Cormac McCarthy - All The Pretty Horses

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In All the Pretty Horses, Cormac McCarthy begins his Border Trilogy with a coming of age tale that is a departure from the bizarre richness and mysterious violence of his early novels, yet in many ways preserves the mystery and the richness in a more understated form. Like Blood Meridian, this novel follows a young man's journey to the regions of the unknown. John Grady Cole, more heroic than the protagonists of McCarthy's earlier novels, confronts the evil that is an inescapable part of the universe as well as the evil that grows out of his own ignorance and pride. His story is told in a style often restrained and simple, embedded with lyrical passages that echo his dreams and memory.
In the spring of 1948 on a small Texas ranch, sixteen year old John Grady Cole attends the funeral of his grandfather, with whom he has lived since his parents' separation. The grandfather's ranch has been left to John Grady's mother, a small-time actress who has no interest in it and will sell it. John Grady's father, psychologically damaged by World War II and now physically ill as well, tells his son goodbye. With no apparent future in Texas, and sensing the threat of the new era to the traditional life he values, John Grady urges his old friend Rawlins to accompany him to Mexico. There, John Grady will find that his innocence, or ignorance, will ultimately lead him close to destruction.
Before reaching the border they meet Jimmy Blevins, a dangerous young boy on a magnificent horse. Even though Cole and Rawlins do not trust Blevins and are sure his horse is stolen, they allow him to join them despite their doubts. As they ride into Mexico, they realize that they are no longer in a world that they can understand. When Blevins' clothes and horse disappear during a thunderstorm, they search a nearby Mexican town, where they find the clothes and finally the horse. In spite of Rawlins' voiced forebodings, Blevins steals the horse back, and as John Grady and Rawlins flee the town Blevins gallops past them, pursued by armed men.
John Grady and Rawlins ride south, coming at last to a ranch, the Hacienda de Nuestra Senora de la Purisima Conception. As they talk with the vaqueros about the possibility of employment, John Grady sees a beautiful girl on a black horse, Alejandra, the daughter of hacendado Don Hector Rocha y Villareal. The heir of an aristocratic family, Don Hector is avidly interested in breeding wild mountain horses with his own stock, so John Grady and Rawlins join the vaqueros; John Grady amazes everyone with his ability to break the wild horses quickly and gently.
When Don Hector questions Cole about his past, he omits the episode with Blevins and the fact that he and Rawlins may now be wanted as accomplices in Blevins's horse theft. Concerned about his blossoming relationship with Alejandra, Duena Alfonsa, Don Hector's aunt and Alejandra's godmother, warns John Grady away from the rebellious girl, and informs him that Don Hector will never allow her to marry an American, especially a poor one. But Alejandra comes to him one night and they become lovers.
A few days later John Grady and Rawlins are arrested and taken to a jail in Encantada, where Blevins is already imprisoned for the murder of three men. While the three Americans are transported to the state prison at Saltillo, Blevins is taken from the group and shot. At the prison, they are questioned and beaten, and Rawlins is injured seriously. John Grady, attacked by another prisoner, whom he must kill, learns that evil exists not only in the world but in himself. When he and Rawlins are suddenly released as mysteriously as they were arrested, Rawlins returns to Texas.
But John Grady goes back to La Purisima to search for Alejandra, who is not there. Once again Duena Alfonsa makes clear to him the impossibility of the match. She tells her own story of the power of ignorance and evil (her love for a man who was killed by a mob after helping depose the dictator Diaz) and of her determination to protect Alejandra. Although John Grady does meet Alejandra one last time at a hotel in Zacatecas, it is only as a farewell: she chooses her family's approval (and perhaps their money). In pain, Cole returns to Encantada where he finds Blevins's horse, innocent like all animals and yet the cause of much death and loss. John Grady captures both the horse and the brutal police captain who shot Blevins, and heads homeward. En route, the captain is seized by brigands with a score to settle with him, and John Grady finally returns to Texas.
He finds even less there than before: his father and his childhood nurse are both dead. He rides on with the stolen horse, seeking to restore it to its rightful owner. John Grady has learned, but not yet enough; he has left home and returned a changed man, but there is no home to receive him. All the Pretty Horses is a hero's quest without a neat resolution, a book in which the strange light of mythic struggles shines through the quick-paced adventure.
The Border Trilogy continues with Volume Two, The Crossing, and concludes with the third volume, Cities of the Plain.

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That was foolish of me, she said. The queen's knight. That was a blunder. You play very well.

Yes mam. You play well yourself.

She pushed back the sleeve of her blouse to look at a small silver wristwatch. John Grady sat. It was two hours past his bedtime.

One more? she said.

Yes mam.

She used an opening he'd not seen before. In the end he lost his queen and conceded. She smiled and looked up at him. Carlos had entered with a tea tray and he set it on the table and she pushed aside the board and pulled the tray forward and set out the cups and saucers. There were slices of cake on a plate and a plate of crackers and several kinds of cheese and a small bowl of brown sauce with a silver spoon in it.

Do you take cream? she said.

No mam.

She nodded. She poured the tea.

I could not use that opening again with such effect, she said. I'd never seen it before.

Yes. It was invented by the Irish champion Pollock. He called it the King's Own opening. I was afraid you might know it.

I'd like to see it again some time.

Yes. Of course.

She pushed the tray forward between them. Please, she said. Help yourself.

I better not. I'll have crazy dreams eatin this late.

She smiled. She unfolded a small linen napkin from off the tray.

I've always had strange dreams. But I'm afraid they are quite independent of my dining habits.

Yes mam.

They have a long life, dreams. I have dreams now which I had as a young girl. They have an odd durability for something not quite real.

Do you think they mean anything?

She looked surprised. Oh yes, she said. Dont you?

"'ell. I dont know. They're in your head.

She smiled again. I suppose I dont consider that to be the condemnation you do. Where did you learn to play chess?

My father taught me.

He must be a very good player.

He was about the best I ever saw.

Could you not win against him?

Sometimes. He was in the war and after he come back I got to where I could beat him but I dont think his heart was in it. He dont play at all now.

That's a pity.

Yes mam. It is.

She poured their cups again.

I lost my fingers in a shooting accident, she said. Shooting live pigeons. The right barrel burst. I was seventeen. Alejandra's age. There is nothing to be embarrassed about. People are curious. It's only natural. I'm going to guess that the scar on your cheek was put there by a horse.

Yes mam. It was my own fault.

She watched him, not unkindly. She smiled. Scars have the strange power to remind us that our past is real. The events that cause them can never be forgotten, can they?

No mam.

Alejandra will be in Mexico with her mother for two weeks. Then she will be here for the summer.

He swallowed.

Whatever my appearance may suggest, I am not a particularly oldfashioned woman. Here we live in a small world. A close world. Alejandra and I disagree strongly. Quite strongly in fact. She is much like me at that age and I seem at times to be struggling with my own past self. I was unhappy as a child for reasons that are no longer important. But the thing in which we are united, my niece and I…

She broke off. She set the cup and saucer to one side. The polished wood of the table held a round shape of breath where they'd stood that diminished from the edges in and vanished. She looked up.

I had no one to advise me, you see. Perhaps I would not have listened anyway. I grew up in a world of men. I thought this would have prepared me to live in a world of men but it did not. I was also rebellious and so I recognize it in others. Yet I think that I had no wish to break things. Or perhaps only those things that wished to break me. The names of the entities that have power to constrain us change with time. Convention and authority are replaced by infirmity. But my attitude toward them has not changed. Has not changed.

You see that I cannot help but be sympathetic to Alejandra. Even at her worst. But I wont have her unhappy. I wont have her spoken ill of. Or gossiped about. I know what that is. She thinks that she can toss her head and dismiss everything. In an ideal world the gossip of the idle would be of no consequence. But I have seen the consequences in the real world and they can be very grave indeed. They can be consequences of a gravity not excluding bloodshed. Not excluding death. I saw this in my own family. What Alejandra dismisses as a matter of mere appearance or outmoded custom…

She made a whisking motion with the imperfect hand that was both a dismissal and a summation. She composed her hands again and looked at him.

Even though you are younger than she it is not proper for you to be seen riding in the campo together without supervision. Since this was carried to my ears I considered whether to speak to Alejandra about it and I have decided not to.

She leaned back. He could hear the clock ticking in the hall. There was no sound from the kitchen. She sat watching him.

What do you want me to do? he said.

I want you to be considerate of a young girl's reputation.

I never meant not to be.

She smiled. I believe you, she said. But you must understand. This is another country. Here a woman's reputation is all she has.

Yes mam.

There is no forgiveness, you see.

Mam?

There is no forgiveness. For women. A man may lose his honor and regain it again. But a woman cannot. She cannot.

They sat. She watched him. He tapped the crown of his seated hat with the tips of his four fingers and looked up.

I guess I'd have to say that that dont seem right.

Right? she said. Oh. Yes. Well.

She turned one hand in the air as if reminded of something she'd misplaced. No, she said. No. It's not a matter of right. You must understand. It is a matter of who must say. In this matter I get to say. I am the one who gets to say.

The clock ticked in the hall. She sat watching him. He picked up his hat.

Well. I guess I ought to say that you didnt have to invite me over just to tell me that.

You're quite right, she said. It was because of it that I almost didnt invite you.

ON THE MESA they watched a storm that had made up to the north. At sundown a troubled light. The dark jade shapes of the lagunillas below them lay in the floor of the desert savannah like piercings through to another sky. The laminar bands of color to the west bleeding out under the hammered clouds. A sudden violetcolored hooding of the earth.

They sat tailorwise on ground that shuddered under the thunder and they fed the fire out of the ruins of an old fence. Birds were coming down out of the half darkness upcountry and shearing away off the edge of the mesa and to the north the lightning stood along the rimlands like burning mandrake.

What else did she say? said Rawlins.

That was about it.

You think she was speakin for Rocha?

I dont think she speaks for anybody but her.

She thinks you got eyes for the daughter.

I do have eyes for the daughter.

You got eyes for the spread?

John Grady studied the fire. I dont know, he said. I aint thought about it.

Sure you aint, said Rawlins.

He looked at Rawlins and he looked into the fire again.

When is she comin back?

About a week.

I guess I dont see what evidence you got that she's all that interested in you.

John Grady nodded. I just do. I can talk to her.

The first drops of rain hissed in the fire. He looked at Rawlins.

You aint sorry you come down here are you?

Not yet.

He nodded. Rawlins rose.

You want your fish or you aim to just set there in the rain? I'll get it.

I got it.

They sat hooded under the slickers. They spoke out of the hoods as if addressing the night.

I know the old man likes you, said Rawlins. But that dont mean he'll set still for you courtin his daughter.

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