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Arundhati Roy: The God of Small Things

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Arundhati Roy The God of Small Things

The God of Small Things: краткое содержание, описание и аннотация

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This highly stylized novel tells the story of one very fractured family from the southernmost tip of India. Here is an unhappy family unhappy in its own way, and through flashbacks and flashforwards The God of Small Things unfolds the secrets of these characters' unhappiness. First-time novelist Arundhati Roy twists and reshapes language to create an arresting, startling sort of precision. The average reader of mainstream fiction may have a tough time working through Roy's prose, but those with a more literary bent to their usual fiction inclinations should find the initial struggle through the dense prose a worthy price for this lushly tragic tale. Rahel and Estha are fraternal twins whose emotional connection to one another is stronger than that of most siblings: Esthappen and Rahel thought of themselves together as Me, and separately, individually as We or Us. As though they were a rare breed of Siamese twins, physically separate, but with joint identities. Now, these years later, Rahel has a memory of waking up one night giggling at Estha's funny dream. She has other memories too that she has no right to have. Their childhood household hums with hidden antagonisms and pains that only family members can give one another. Blind Mammachi, the twins' grandmother and founder of Paradise Pickles & Preserves, is a violin-playing widow who suffered years of abuse at the hands of her highly respected husband, and who has a fierce one-sided Oedipal connection with her son, Chacko. Baby Kochamma, Rahel and Estha's grandaunt, nurses deep-seated bitterness for a lifetime of unrequited love, a bitterness that plays out slyly against everyone in the family; in her youth she fell in love with an Irish Roman-Catholic priest and converted to his faith to win him, while he eventually converted to Hinduism. Chacko, divorced from his English wife and separated from his daughter since her infancy, runs the pickle factory with a capitalist's hand, self-deluding himself all the while that he is a Communist at heart even as he flirts with and beds his female employees. Ammu, the twins' mother, is a divorcee who fled her husband's alcoholism and impossible demands, a woman with a streak of wildness that the children sense and dread and that will be her and her family's undoing. The family's tragedy revolves around the visit of Chacko's ex-wife, widowed by her second husband, and his daughter, Sophie Mol. It is within the context of their visit that Estha will experience the one horrible thing that should never happen to a child, during their visit that Ammu will come to love by night the man the children love by day, and during their visit that Sophie Mol will die. Her death, and the fate of the twins' beloved Untouchable Velutha, will forever alter the course of the lives of all the members of the family, sending them each off on spinning trajectories of regret and pain. The story reveals itself not in traditional narrative order, but in jumps through time, wending its way through Rahel's memories and attempts at understanding the hand fate dealt her family. The God of Small Things has been favorable reviewed all over the place, generating a lot of excitement in the current literary establishment. What you think of it will depend heavily on your opinion of Roy's prose style – is it ostentatious, or is it brilliant? Whether or not you fall in love with her style, the truth of the heartbreaking story she tells and the lovable/hate-able characters who people it make this novel an experience not to be missed.

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Though there was a considerable age difference between Father Mulligan and Reverend Ipe, and though they belonged to different denominations of the Church (whose only common sentiment was their mutual disaffection), both men enjoyed each other’s company, and more often than not, Father Mulligan, would be invited to stay for lunch. Of the two men, only one recognized the sexual excitement that rose like a tide in the slender girl who hovered around the table long after lunch had been cleared away.

At first Baby Kochamma tried to seduce Father Mulligan with weekly exhibitions of staged charity. Every Thursday morning, just when Father Mulligan was due to arrive, Baby Kochamma forcebathed a poor village child at the well with hard red soap that hurt its protruding ribs.

“Morning, Father!” Baby Kochamma would call out when she saw him, with a smile on her lips that completely belied the viselike grip that she had on the thin child’s soapslippery arm.

`Morning to you, Baby!” Father Mulligan would say, stopping and folding his umbrella.

“There’s something I wanted to ask you, Father,” Baby Kochamma would say. “In First Corinthians, chapter ten, verse twenty-three, it says `All things are lawful unto me, but all things are not expedient,’ Father, how can all things be lawful unto Him? I mean I can understand if some things are lawful unto Him, but-”

Father Mulligan was more than merely flattered by the emotion he aroused in the attractive young girl who stood before him with a trembling, kissable mouth and blazing, coal-black eyes. For he was young too, and perhaps not wholly unaware that the solemn explanations with which he dispelled her bogus biblical doubts were completely at odds with the thrilling promise he held out in his effulgent emerald eyes.

Every Thursday, undaunted by the merciless midday sun, they would stand there by the well. The young girl and the intrepid Jesuit, both quaking with unchristian passion. Using the Bible as a ruse to be with each other.

Invariably, in the middle of their conversation, the unfortunate soapy child that was being force-bathed would manage to slip away, and Father Mulligan would snap back to his senses and say, `Oops! We’d better catch him before a cold does.”

Then he would reopen his umbrella and walk away in chocolate robes and comfortable sandals, like a high-stepping camel with an appointment to keep. He had young Baby Kochamma’s aching heart on a leash, bumping behind him, lurching over leaves and small stones. Bruised and almost broken.

A whole year of Thursdays went by. Eventually the time came for Father Mulligan to return to Madras. Since charity had not produced any tangible results, the distraught young Baby Kochamma invested all her hope in faith.

Displaying a stubborn single-mindedness (which in a young girl in those days was considered as bad as a physical deformity- harelip perhaps, or a clubfoot), Baby Kochamma defied her father’s wishes and became a Roman Catholic. With special dispensation from the Vatican, she took her vows and entered a convent in Madras as a trainee novice. She hoped somehow that this would provide her with legitimate occasion to be with Father Mulligan. She pictured them together, in dark sepulchral rooms with heavy velvet drapes, discussing theology. That was all she wanted. All she ever dared to hope for. Just to be near him. Close enough to smell his beard. To see the coarse weave of his cassock. To love him just by looking at him.

Very quickly she realized the futility of this endeavor. She found that the senior sisters monopolized the priests and bishops with biblical doubts more sophisticated than hers would ever be, and that it might be years before she got anywhere near Father Mulligan. She grew restless and unhappy in the convent. She developed a stubborn allergic rash on her scalp from the constant chafing of her wimple. She felt she spoke much better English than everybody else. This made her lonelier than ever.

Within a year of her joining the convent, her father began to receive puzzling letters from her in the mail.

My dearest Papa, I am well and happy in the service of Our Lady. But Koh-i-noor appears to be unhappy and homesick. My dearest Papa, Today Koh-i-noor vomited after lunch and is running a temperature. My dearest Papa, Convent food does not seem to suit Koh-i-noor though I like it well enough. My dearest Papa, Koh-i-noor is upset because her family seems to neither understand nor care about her wellbeing…

Other than the fact that it was (at the time) the name of the world’s biggest diamond, Reverend E. John Ipe knew of no other Koh-i-noor. He wondered how a girl with a Muslim name had ended up in a Catholic convent.

It was Baby Kochamma’s mother who eventually realized that Koh-i-noor was none other than Baby Kochamma herself. She remembered that long ago she had shown Baby Kochamma a copy of her father’s (Baby Kochamma’s grandfather’s) will, in which, describing his grandchildren, he had written: I have seven jewels, one of which is my Koh-i-noor. He went on to bequeath little bits of money and jewelry to each of them, never clarifying which one he considered his Koh-i-noor. Baby Kochamma’s mother realized that Baby Kochamma, for no reason that she could think of, had assumed that he had meant her-and all those years later at the convent, knowing that all her letters were read by the Mother Superior before they were posted, had resurrected Koh-i-noor to communicate her troubles to her family.

Reverend Ipe went to Madras and withdrew his daughter from the convent. She was glad to leave, but insisted that she would not reconvert, and for the rest of her days remained a Roman Catholic. Reverend Ipe realized that his daughter had by now developed a “reputation” and was unlikely to find a husband. He decided that since she couldn’t have a husband there was no harm in her having an education. So he made arrangements for her to attend a course of study at the University of Rochester in America.

Two years later, Baby Kochamma returned from Rochester with a diploma in Ornamental Gardening, but more in love with Father Mulligan than ever. There was no trace of the slim, attractive girl that she had been. In her years at Rochester, Baby Kochamma had grown extremely large. In fact, let it be said, obese. Even timid little Chellappen Tailor at Chungam Bridge insisted on charging bush-shirt rates for her sari blouses.

To keep her from brooding, her father gave Baby Kochamma charge of the front garden of the Ayemenem House, where she raised a fierce, bitter garden that people came all the way from Kottayam to see.

It was a circular, sloping patch of ground, with a steep gravel driveway – looping around it. Baby Kochamma turned it into a lush maze of dwarf hedges, rocks and gargoyles. The flower she loved the most was the anthurium. Anthurium andraeanum. She had a collection of them, the “Rubrum,” the “Honeymoon,” and a host of Japanese varieties. Their single succulent spathes ranged from shades of mottled black to blood red and glistening orange. Their prominent, stippled spadices always yellow. In the center of Baby Kochamma’s garden, surrounded by beds of cannae and phlox, a marble cherub peed an endless silver arc into a shallow pool in which a single blue lotus bloomed. At each corner of the pool lolled a pink plaster-of-Paris gnome with rosy cheeks and a peaked red cap.

Baby Kochamma spent her afternoons in her garden. In sari and gum boots. She wielded an enormous pair of hedge shears in her bright-orange gardening gloves. Like a lion tamer she tamed twisting vines and nurtured bristling cacti. She limited bonsai plants and pampered rare orchids. She waged war on the weather. She tried to grow edelweiss and Chinese guava.

Every night she creamed her feet with real cream and pushed back the cuticles on her toe-nails.

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