Paul Theroux - The Great Railway Bazaar

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Paul Theroux is a vocal proponent of rail travel over air travel, which he likens to traveling by submarine for all that goes unseen and not experienced by its adherents. The Great Railway Bazaar, his 1975 account of a four month railroad journey through Europe and Asia begins, "I sought trains, I found passengers." It is certainly the individuals that Theroux meets along the way, rather than the cities, buildings, or sites of touristic import, to which he devotes his most generous descriptions.
Beginning in Victoria Station with Duffill, an older man with a tweed cap, ill-fitting clothes, and mysterious business in Istanbul (Duffill's name later becomes synonymous with being left behind at a railway station), Theroux's journeys brim with a huge cast of colorful characters. From ashram-bound hippies to devout Kali-worshiping Tamils to Vassily Prokofyevich, the drunken Russian dining car manager on the Trans-Siberian Express, Theroux richly details his varied encounters, paying particular attention to the bizarre along the bazaar.
In Calcutta, "a city of mutilated people (where) only the truly monstrous looked odd," the author encounters "the hopping man," who with only one muscular leg, hops himself through the urban detritus; on the Saigon to Bien Hoa train, a Vietnamese woman thrusts an American baby upon him, expecting Theroux to keep and raise the child; and in Japan, where the cleanliness, efficiency, and quiet of the passenger trains provide striking contrast to what the author had up until that point become accustomed to, he finds the cultural undercurrent of sadistic pornography disturbingly unquestioned.
Paul Theroux had already established himself as a novelist at the time of his four month journey; The Great Railway Bazaar, today a travel writing classic, was preceded by ten books, six of which were novels. In fact, his four month long excursion seems to have been funded or at least justified, by the lecture engagements the author had arranged all along his route.
The first of many in this genre from Theroux, including Dark Star Safari (2002) and Ghost Train to the Eastern Star (2008), The Great Railway Bazaar is at once a timeless narrative of humans and travel and a distinctly historical slice of global affairs as viewed by one decidedly motion-bound writer.
The journey however is a long one and while masterfully wrought, it is often the incidental passage of time in a railway compartment that is thus rendered, and by the end of it even Theroux has tired of his travels. Snippets of brilliance exist throughout, but they are intermittent as you might expect, as when viewed from a passing train.

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I flew from Danang to Nha Trang to take a train to Thap Cham, but the day I arrived there was an attack by a squad of sappers on the oil depot outside Saigon, at Nha Be, and 50 per cent of Vietnam's fuel was wiped out in a morning. Fuel rationing started and I cancelled my trip. It was an unnecessary extravagance, since I would have to be driven a hundred miles back in a car. I got a bicycle and pedalled around the town of abandoned villas, then ate eels at a sea-front restaurant. The next day I waited hours at Nha Trang airport for a Saigon plane; and finally one came, a C-123 laden with Kleenex, Kotex, beans, toilet paper, grapefruit juice, a huge crate of Port of Call Extra Fancy Cal-Rose Rice (odd, since Nha Trang is in a rice-growing area), and a 1967 Dodge, belonging to one of the Americans there.

The flight back to Saigon in a thunderstorm scared the life out of me; I was strapped against the stomach wall of this pitching whale, and the three Chinese pilots gave me no reassurance. I recovered sufficiently to give two more lectures of which I remember little apart from what Auden described in 'On the Circuit' as

A truly asinine remark, A soul-bewitching face.

And then I was off and waiting at Tan Son Nhut Airport to go to Japan. In better times I would have taken the train to Hanoi, changed for Peking, and gone via Shenyang and Seoul to Pusan for a boat linking to one of Japan's Kyushu expresses. Or I could have gone straight from Peking to Moscow via Ulan Bator in Mongolia, and then home. The way is clear, by rail, from Hanoi Junction to Liverpool Street Station in London. Perhaps at some future date…*

* Now – April 1975 – most of the Vietnam towns I passed through by rail have been blown up, all have been captured, and many 6f their people killed. For the survivors the future is melancholy, and the little train no longer runs between Hue and Danang.

Chapter Twenty-Six

THE HATSUKARI ('EARLY BIRD') LIMITED EXPRESS TO AOMORI

In Japan I planned to outfit myself for Siberia. There were the trains, of course, and the lectures to pay for them; but clothing for my onward journey was my initial concern. I arrived in Tokyo with the clothes that had served me for three months in the tropics, my drip-dry wardrobe. These clothes, stained with curry juice, somewhat threadbare, the trouser seats worn shiny by my sedentary travelling, were inadequate for the freezing Japanese weather, which augured ill for what I had been forewarned (Soviet railway timetables give average temperatures) would be thirty below in Khabarovsk. It was then December. Tokyo's winter was aggravated by wind-blown grit and exhaust fumes and those choking updrafts between buildings that characterize big-city winters. I spent two days searching for warm clothes. But Japanese clothes are not designed for the Siberian winter, and they are made only in small sizes, and they cost the earth.

It is with a kind of perverse pride that the Japanese point out how expensive their country has become. But this is as much a measure of wealth as of inflation, and I began to wonder if it was as crippling as people claimed. I asked about it, but this timid inquiry is the foreigner's first question and the knowing resident is prepared to shock you with joke prices. How much does a kimono cost? 'You can get a good one for a thousand dollars.' A meal? 'At most restaurants you cann get away with paying about twenty dollars – for one peirrson.' A bottle of gin? 'Imported stuff might set you bs-ack twenty dollars or more.' And when I laughed denrisively, an American turned on me with what I thounght was unwarranted savagery and said, 'Listen, you caiAn't get a cup of coffee here for less than a dollar!' There was, I learned later, a place in the Tokyo outskirts wvhere a cup of coffee (including cream and sugar) was saiftid to cost forty dollars. This information, offered so casunally, is like a form of fagging at schools where the senioors' automatic response to the new boy is to exclude hii.m by horrifying him. Americans in Thailand initiate youu by saying, 'Never pat a Thai on the head – the head is s sacred here. You could be killed for that.' The retailing; of the Thai religious mystique, like the money mystiquue in Japan, is supposed to make you think twice about starving. No one says you can live cheaply in Japan – but it's possible, by staying in Japanese inns and developing a tasiSte for the large bowls of noodle soup called ra-men (no o charge for the tea) and using the train. Fruit is also inexpeensive since Japan buys cut-price oranges, apples, and tang.gerines from the South Africans, who are so grateful to geaet radios in return, they have officially declared the Japarnese to be white. And there is a McDonald's hamburgeer joint on the Ginza. Winter clothes were a different strtory. Most coats I saw were well over $100 and the onee I settled for, a tight-fitting number with a rabbit-fur- collar, cost me $150. Gloves, scarf, woollen hat, and s so forth exhausted the fee I got for my first lecture, but 11 was prepared not only for Siberia but also for my speaking engagement in the December snows of Hokkaido, two train trips north.

The streets of Toyko after dark were filled with glad groups of whooping Japanese. Less enthusiastic ones lay dead drunk in the doorways of Mori's Noodle House or the Pub Glasgow, or were slumped on the sidewalks of crooked back lanes – wherever they were overcome by alcoholic fatigue. These were casualties of the bonus. Twice a year Japanese employees are awarded a bonus: December is one of these months and it was my fate to arrive the day the money was dished out. Towards midnight I could see all the stages of Japanese drunkenness, from the early one, in which they raise their voices, to the last stage, where they simply flop down, collapsing on a restaurant floor or in a freezing street. Between the loudness and paralysis they throw up and sing. I thought of the casualties as 'bonuses', and I could see them being lugged by their friends, many of whom, at the singing stage, had enough boozy courage to howl in my direction. After twelve there were fewer of them; the streets were quiet enough for ladies in kimonos, shawls, and thick slippers to walk their dogs – invariably sleek well-bred hounds. Two ladies, chatting softly, advanced upon me. The dog paused, rocked back and shat; one lady flourished a paper she had held in readiness, and, still chatting to her friend, delicately scooped up the dog shit and deposited it in a nearby barrel.

I hadn't seen the barrel until she used it: Tokyo's order is apparent only up close – from a distance it is a jumble, but the jumble must be studied for the plan to emerge. Then you see the sliding doors, the neatly hidden lights in the wall and under the table connected to barely visible switches marked bright and dusky, the tables and waiters and spigots that materialize from the wall, the machines in the subway that sell you a ticket and then punch it, the disappearing chairs, and the silent trains you board with the help of the disembodied arm of a man who is hired to push people aboard. At seven o'clock in the evening when the stores close, two girls in uniform appear at the door; they bow, say 'Thank you' and 'Come again' to each customer, and they are back in the morning. At the enormous Isetan Department Store in Shinjuku, the groups of employees standing by display counters say, 'Good morning' to the first customers, making them feel like stock-holders. Everything works: the place spins with polite invention.

On a department-store wall there are forty-eight colour televisions, an impressive display of electronics, and, though even forty-eight images of a little Japanese politician giving a speech in living colour do not make him Winston Churchill, the array reveals the Japanese taste for gadgetry. There must be something in the Japanese character that saves them from the despair Americans feel in similar throes of consuming. The American, gorging himself on merchandise, develops a sense of guilty self-consciousness; if the Japanese have these doubts they do not show them. Perhaps hesitation is not part of the national character, or perhaps the ones who hesitate are trampled by the crowds of shoppers -that natural selection that capitalist society practises against the reflective. The strong impression I had was of a people who acted together because of a preconceived plan: a people programmed. You see them queuing automatically in the subway, naturally forming lines at ticket counters and machines, and it is difficult to avoid the conclusion that the people all have printed circuits. But my assessment changed with time and I began to see people struggling against order in these subway lines: as soon as the train drew in and the doors flashed open, many people who had waited silently for a long time in an orderly line broke ranks and began shoving and flailing their parcels and throwing themselves at the door.

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