman. She let out a sob.

'Don't cry, honey,' said her husband. To me he said, 'Ever see anything like it?'

The man on the ladder had removed the 4 from the side of the car. He slipped 5 into the slot, pounded it with his fist, descended the ladder, and, clapping the uprights together, signalled for us to go inside.

I found my compartment and thought, How strange. But I was relieved, and almost delirious with the purest joy a traveller can know: the sight of the plushest, most comfortable room I had seen in thirty trains. Here, on the Vostok, parked on a platform in what seemed the most godforsaken town in the Soviet Far East, was a compartment that could only be described as High Victorian. It was certainly pre-revolution. The car itself had the look of a narrow lounge in a posh London pub. The passage floor was carpeted; there were mirrors everywhere; the polished brass fittings were reflected in varnished wood; poppies were etched on the glass globes of the pairs of lamps beside the mirrors, lighting the tasselled curtains of red velvet and the Roman numerals on the compartment doors. Mine was VII. I had an easy chair on which crocheted antimacassars had been neatly pinned, a thick rug on the floor, and another one in the toilet, where a gleaming shower hose lay coiled next to the sink. I punched my pillow: it was full of warm goose feathers. And I was alone. I walked up and down the room, rubbing my hands, then set out pipes and tobacco, slippers, Gissing, my new Japanese bathrobe, and poured myself a large vodka. I threw myself on the bed, congratulating myself that 6,000 miles lay between Nakhodka and Moscow, the longest train journey in the world.

To get to the dining car that evening I had to pass through four carriages, and between them in the rubber booth over the coupling was a yard of Arctic. An icy wind blew through the rips in the rubber, there was snow on the floor, a thickness of heavy crystals on the car wall, and the door handles were coated with frost. I lost the skin from my fingertips on the door handles, and thereafter, whenever I moved between the cars of the Trans-Siberian Express, I wore my gloves. Two babushkas acknowledged me. In white smocks and turbans they stood with their red arms in a sink. More old ladies were sweeping the passage with brushwood brooms – a nation of stooping, labouring grannies. Dinner was sardines and stew, made palatable by two tots of vodka. I was joined halfway through by the American occultists. They ordered wine. The wife said, 'We're celebrating. Bernie's just finished his internship.'

'I had no idea occultists served internships,' I said.

Bernie frowned. He said, 'I'm an MD.'

'Ah, a real doctor!' I said.

'We're celebrating by going around the world,' said the wife. 'We're on our way to Poland – I mean, after Irkutsk.'

'So you're really living it up.'

'Sort of’

'Bernie,' I said, 'you're not going to go back and become one of those quacks that charge the earth for curing halitosis, are you?'

'It costs a lot of money to go to medical school,' he muttered, which was a way of saying he was. He said he owed $20,000. He had spent years learning his job. Textbooks were expensive. His wife had had to work. It didn't sound much of an ordeal, I said. I owed more money than that. He said, 'I even had to sell my blood.'

'Why is it,' I said, 'that doctors are always telling people how they sold their blood as students? Don't you see that selling blood by the pint is just another example of your avarice?'

Bernie said, 'I don't have to take this from you.' He grabbed his wife by the arm and led her out of the dining car.

'The great occultist,' I said, and realized that I was drunk. I went back to Number VII, and just before I switched off the table lamp I looked out the window. There was snow on the ground, and in the distance, under a cold moon, those leafless sticklike trees.

It was pitch dark when I woke up, but my watch said it was past eight o'clock. There was a pale dawn breaking at the bleak horizon, a narrow semicircle of light, like the quick of a fingernail. An hour later this glowed, a winter fluorescence on the icy flatness of Primorsk, lighting the small wooden bungalows, like henhouses with smoking chimneys, surrounded by fields of stubble and snowdrifts. Some people were already up, dressed for the cold in thick black coats and heavy felt boots that made them look clubfooted. They walked like roly-poly dolls, their heavily padded sleeves making their arms stick out. In the slow winter dawn I saw one especially agile man sliding down a slope, steering his feet like skis; he carried a yoke and two buckets. After breakfast I saw more of these scenes, bucket-carriers, a horse-drawn sleigh with a man in it who looked too cold to crack his whip, and another man pulling his children on a sled. But there were not many people out at that hour, nor were there many settlements, and there were no roads: the low smoking huts were set without any discernible pattern in trackless fields.

The sun broke through the band of haze and then shone in a cloudless sky, warming the curtains and rugs of the sleeping car. There were occasional stations, wood-framed, with gingerbread peaks, but we stopped long enough only to view the posters, portraits of Lenin, portraits of workers, and murals showing people of various colours looking courageous and linking arms. I looked for a reaction on the faces of the Japanese in the Vostok; they remained impassive. Perhaps the murals depicted Chinese and Russians? It was possible. This was a disputed area. All the way to Khabarovsk we travelled along the Chinese border, which is at that point the Ussuri River. But maps are misleading – this corner of China was no different from the Soviet Union: it lay frozen under deep snow and in the bright sunlight there were crooked forests of silver birch.

The city of Khabarovsk appeared in the snow at noon, and over the next week I grew accustomed to this deadly sight of a Soviet city approaching on the Trans-Siberian line, buried at the bottom of a heavy sky: first the acres of wooden bungalows on the outskirts; then, where the tracks divided, the work-gangs of women chipping ice from the switches; the huffing steam locomotives and the snow gradually blackening with fallen soot, and the buildings piling up, until the city itself surrounded the train with its dwellings, log cabins and cell blocks. But in the history of the Trans-Siberian Railway, Khabarovsk is an important place. The great railway, proposed in 1857 by the American Perry McDonough Collins and finally begun in 1891 under Tsarevich Nicholas, was completed here in 1916. The last link was the Khabarovsk Bridge over the Amur River; then the way was open by rail from Calais to Vladivostok (now off-limits to foreigners for military reasons).

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